What need you, being come to sense,
    But fumble in a greasy till
    And add the halfpence to the pence
    And prayer to shivering prayer, until
    You have dried the marrow from the bone;
    For men were born to pray and save:
    Romantic Ireland’s dead and gone,
    It’s with O'Leary in the grave.

    Yet they were of a different kind
    The names that stilled your childish play,
    They have gone about the world like wind,
    But little time had they to pray
    For whom the hangman’s rope was spun,
    And what, God help us, could they save:
    Romantic Ireland’s dead and gone,
    It’s with O’Leary in the grave.

    Was it for this the wild geese spread
    The grey wing upon every tide;
    For this that all that blood was shed,
    For this Edward Fitzgerald died,
    And Robert Emmet and Wolfe Tone,
    All that delirium of the brave;
    Romantic Ireland’s dead and gone,
    It’s with O’Leary in the grave.

    Yet could we turn the years again,
    And call those exiles as they were,
    In all their loneliness and pain
    You’d cry ‘Some woman’s yellow hair
    Has maddened every mother’s son’:
    They weighed so lightly what they gave,
    But let them be, they’re dead and gone,
    They’re with O’Leary in the grave.

          W.B. Yeats

    A poem written by W.B. Yeats after the lockout of September 1913, when Dublin's employers locked out their workers in reaction to the Great Strike. The lockout led to a winter of poverty and confrontation, and resulted in a victory for the employers. The poet expresses his disgust at the captains of industry and commerce, and at the mercenary materialism he felt was rampant in the Ireland of 1913.

    (Thanks to http://homepage.tinet.ie/~splash/Sept1913.html for the comments)

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