Also the title of the first track on (Surfing on Sine Waves)
Begins with morse-like tapping, then deep, resonating
electric xylophone trailed by waxing, waning
sinister atmospheric ambience.
Then comes the snarerush techno claps coupled with the ever-continuing deep, resonating electric xylophone.
And it all fades in and out at different times, until the end when they all reach critical mass and...
a few drops of sound (it's over).
Quite similar to Selected Ambient Works 85-92 (as much as any of Richard's works are the similar).