An album by Billy Bragg and Wilco, from 1998.
The lyrics are all by Woody Guthrie. The way it came about was that during the last years of Guthrie's life, he wrote a couple thousand songs which he didn't record. When he died in 1967, the music was lost, but the lyrics remained. In 1995, his daughter contacted Billy Bragg with an eye to Bragg finishing some of the songs and recording them; Bragg agreed, and recruited Wilco to help. This was good thinking all around: Bragg for the working class socialist politics (though most of the chosen songs are either apolitical or vaguely populist), and Wilco for the Americana and whatnot. They both have a great natural sympathy for Guthrie's lyrics and they play well together. They work wonders.
If you take a random sampling of fifteen songs out of a thousand or more, you can't really go and draw too many conclusions about What Guthrie Was All About at that point in his life. One of the things he was, at any rate, was a fine rock'n'roll lyricist: He wants to tell us about real human beings, and he does it with clear, concrete images. He writes about things that hurt and things that matter: Heartache, love, death, sex, and so on. He does it in plain common language used uncommonly well. "Ingrid Bergman" is a bit goofy, but otherwise there's very little vague, meaningless, "poetic" bullshit here.
It's one of the best and most consistent rock and roll records that's been made in recent years. For 90% of the record, I simply can't imagine how what they're doing could be done any better. Wilco was a lot rootsier and more direct back then, and Bragg is Bragg: When he's got somebody around to keep him rootsy and direct, he's incomparable. Bragg's and Jeff Tweedy's voices sound horrible together, but they only make that mistake on one song, and that one song ("The Unwelcome Guest]") is good enough to survive the experience. Other than that, it works like a charm, song after song. Er, wait. There's another flaw here: They let Natalie Merchant spoil a couple of songs, too. What a shame. I guess if she doesn't annoy you, it's not a problem. On one of those two songs, she's only in the background.
- Walt Whitman's Niece
- California Stars
- Way over Yonder in the Minor Key
- Birds and Ships
- Hoodoo Voodoo
- She Came along to Me
- At My Window Sad and Lonely
- Ingrid Bergman
- Christ for President
- I Guess I Planted
- One by One
- Eisler on the Go
- Hesitating Beauty
- Another Man's Done Gone
- The Unwelcome Guest
There's a Mermaid Avenue Volume II
out now, which is composed of outtake
s from this one. There are two or three good songs. The remainder of it is disposable.