Lamp working – A method of
glass working involving
solid glass (usually in the form of rods or tubes) that is
melted and reformed with the use of a
torch and various other tools. This differs from
mainstream glass blowing in that the
artist starts with glass in its more solid form (It is never completely solid) rather than working with
molten glass. This method of glass work is typically used to make a variety of products including
beads,
goblets,
oil lamps,
ornaments,
paper weights,
pipes and, (you guessed it)
bongs.
I have recently had the opportunity to start
learning the
art of lamp working.
I am still
afraid of the torch. Even after working with it for two years now I still get a rush of
adrenaline when holding that flame in my hands. Perhaps it would be more accurate to say I have a healthy respect for the flame. I have no desire to be kept away from the flame as I might were I afraid, instead I only have a
fascination and a sense of
awe at the
power I hold.
I learned to work with a torch in the context of
jewelry and
metalworking. It’s something I enjoy. When I finish a project I always have to take a step back and say: “
Wow, I made that.” I’m not the artist of my family, my
drawing skills are adequate at best, but when working with
metal I am able to produce art that I am proud of. I don’t usually find much in myself to be proud of. It’s a good thing to be able to surprise yourself.
Now I have the opportunity to work with glass. Seemingly solid it is actually an extremely viscous liquid. I would have to say I am as fascinated with it as I am with fire. Metalworking is often an art of
brute force. I have found glass working to be one of
dexterity,
coordination, and
grace. It is in no way as
easy as it looks. The things I produce at this point look like
Dr. Seuss dreamed them up during a bad
LSD trip. I don’t really care. The joy is in the
process and the
potential.
Fire,
movement, and learning by
doing.
Joy in
being.