This song is currently my daughter's favorite song at bedtime. When I ask her, "What song would you like tonight?" She immediately insists, "Tell me a story."

So here it is:

Tell me a story,
Tell me a story,
Tell me a story,
And then I'll go to bed.

You promised me,
You said you would,
You better give in so I'll be good,
So tell me a story and then I'll go to bed.

Speaking to children requires slowness. Willingness to go backward and forward over the same ground until a groove is worn. Repetition. Summoning first time laugh at the eleventh-time joke.

Being with children requires day after day. It's a kind of love that makes you stay when everything infinitely more interesting is happening once and forever just outside your reach. You're going to miss Halley's comet blast past. The last yard to the goal. The penultimate scene that pulls together parts one through seven--all while you are explaining why some apples are red and others not, and you have no idea why it's true.

It requires us to relive the frustration, pacing back and forth in front of unreachable door knobs as if with each pass we'll grow the inch to touch. Goal orientation but never the goal. Giving up tiny things that seem crucial without explosions or laying down one's life.

Just not speaking when someone else is. Trying to find the meaning in impenetrable, simple things.

Trying to be the man you want to hear other people saying you are and knowing you never did it right, and there's never another chance.

Learning that when all of this is gone, and there's no one left to remember, the things you did are still echoing through time and space, and what was good, was good.

That all the speed and precision we valued paled in comparison to the one good thing that came out of the slowness, the repetition, the grooves we carved in other's lives.

For better or worse, I have witnessed these things. I have been this man. When I am gone, this is what they will say I will have done.


"Daddy, tell me a story."

"I'm reading the newspaper now."

"I know, but tell me a story."

"Once upon a time there was a father who got really mad at his daughter for not letting him read the newspaper."

"A real story."

"All right. I see I can't win here. Come over here. Sit here. I'll tell you a story. Ok. Are you situated there?"

"What's 'shitshooted'?"

"That means you're ready for a story."

"I yam. I sitting, too."

"Ok. Here we go. Once upon a time there was a princess--"

"Dad, how come there's once upon a time?"


"How come there's once upon a time?"

"Once upon a time? That's, well, that's what we say when we're going to start a story."

"How come? How come we say that when we're having a story?"

"Gee. I don't know. I guess because that's the way it's always been."

"How come?"

"I think because it keeps away the monsters."

"The big monsters, or just the little ones like the Keebles?"

"The furry ones."

"Like Marvin monster?"

"What's Marvin monster?"

"He's in the book."

"Well, I guess like Marvin monster, then."

"Can you tell me a story about mommy, about when she was a baby and she eated stewed carrots and there was diapers on her bottom?"

"I didn't know your mom when she was a baby."

"How come?"

"Because we hadn't met yet."

"How come you hadded met yet?"

"Because I was a baby too and we lived far away from each other."

"But you could just drive to see mommy."

"I was a baby and I didn't have a car."

"I have a car."

"I know. It's nice."

"But it doesn't go on the street because you don't let me."

"Little kids shouldn't be in the street. You could get run over."

"And then I was flat and you will sweep me with a broom."

"And I would be very sad."

"But maybe if I would be flat, I will go under the house and live there."

"I would still be sad. So you should stay out of the street."

"When mommy and you gotted married, did you want kids or did you just want to play? Grandma saided that you were too busy playing and that's why you waited so long."

"Grandma should mind her own business."

"I tolded her that."

"What did you tell her?"

"I saided Grandma should do her own business all the time like you say."

"Oh lord."

"Tell me about when mommy was a princess."

"I thought your mommy was the most beautiful woman in the world."

"She was a princess."

"She was to me."

"And then did you live in a castle?"

"We did. We had big dragons and horses."

"No, you didn't have dragons. Daddy. Don't be silly."

"Yes we did. I had a big one but he burned down the grocery store when he burped so I had to give him to the zoo."


"The zoo in Philadelphia. It's far away but he still lives there."


"His name was Ralph."


"He was as big as this house."

"Listen to me, Daddy."


"Tell me about when mommy weared the princess dress."

"What princess dress?"

"The one in the picture."

"You mean our wedding picture?"

"Tell me about how you went to the hospital and got me."

"Do you want to hear about the wedding or the hospital?"

