Firefighter's Prayer

When I am called to duty, Wherever flames may rage, Give me the strangth to save a life Whatever be its age.

Help me embrace a little child Before it is too late. Or save an older person From the horror of that fate.

Enable me to be alert And hear the weakest shout, And quickly and efficiently To put the fire out.

I want to fill my calling and To give the best in me, To guard my every neighbor and Protect his property.

And if according to God's will I must answer to death's call, Bless with your protecting hand, My family one and all.

I found this poem on the back of a pamphlet entitled Remembrance: September 11, 2001.

Today

Following missing persons reports, Police enter the home of Mike and Amelia Brandman.  They find little, save three sets of footprints and a pregnancy test strip reading "positive" seared into the carpet in a side bedroom.

_____
_____

Two weeks ago

The house's electrical panel was installed inches below and to the left of the guest bedroom window, which was open and dark.  Mike pressed his face against the screen and tried to see in.  He was able, barely, to distinguish the shining lens of the video camera he'd placed on a tray table facing out the day before.  More visible was Amelia standing behind it wearing the floral cotton dress she'd bought in college, still soft but worn thin from years of use.

"How much can you see?"  She asked.

"Not enough," Mike said.

He thought he saw her smile.  "Come in," she said.  When she turned and walked away Mike noticed more than usual the way her shape rounded and shadowed her dress, shifting softly under fabric.  He had not scrutinized these things so closely since he was a teenager.  He entered the house through the back door.

That night, Mike watched Amelia's eyes in the light of their living room.  They talked after dinner.  Usually this happened only four days a week, when Mike was not on shift;  for this reason Mike considered petitioning for a longer term of disability.

Her smell drifted to him; she wore violet oil.  Their house was quiet.  The television was off.  They watched it only during wars and olympic games.  Amelia was a project manager for a financial consultant based in Carson; she relayed the office gossip to Mike and did most of the talking.   Mike could not affect this levity.  He imagined telling her about the traffic accidents, the three daily heart attacks which were sometimes still alive enough to vomit from shock.  When he was a new firefighter, Mike had not understood why others in his department referred to those they rescued by their ailments rather than names.  After his first death (teenage girl in traffic) a certain need for convenience and emotional self-perservation revealed itself.  He imagined that doctors who frequently lost their patients did the same thing.  So instead of telling Amelia about his days, he listened.  And, that night, when again the power went out and the house became dark, he watched her afterimage fade from his retinas.

They passed ten seconds in silence.  Not knowing what else to do, Mike said, in his most ominous voice, "It was a dark and stormy night."

More silence.  A ghost story was not happening.

Amelia shifted closer.  "I'm going to take this as a sign," she said.  Mike felt her hand cup the back of his neck and slide over his chest.  "If we can fuck before the power comes back, maybe you'll get me pregnant."

Mike said nothing.

"I'm sorry," she said.

"I know," he said.  "It's fine."

He stood and found the front door.  He waited on the porch.  The air was light and without humidity; the moonlight lay reflected in fragments on the grass.  Clouds moved with the layers of air in the sky, sometimes finding one another.  Mike tried to take everything in around him but found that he did not have enough time to settle; the lights returned after five minutes, and, again not knowing what to do, he went back inside.

_____


Mike's master bathroom was small enough so that he elbowed the walls while undressing.  He slowly removed the bandages from his thighs and groin, spotted with blood and hemoglobin and probably urine too, and dropped them into the wastebasket, covering them with a layer of toilet paper.  Significantly, Amelia had failed to leave the day's negative pregnancy test floating in the toilet.  Mike turned the shower on cool and stood under its stream.  He did not bother to soap or shampoo.  He let the water run over him, adjusting the temperature down every minute or so, allowing his thighs and genitals to cool.  He exited and patted himself dry.  Because it was summer, and the humidity was low, his skin was shrinking and drying, in places splitting.  He drew a parallel.  Low humidity caused fires in brush and in his burned skin.  This made him smile, almost.  He applied lotion - the erection this caused was painful at first - and after that a set of fresh bandages.

