Sleeping Madness is the title of
Ken Ishii's fifth full-length album (not counting
Flare albums), released in 1999. There were two versions of this album released: one contained a bonus 3-inch CD with two extra tracks (including one featuring
Deckwrecka), the other without. In Japan, it was released on
Sony, and in Europe by
R&S Records. It's around this time that Ishii starts incorporating some DJ tricks into his production, especially with his Easy Filter releases as
FLR. The cover features Ishii dressed in white, asleep on a floating white plastic chair.
Tracklisting
- Kaotic Khaen - based on the sounds produced by a Southeast Asian instrument called the Khaen
- Misprogrammed Day1,2 - This track begins with a simple four on the floor kick, then adds some bongos, making it easy to mix into. This is the first appearance (that I know of anyway) that features Ishii's new trademark "happy bee" synthesizer, which was also used in Flatspin, to such length that I first thought Flatspin was a Misprogrammed Day remix. Ishii says this track is meant to portray a day where everything is a slight bit in the weird category, hence "misprogammed".
- Where is the Dusk?1 - a breakbeat number
- Enso Online (with DJ Spooky That Subliminal Kid)3
- 24-bit Optimist - the name of this track comes from the hope Ishii has for the future, stemming from advanced technology (namely, 24-bit digital recording)
- Bugged-in Fusion - this track begins with a variety of computer voices repeating the mantra "bugged in fusion". According to Ishii, Bugged-in Fusion is the fusion of technology and humanity that has become unavoidable. It's also the name of his clothing line.
- Water Dripping From the Middle of the Forehead (with Talvin Singh)
- Game Over (with Co-Fusion)4 - this track features Co-Fusion's dirty breaks a bit slower than usual.
- Missing Melody
- Sleeping Madness - this is an updated disco house track, complete with theremin and warped guitar samples.
- Misted5
Bonus Disc
- Hedgehopping
- All of Us (featuring Deckwrecka)
I regard Sleeping Madness as a true techno masterwork. It really depresses me that nobody seems to have heard of it.
Some paraphrasing done from kenishii.com
Notes
- Percussion by Daisuke Inakara
- Double Bass by Masaki Kikachi
- Acoustic Bass by DJ Spooky that Subliminal Kid
- Guitars by Shuji Wada (of Co-Fusion)
- Klong Yao and Haisong by Saebsak Chanong, Klang Yao by Ekachi Retchangaroon