Thoughts upon states of innocence

Innocence is the beautiful or comfortable place where you were, that is only visible from the uglier or uncomfortable place where you are, and not from thence attainable.

For example, one might say, "What a wonderful world it was that I lived in, before I walked in on my parents having sex. Now I am forever separated from that happy time."

Innocence and morality suffer a very uncomfortable relationship. Morality would like to either appropriate innocence to its cause or reject it, but innocence within itself is neither good nor bad. It is simply a state of being in which you have not been changed by an outside influence. Since our reactions to outside influences display our morality, it may be therefore said that true innocence is perfectly amoral.

Ignorance is very similar to innocence, but possesses a negative connotation. I would say that ignorance is understood to be an active lack of change, while innocence is a passive lack of change. The ignorant person is presumed responsible, while the innocent is not.

It's an intriguing thought that a person who is "found innocent" in a court of law, may also have "lost their innocence" during the grueling treatment of the trial.

She's just come out of the cinema, just seen Robert Schneider trying to be an animal. She's waiting on the street corner, watching the Boy Racers thunder by, stereos thumping, alcohol everywhere. She realises that she knows half of them personally, and that they know her too. She wonders when this happened.

When did this happen? When did she lose her innocence? Was it gradual, or an event? She can't remember.

Was it at one, when she left the safety of her mother's womb, or at two, when standing, she realises she still can't reach the high things she needs. Three, when she got lost, and nobody found her for hours, or four, when she learnt that friends were double-edged swords. Five, when she first heard of sex, or did she lose her innocence at six, when she first learnt of war. At seven she began to watch the horrors on the news, and learnt of what humans do to each other. Was it then? At eight, a family member died, and she truly learnt her mortality for the first time.

Was it her pain and humiliation for the victims of her race? Was it her tears over Wild Swans? Was it Kosovo, Bosnia, East Timor, Ireland or Israel? Was it the unnamed soldier? Was it the long hours learning history only to be sickened by mankind?

She's now a teenager. She's seen bullying, depression, alcohol, drugs, suicide, rape and pregnancy. When did she lose her innocence?

She waits on the street, watching the Boy Racers thunder by, stereos thumping, alcohol everywhere. She realises that she knows half of them personally.

She's lost her innocence, and she can't get it back. But she still has love and hope.

Her friends pick her up, and she drives off, leaving her clouded thoughts on the street corner. She is alive, happy and all her needs are met.

Life is what you make of it.

Kirsty MacColl didn't get anywhere near the chart recognition she deserved before her tragic death. A wonderful singer, a gorgeous voice, she can be found on backing vocals for many a famous and popular tune - anyone familiar with The Smiths or The Pogues will smile at the mention of her name - and yet here solo material rarely managed to crack the top 50. Nevertheless, the music was always special, always powerful, and for the most part still stands up well today.

Innocence was the lead track to her breakthrough LP Kite, one which would see her veer from rockabilly to country to a fantastic couple of cover versions and back again. Although she has a reputation for a covers (unfairly), she was quite the accomplished songwriter, and Innocence is an excellent example of her talent. As well as starting the album, it was selected as a single, remixed and released in several versions including a B-side by none other than David Gilmour (of Pink Floyd fame). Like so many of her better songs, it didn't perform particularly well: the single stalled at 78 in the UK charts.

But one has to ask: why? The song is eminently chartable. Starting off with a quick couple of drum hits it bounces along, full of rockabilly charm and even featuring a fiddle solo that sounds charming each and every time. The instruments are a mix of acoustic and electric guitars, played to perfection and perfectly complementing one another. Lyrically Kirsty attacks a person for whom 'innocence has passed by', scorned by everyone up to the supermarket check-out girl but still oblivious to the anger they've provoked. Witty and easy to sing along to, it's absurd that it didn't chart any higher. Still, by virtue of its being on an album (recently reissued, in fact), it still saw greater exposure.

The original version of this song can be found on the LP Kite, produced by her then-husband Steve Lillywhite. The song was remixed for release as a single by Pete Glenister and Nigel Brockbank to make it slightly more radio-friendly, although it remains similar to the original; this version can be found on the compilation Galore. A third mix, the "Guilt mix", appeared on the CD single and as a bonus track on the 2005 re-release of Kite. Almost two minutes longer than the original, it adds new effects and brings the violins in before the drums, sounding not unpleasant.

Innocence saw release on the usual collection of formats, including 7" vinyl, 10", and on CD, each with different B-sides. They were:


Compiled using my own copies of the single and album, Wikipedia, and KirstyMacColl.com.

In"no*cence (?), n. [F. innocence, L. innocentia. See Innocent.]

1.

The state or quality of being innocent; freedom from that which is harmful or infurious; harmlessness.

2.

The state or quality of being morally free from guilt or sin; purity of heart; blamelessness.

The silence often of pure innocence Persuades when speaking fails. Shak.

Banished from man's life his happiest life, Simplicity and spotless innocence! Milton.

3.

The state or quality of being not chargeable for, or guilty of, a particular crime or offense; as, the innocence of the prisoner was clearly shown.

4.

Simplicity or plainness, bordering on weakness or silliness; artlessness; ingenuousness.

Chaucer. Shak.

Syn. -- Harmlessness; innocuousness; blamelessness; purity; sinlessness; guiltlessness.

 

© Webster 1913.

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