This BBC television series was the original blueprint for the American version, Sanford and Son, which brought Redd Foxx to prominence.

From the Steptoe and Son fan archive and webring:

Albert Steptoe and his son Harold are the two hilarious 'totters' brought to life by the talented acting of Wilfrid Brambell and Harry H Corbett together with the scriptwriting of Ray Galton and Alan Simpson.

Albert Steptoe is the Son on the sign outside the building, the sign originally being painted in Harold's granddad's time. Their relationship has gone downhill ever since.

The series started with a Comedy Playhouse production titled "The Offer" in January 1962, and the first of the regular series started in June 1962. It was on BBC-TV for four seasons, up to 1965. These shows were broadcast in black & white. The comedy returned to television in 1970 retitled to 'The Return of Steptoe & Son', and lasted another four seasons, this time in colour.

The show is actually more or less a continuation of the characters from Ray Galton and Alan Simpson's previous hit TV/radio series Hancock's Half Hour (later retitled Hancock).

While the names of the characters and their relationships have changed, there is a striking resemblance between the character of Albert Steptoe and that of Sid (as played by Sid James in the Hancock shows) - both are devious, physically unclean, resolutely working class and always looking for a way to make money for themselves. Harold Steptoe on the other hand bears a striking resemblance to Tony Hancock's character - embarrassed by his father/flatmate, with pretentions 'above his station' of intelligence, status and sophistication.

Galton and Simpson have both said that the series is how they saw Hancock ending up, but Tony Hancock resolutely refused to have his character degraded beyond a certain extent, and stopped working with the writers.

While the characters are obvious variations on well established comic archetypes (Laurel and Hardy, Lister and Rimmer from Red Dwarf, Pete & Dud are just three examples) the emphasis on class mobility is unique to Britain, and to the 60s - the first time in British history when it seemed possible for working class people to achieve 'above their station'.

BTW for US people who don't know the show, Wilfred Brambell (Albert Steptoe) played Paul McCartney's grandfather in A Hard Day's Night. A further little trivia note - he was originally slated to play the bass player in Frank Zappa's 200 Motels until Ringo Starr's chauffeur, Martin Lickert, stepped in!

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