... though I suppose you could consider this writing. I don't. Writing
is something done late at night, with a glass of cognac by one's side,
using pencil or fountain pen to scribble onto sheets of paper, or at a
sunlight-dappled table in a cafe, nursing a cold espresso so they
don't kick you out, pausing occasionally to eavesdrop on the
conversations of those around you. In contrast, all of this has been
composed while staring at a screen, in an environment
which completely deadens the vestiges of creativity remaining in
me.
I stopped writing because everything I wrote was about me. I know,
writers are all like that, but my writing lacked universality. Here,
there's no pretense of that, and more importantly, there isn't even a
shred of pressure for you to look at any of my work.
I have no idea who you are, and you'll have to resort to external
means to tell me, should you care to do so. You'll have to leave the
system. I can tell after the fact, by looking at statistics my
computer keeps, which files have been read and how many times, but I
don't know, when I write something here, if anyone will ever bother to
look at it. When writing for newspapers, even obscure student papers,
I could be guaranteed a certain audience, though I could never be sure
of their identity, their commitment to read past the first paragraph,
or whether any of it was retained. When lecturing to a classroom, I at
least have the privilege of a captive audience, though at any given
point most of them may not be listening.
Here, you're clicking away, going through things I haven't spoken of
(I mean literally spoken of) to anyone, using the world's most
distracting medium, with millions of options a few clicks or
keystrokes away. If I were sitting in front of you, you might feel a
twinge or two of reluctance to probe so deeply. But, protected by the
layers of software protocol between us, you feel no such compunction
now. You can leave any time, after all.
This must be frustrating for you, if you've gotten this far. No dancing
images, no buttons for you to push or forms to fill out, no links to
information providers in Peru. I might as well save you the trouble: There aren't going to be any links out of here. You're going to have
to back up all the way.
In fact, when you think about it, this experience isn't much different
for you than browsing Tristam Shandy might have been, when it
came out in the eighteenth century. Except that I'm not Laurence
Sterne, this isn't fiction, and you're more disposed to wander through
here at your terminal than to wander through Tristam
Shandy. Or is that not fair? It might be presumptuous of me to
say "Get thee to a library," when you might have just come from one.
In fact, given what many libraries see as their new mandate, you might
be in a library at this very moment, and see nothing wrong with
letting the books upstairs accumulate a few more microns of dust. You
can access them any time, after all.