Return to Aberdeen (thing)
Aberdeen was an American twee pop band from Palm Desert, California, which existed from 1993 to 1995 and again from 2001 to 2005. Initially, the band consisted of Beth Arzy on vocals, guitar and bass, and John Girgus on guitar and the occasional lead vocal, along with a drum machine. Together with East River Pipe, they were the only American bands signed to the seminal British record label Sarah Records, through which they recorded and released two 7"/CD5 singles before the label's predetermined end in mid-1995, after which the band went on an extended hiatus. Afterwards, Beth formed the short-lived Casino Ashtrays.
As far as I know, the name of the band doesn't have anything to do with the cities in Scotland (nor its football club), Washington state or Maryland that go by the same name (or any other place called "Aberdeen"), or the university.
They reformed in 2001, now bolstered by a cadre of dedicated backing musicians (including a live drummer), and then released their first full-length album, Homesick and Happy to be Here, in 2002, on the American indie label Tremolo Arm Users Club, with distribution by Better Looking Records. The album was preceeded slightly by a single, the 7" "Sink or Float," about a month prior to the album's release. For an indie release, it did pretty well; the single's title track went on to appear on the TV show Buffy the Vampire Slayer, and although it didn't end up appearing on the American edition of the show's soundtrack (Radio Sunnydale), it appeared, perhaps appropriately, on the UK edition (given how much more successful indie pop is there, this isn't too surprising). New singles followed in 2003 ("The Boy Has Gone Away") and 2005 ("Florida"), this time coming only in CD format, breaking away from their indie 7" roots.
After the release of the last single, Aberdeen parted ways again. They put together a career retrospective CD entitled What Do I Wish For Now? (Singles & Extras 1994-2004), and released it on LTM Recordings in 2006. The band members drifted to other projects: Beth moved to the UK and concentrated on her role in Trembling Blue Stars (with whom she was a collaborator from 2000 until the band broke up in 2010), and John ended up in Languis.
The music of Aberdeen is a bit difficult to describe succinctly; while their earlier output on Sarah Records was fairly typical of the twee/indie scene of that era (late 80s to mid 90s), their latter-day output is whimsical, at times upbeat and at others eloquently morose. The music recalls the best-sounding bits of bands like the Field Mice (whose 1988 single "Emma's House" they expertly covered), Heavenly, and maybe a hint of Secret Shine (all label-mates on Sarah Records), though I'd say their most even comparison would be kind of a more playful, feminine analogue to Beth's other band, the male-fronted Trembling Blue Stars. I once read somewhere that those who enjoy Ocean Blue or The Sundays will immediately crush on this band upon hearing them, and I think that's pretty apt. And if you can't fathom developing a crush on certain music, well, then, there's no hope for you.
On hiatus, 1995-2001