300 years in the future the race of man has been divided in two. The elite live in the Vortex, a community of peace and harmony, separated from the devastated outside world by an impenetrable barrier, no one in the vortex ever dies. Led by the Eternal Tabernacle, an all-knowing computer, the Eternals live their days in pursuit of science, art and literature. On the other side of the transparent barrier exist the rest of humanity, the Brutals.

The Brutals are what remains of the mortal human race. At first the Eternals were simply happy to ignore the filthy Brutals, but when the apathy of immortality set in, it was clear to some that the Brutals could be used to collect food for the Eternals, freeing themselves from that last, nasty little labor. At the prompting of the Eternal Tabernacle Arthur Frayn begins a campaign of religious terror on the Brutals. He utilizes giant floating heads to terrorize the savages and to collect the tribute of grain that they farm under the brutal supervision of the Exterminators.

Unbeknownst to the other Eternals, Frayn has his own agenda. He uses his position of power to engage in a selective breeding program amongst the Exterminators that eventually results in Zed, a superior man, both physically and mentally. Frayn is counting on Zed to destroy all the Eternals because he lacks the will to continue living but is kept immortal by the Tabernacle.

Zed happens upon an abandoned library one day while pursuing a mysterious figure. The figure taunts Zed and eventually teaches him how to read revealing to Zed that the religion of Zardoz is based loosely, very loosely, on Frank L. Baum's WiZARD of OZ. Faced with a lack of faith and the desire for revenge upon the creators of Zardoz, Zed sneaks aboard the Zardoz head and infiltrates the Vortex, where all holy hell eventually breaks loose. Zed is faced with a completely alien society where women want him and men want him to kill them.


Zardoz has taken it on the chin for almost thirty years and as near as I can tell the only reason for its vilification is Sean Connery's costume of red he-man bikinis and thigh high leather boots. Don't let that image put you off though; Zardoz is far more than a cheap English Sci-fi flick.

Zardoz was written directed and produced by John Boorman, the same man who directed Excalibur, Deliverance, The Emerald Forest, Point Blank and Hell In the Pacific. Boorman is no cheap thrill director and his reputation was well established as a man who could deal with the cranky Lee Marvin and still turn out good films. In 1972 he had won two Oscars for Deliverance, one as Best Director and the other as Producer for Best Picture. Although he faltered with Exorcist II: the Heretic and spent years in an unsuccessful attempt to bring Lord of the Rings to the screen, he wasn't the sort of man to throw it all into what some people refer to as one of the worst films ever.

I'll step up and admit that the opening line "The gun is good... The penis is evil, the penis shoots seeds." doesn't give a film a whole lot of room to grow, no pun intended. Although the film was eventually distributed by Twentieth Century Fox, it received little support from the studio during production. The racy material of the script and the perceived anti-religious message of the story caused some problems for Boorman but didn't prevent him from signing Sean Connery in the lead role. Connery reportedly reviewed the script while golfing in Spain and liked it so much he flew directly to Ireland to meet Boorman.

Boorman claims that he was inspired to write Zardoz after a trip to California's Nature Communes and by the poem "The Love Song of J. Alfred Prufrock" by T.S. Elliot.

   Would it have been worthwhile,
   To have bitten off the matter with a smile,
   To have squeezed the Universe into a ball
   To roll it towards some over-whelming question
   To say I am Lazarus, come from the dead
   Come back to tell you all . . .

What Boorman has really created is a dissertation of class separation, anti-technology and the danger of unbalancing natures design. Watch it again, this time with an open mind for the message and you'll see that in the end Nature asserts its force over the violators through the instrument of Zed. His coming was inevitable and the balance he brought erased the influence of the technology on the land.

These ideas are probably the most dated part of the film, with the possible exception of Connery's dashing wardrobe, and may be largely responsible for the bad rap the film has received in late years. Make no mistake though, this is not a B grade Sci-fi flick, it's one man's honest attempt to parlay a message of concern and warning against those who would claim that they have it all figured out, that their way is the best way.


ARTHUR FRAIN: I bred you, I led you.

ZED: And I have looked in the face of the force that put the idea in your head. You were bred and led yourself.

Sources:
http://www.imdb.com
http://othyrworld.com/zardoz/