God’s Funeral By Thomas Hardy
I saw a slowly-stepping train --
Lined on the brows, scoop-eyed and bent and hoar --
Following in files across a twilit plain
A strange and mystic form the foremost bore.
And by contagious throbs of thought
Or latent knowledge that within me lay
And had already stirred me, I was wrought
To consciousness of sorrow even as they.
The fore-borne shape, to my blurred eyes,
At first seemed man-like, and anon to change
To an amorphous cloud of marvellous size,
At times endowed with wings of glorious range.
And this phantasmal variousness
Ever possessed it as they drew along:
Yet throughout all it symboled none the less
Potency vast and loving-kindness strong.
Almost before I knew I bent
Towards the moving columns without a word;
They, growing in bulk and numbers as they went,
Struck out sick thoughts that could be overheard: --
'O man-projected Figure, of late
Imaged as we, thy knell who shall survive?
Whence came it we were tempted to create
One whom we can no longer keep alive?
'Framing him jealous, fierce, at first,
We gave him justice as the ages rolled,
Will to bless those by circumstance accurst,
And longsuffering, and mercies manifold.
'And, tricked by our own early dream
And need of solace, we grew self-deceived,
Our making soon our maker did we deem,
And what we had imagined we believed,
'Till, in Time's stayless stealthy swing,
Uncompromising rude reality
Mangled the Monarch of our fashioning,
Who quavered, sank; and now has ceased to be.
'So, toward our myth's oblivion,
Darkling, and languid-lipped, we creep and grope
Sadlier than those who wept in Babylon,
Whose Zion was a still abiding hope.
'How sweet it was in years far hied
To start the wheels of day with trustful prayer,
To lie down liegely at the eventide
And feel a blest assurance he was there!
'And who or what shall fill his place?
Whither will wanderers turn distracted eyes
For some fixed star to stimulate their pace
Towards the goal of their enterprise?'...
Some in the background then I saw,
Sweet women, youths, men, all incredulous,
Who chimed as one: 'This is figure is of straw,
This requiem mockery! Still he lives to us!'
I could not prop their faith: and yet
Many I had known: with all I sympathized;
And though struck speechless, I did not forget
That what was mourned for, I, too, once had prized.
Still, how to bear such loss I deemed
The insistent question for each animate mind,
And gazing, to my growing sight there seemed
A pale yet positive gleam low down behind,
Whereof, to lift the general night,
A certain few who stood aloof had said,
'See you upon the horizon that small light --
Swelling somewhat?' Each mourner shook his head.
And they composed a crowd of whom
Some were right good, and many nigh the best....
Thus dazed and puzzled 'twixt the gleam and gloom
Mechanically I followed with the rest.
Thomas Hardy was born in 1840, and lived until the late 1920s. He was originally an architect, but also a poet and a novelist, and considered one of the best in English literature. His career in writing began in 1867 (published in 1871) with his first novel, but by 1898, he had stopped writing prose due to the negative press he received for his stance on religion and marriage. From that time on he devoted himself to poetry, publishing several books of short poems between 1905 and 1920.
Some other well-known works by Thomas Hardy: Two on a Tower (1882), The Mayor of Casterbridge (1886), Tess of the d’Urbervilles (1891), and Jude the Obscure (1896).