There are four main types of Chinese Opera, Pihuang, or Beijing
Opera, Hebei opera, Kunqu, and Gaochang. In total however, there are more than 300 forms of opera coming from different region
s. Mainly used as a form of story
telling, many Chinese operas have no recorded author
. Since the retelling can be in many different style
s, stories are usually classified by subject matter, falling in the the basic categories Wu, and Wen, meaning Martial/Military
, respectively. Operas may have elements of both.
Specific regional customs also have colourful variations on style, like the Szechuan opera's famous face-changers, (Bianlian), where actors can change silk face masks extremely rapidly, and transparently with sleight of hand.
Chinese opera in the form we see today is recent, in that it was in this form around 200 year
s ago, a blink in the eye of Chinese history
. The stories and drama
s from which they originate usually have much more of a lineage, with the earliest kown ones being written in the 12th centure CE.
A large number of dramas originate from the period of fragmentation in China during the Southern Sung and Yuan dynasties. The Mongol court (Yuan was a Mongol dynasty) was a great patron of theatrical arts, and the kunqu style of opera gradually became popular. The Sung dynasty also produced many of the stories popular today.
Many famous operas also originate later, during the Ming dynasty, the last great Han dynasty in Imperial Chinese history.
The Peony Pavilion, which had its recent successful debut in New York, and at the Autumn Festival in Paris, is a Kunqu opera.
Hebei opera is the only type of opera that originated entirely from Northern China.
In the ancient past it seems that opera troupes were mixed, then become exclusively male
, and then mixed again in recent times. Member
s of opera troupes were often bought or indentured as small children, and given extensive training in the arts of the opera: singing
, etc. This system has largely collapsed in the modern world.
In all the history of opera, actors had an extremely low social status, and most were prostitutes as well.
The opera is usually accompanied by a small orchestra
; the instruments used are usually dictated by the tradition
of specific types of opera. Wu and wen opera usually had different instruments.
- Yueqin, Moon guitar
- Pipa, Guitar that sits upright
- erhu, banhu, dahu, stringed instruments
- Other dulcimer instruments
- Dizi, flute
- Suo-na, chinese oboe
- Sheng, mouth organ
- Ban, clappers
- Dagu, great drums
- Danpigu, small single drums
- Dalo, great gong
- Xialo, small gong
- Yunlo, cloud gong
- Bo, cymbals
Its interesting to note that in the performance of the Peony Pavilion in New York
, several stylistic conventions were not observed, e.g., exit stage left, enter stage right.