When Mike gave fire safety speeches at schools, as he had that day, the kids always asked him to explain the worst fire he ever fought.  Sometimes this question was first; sometimes last.  It was always asked.

Following the question, the kids would assume the appropriate air of gravity, knowing that they might hear a story about someone's death.  This was bolstered by Mike himself, standing there large and serious in full PPE.  He would clasp his hands in front of him, holding his axe, which was marred from use.  He was Fireman Mike.  In his two months delivering safety speeches, Mike had found himself, through no effort of his own, on first-name basis with several teachers in the district.  That all of them were female did not bother Amelia, bless her.

How Mike responded to the question of the Worst Fire depended on the ages of the children.  When speaking to high school kids, he told them the truth mostly.  Mike's worst fire had taken place three months before, in a trailer in Long Beach.  It had been the only occasion Mike had had to escape a flashover.  The elderly woman inside attempting to break her bedroom window with a nightstand drawer had not survived.  He had exited the trailer, the image of him bordered by rolling fire, to a shower of sparks, barely missing a powerline that had dislodged and lay writhing on asphalt crumbling from disrepair.  The woman's daughter returned from a date to find that her life, small as it was, was being released into the sky on the convection column, having been converted by the flames into steam and carbonic residues.  Mike hadn't become aware of the pain in his thighs and groin until several seconds later, but he left out this part of the story, focusing instead on his helmet, warped by the heat and since re-hardened, which he would bring with him as an illustration of what fire could do to a person.

_____


Mike often compared the growth of his relationship with Amelia to the stages of an indoor fire: ignition, buildup, flashover, decay.  The parellels were easy to draw mostly.

They'd met at a restaurant when Mike was 26, after he'd interviewed (and passed) with the Long Beach Fire Department.  At the time he'd been on an eighteen-month waiting list for employment, making use of his aging A+ computer certification working in tech support.  He likened the meeting to a fire's ignition - particularly the image of her first smile to him, now more imagination than memory.

The buildup of their relationship was another easy parallel.  They had exchanged I Love Yous after one month, moved in together after two.  Mike had hesitated to tell his family.  Not because he was ashamed to show Amelia to them, but because he knew that moving in with a girlfriend of two months was something one typically did out of desperation.  Which, in retrospect, is exactly what he had done.  Before meeting her Mike had done his best to conceal his loneliness, though mostly he'd failed; he knew that such a fast move-in would be taken by his family as the first sign of a doomed relationship.  He also knew that if (when) the relationship ever ended, his mother in particular would find the most diplomatic possible way of saying I Told You So.

Amelia was the first one to want children.  On their first anniversary, for her present, she'd asked him to consider the possibility.  He'd said he would, though the thought of having children with her did not occur to him in earnest for several more months.  He acclimated himself to the idea gradually.  Mike was lagging in proposing marriage, partially in reaction to the short time it had taken him to move in (from now on he would make sure before taking such large steps); he assumed, with some shame, that a pregnancy was a way for her to encourage him in this direction.  Eventually he became used to the idea of this kind of lifelong commitment.  Increasingly, the visions he had for his future included Amelia, their home, their children.

Flashover was a difficult thing for Mike to parallel.  Flashover was the transitional phase before which the fire gradually burned itself out; Mike searched his memory for something thereby to define his life with Amelia.  He remembered the first time she'd spoken to her doctor about the possibility of producing children, when she was told that she would need to lose fifty pounds for a healthy pregnancy.  Would that define a relationship?  No.  Not by itself.  That Amelia had refused to take steps to lose the weight was the first source of tension between them, however; this could define the beginning of this transition.  Mike also remembered his own time with his doctor for a sperm count, after his burn in the trailer, when he'd sensed to his great irritation that Amelia was somehow relieved their childlessness was no longer her fault. 