"Tell me about how you sawed the doctor and he told you, 'I have a baby for you in mommy's tummy' and then you got me."

"When it was time for you to be born, it was late at night and it was snowing. And we had to get mommy's clothes and get in the car and drive in the snow to the hospital."

"And then did you see the doctor there?"

"Not right away. We had to wait a long time."

"And then were you scareded to be at the doctor for so long?"

"Well, we knew it was going to be ok."

"But mommy told me you were scareded of being at the doctor."

"She said that?"

"She tolded me that you were very scared of being at that doctor."

"Well, it was...we didn't ever have a baby before. So we didn't know..."

"Mommy said that they came and took her and then you were scareded but you yelled at everybody."

"Things were going a little rough."

"Mommy says I didded have it easy on anybody."

"You were coming out backward and your heart was slowing down. So I made them pay attention."

"And mommy said you were yelling at all the doctors."

"I wasn't yelling so much."

"She said she was scareded so much and you made the doctors make me born right away."

"Well, it was..."

"Because you wanted me so much that you wanted me to come home right away."

"Yes. We did."

"Because you knowed it was me in there."

"Yes, we knew it was you."

"Daddy, I going to hug you now."

"Ok. I'll hug you back."

"The next time, when you want to be born, I going to telling them to get you fast."

"Thank you. That will be nice. Isn't it bed time yet?"

"No, it's not bed time."

"I think it is."

"Tell me a story."

"I'm going to tell you the story of a little girl who stayed up too late and her father locked her in her room until she was twenty-two years old."

"Daddy. Don't be silly."

"Time for bed, punkin."

"How come you call me pumpkin?"

"Time for bed. Mommy's calling. Let's go."

"Ok. Hug."


"Are you going to read the newspaper now?"

"No. I think I can't read the newspaper now."

"How come?"

"Because it's not important. Now go to bed. Scoot."

"What's inportants?"

"You are, sweetie."

"I not a newspaper, silly."

"Go to bed. Go on."

"Ok goodnight Daddy."

"Goodnight, sweet pea."

The four scariest words in the english language are "Tell Me a Story." It's tantamount to kryptonite - the mere mention of those words makes even the most fabulistic of us cringe like you just took the plug out of a bathtub filled with words and we're left there, watching them pool around our feet and spiral down the drain.

If that were it, if they were just a curse it'd be fine. The problem is, to some of us (me included) they're also the four sexiest words in the English language.

*clears throat.

Years ago, there was this girl who lived across the alley from my apartment. Gorgeous, I think, but I never got a good look at her - dark hair and wide eyes is pretty much all I knew then and practically all I can remember now. During the summer months I'd be sitting here when I'd hear the rattling clank of her opening the security bars on her window. She'd clamber out with a book, a pack of smokes and a glass of wine and just sit there, caught in the building's shadow and hiding from who knows what, drinking and smoking and reading. Sometimes she'd bring a friend, but usually it was just her and the wrought iron, the pages of her book illuminated by her cigarette.

I used to sit at my desk, crafting stories around this woman in my head, trying to figure out who she was when she wasn't reading. I didn't have the guts to mirror her, to go sit on my side of the alley with a book and a beer and a cigarette of my own, waiting for the opportunity to catch her eye. I just...watched. It was so tamely voyeuristic it seems childish now, but was powerful. I got to create her world in my head, and there was nothing she could possibly do to contradict it. Far as I was concerned, she lived in my imagination, escaping every once in awhile for an on-the-clock cigarette break.

I didn't see her last summer at all and her curtains have been closed since. Part of me thinks she quit smoking or decided that lighting up in the kitchen was an acceptable compromise, but I doubt it. People move in New York, it's just the way it works, but an even greater part of me hopes she got a better job living in somebody else's head, somewhere she could smoke at her desk, somewhere with real-world benefits instead of working, as it were, on spec.

I think about her when I think about leaving this apartment, when I think about the predatory nature of the New York City real estate business, when I think about the astronomical amount my rent will be going up in just a few short months. I think about her, and about all the things that've happened in this apartment that, in some weird way, she's been privy to, peering through the brick without really looking at all. She's gone, it's winter and my blinds are resolutely shut, but I keep looking up and out towards the window, hoping that she'll be sitting on my fire escape this time, wreathed in smoke and ashing into a coffee can balanced in the corner of the railings.

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