Mike reviewed the footage he'd captured the previous night of the electrical panel during the outage.  He assumed that teenagers in the neighborhood were entering his backyard through the unlocked gate and switching off his breakers.  He watched the footage a handful of times.  At first he saw nothing unusual. Thinking there wasn't enough light, he adjusted the contrast and color levels.  Still he saw nothing.  He understood the reason for this when he noticed with some alarm that the recording had skipped the five minutes through which the electricity had failed.

_____

 

Mike explained sometimes to Amelia that, though their finances were adequate, he did not want to buy a home of their own for precisely the issue of repairs.  He reasoned that maintaining a house was expensive, and as long as they had a landlord to take care of it, why change?  He said that the money they saved not maintaining the house could be better-spent on things like vacations, cars, and, yes, children.  Amelia did not mention that they had not taken a single vacation since moving in, nor did either of them drive a car less than six years old; Mike did not mention that a couple which separated with a house owned between them underwent much more turmoil than a couple without one.

That night, after Amelia returned from work and they'd eaten dinner, Mike waited in the guest room with the light off.  Amelia stayed in the living room.  After what she'd said three days previous, Mike felt too awkward to be near her; he thought it would be better anyway if he watched the electrical panel with his own eyes.  He half-sat on the frame of the crib he'd started to build last winter, sans bars, which they now used as a console table.  The wood was red mahogany, soft and unfinished and expensive.  It felt velvety under his hands.  He'd meant to take the remaining lumber to a mill to have it shaped for bars - this would have been the easiest part of the whole project - but he'd lost his resolve, and soon after that had been the trailer fire.  The lumber lay stacked against the far wall, veneered with dust.

He kept his distance from the window.  He had a clear view of the electrical panel and the area surrounding it.  Nobody appeared.  Satisfied the outages weren't a prank, Mike turned to leave; but the sliver of light under the door had disappeared.  The power was out.  So he waited.

He did not look out the window but at the unfinished crib.  Its shadow stretched weakly onto the far wall, and in the half-light the crib and its shadow combined, resulting in a finished, if grotesque, product.  Mike imagined the guest room as the nursery he and Amelia had intended it to be.  The darkness allowed him to visualize a wide paper border on the wall just under the ceiling - unisex, consisting of dragonflies and lily pads - and toys on the floor.  Then Mike closed his eyes and concentrated on hearing the cooing of a baby.  It was faint.  Too faint to be there; most likely his imagination pushing too hard (like contractions).  Mike concentrated harder. To his surprise, he smelled baby powder.  Then a diaper.  Then he heard a mobile turning in the air above the crib and thought he saw, perhaps, the shadows of the crib moving, perhaps a small arm reaching up - he was not sure; Mike's blood became cold, and when he took a step for the crib the power came back and the images and smells disappeared.  He returned to Amelia.  In the minutes after that, while she moved carefully on top of him, she bent once, twice, three times, to smell his hair.

"When did you get baby powder?" she asked afterward.

_____

 

Sunlight lay on Mike's shoulders the next morning as he drilled holes through all the breaker switches.  He threaded each of the fifteen holes with a length of fishing line, all of which he gathered like a squid's arms and fed through the guest bedroom window.  He did not bother to sweep up the curls of plastic left behind by the drill.

That night he asked Amelia to stay in the room with him during the outage.  He counted off the seconds on his watch until the lights died.  This time, without any concentration, the flat slapping of toddler feet circled them, while something like a hand rested itself against Amelia's heart. 

"This is why it's been happening," he said.  The five minutes neither of them knew what to do with.

Dark spots appeared on Amelia's sweater above the nipples.  Mike took the fishing lines he'd threaded from the breakers, separating out one, which he pulled.  The corresponding breaker flipped off.  He separated a second line.

"We have five minutes," he said.

"Pull," she said.

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