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    <title>rocketfairy's New Writeups</title>
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    <updated>2004-02-05T01:33:23Z</updated>
<entry><title>US ranking on the Human Freedom Index (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/rocketfairy/writeups/US+ranking+on+the+Human+Freedom+Index"/><id>http://everything2.com:80/user/rocketfairy/writeups/US+ranking+on+the+Human+Freedom+Index</id><author><name>rocketfairy</name><uri>http://everything2.com:80/user/rocketfairy</uri></author><published>2004-02-05T01:33:23Z</published><updated>2004-02-05T01:33:23Z</updated>
<content type="html">&lt;p&gt;This w/u is a brief survey update of the performance of the &lt;a href=&quot;/title/United+States+of+America&quot;&gt;United States of America&lt;/a&gt; in the pertinent criteria, using &lt;a href=&quot;/title/Purvis&quot;&gt;Purvis&lt;/a&gt;'s as a template. I concentrate particularly on the developments since the &lt;a href=&quot;/title/September+11%252C+2001&quot;&gt;Great Airline Massacre&lt;/a&gt;. Please bear in mind that I have no intention of claiming that the US is a &lt;a href=&quot;/title/dictatorship&quot;&gt;dictatorship&lt;/a&gt;; it remains internally a highly free place. However, the public trauma and hysteria in &lt;a href=&quot;/title/2001&quot;&gt;2001&lt;/a&gt; led to widespread disinterest in civil liberty (as often happens at moments of crisis), and the current administration has made some threatening gestures in recent years.&lt;/p&gt;

&lt;p&gt;The right to:&lt;/p&gt;

&lt;ul&gt;&lt;li&gt;&lt;b&gt;travel in own country:&lt;/b&gt; The FBI has implemented a &quot;no-fly&quot; list that excludes a huge number of innocent people from flying, presumably based on their names. (The list has not yet led to the detention of any terrorists, as one doesn't usually buy a ticket reading &quot;&lt;a href=&quot;/title/Osama+bin+Laden&quot;&gt;Osama bin Laden&lt;/a&gt;.&quot;) We don't know &lt;i&gt;who&lt;/i&gt;, exactly, is barred, because the list is secret, maintained&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>69 Love Songs (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/rocketfairy/writeups/69+Love+Songs"/><id>http://everything2.com:80/user/rocketfairy/writeups/69+Love+Songs</id><author><name>rocketfairy</name><uri>http://everything2.com:80/user/rocketfairy</uri></author><published>2004-02-01T17:35:42Z</published><updated>2004-02-01T17:35:42Z</updated>
<content type="html">&lt;p&gt;&lt;a href=&quot;/title/Stephin+Merritt&quot;&gt;Stephin Merritt&lt;/a&gt;, the &lt;a href=&quot;/title/mad+genius&quot;&gt;mad genius&lt;/a&gt; responsible for The &lt;a href=&quot;/title/Magnetic+Fields&quot;&gt;Magnetic Fields&lt;/a&gt;, was struck by inspiration in a midtown &lt;a href=&quot;/title/Manhattan&quot;&gt;Manhattan&lt;/a&gt; &lt;a href=&quot;/title/gay&quot;&gt;gay&lt;/a&gt; &lt;a href=&quot;/title/piano+bar&quot;&gt;piano bar&lt;/a&gt;. Originally conceived as 100 &lt;a href=&quot;/title/Love+Songs&quot;&gt;Love Songs&lt;/a&gt;, a &lt;a href=&quot;/title/musical+revue&quot;&gt;musical revue&lt;/a&gt; or &lt;a href=&quot;/title/cabaret&quot;&gt;cabaret&lt;/a&gt;, Merritt compromised in number when he realized that 100 2-minute songs, with no downtime or &lt;a href=&quot;/title/intermission&quot;&gt;intermission&lt;/a&gt;s, would still be a bit lengthy. Eventually, the logistical absurdity of putting on a cabaret with rotating &lt;a href=&quot;/title/singer&quot;&gt;singer&lt;/a&gt;s and dozens of songs led Merritt to put his ideas on tape &lt;small&gt;&lt;i&gt;(&lt;a href=&quot;/title/DAT&quot;&gt;DAT&lt;/a&gt;? I have no idea)&lt;/i&gt;&lt;/small&gt;, and &lt;i&gt;69 Love Songs&lt;/i&gt; was born.&lt;/p&gt;

&lt;p&gt;Like most of Merritt's work, &lt;i&gt;69 Love Songs&lt;/i&gt; is thoroughly toungue-in-cheek, although many of the songs are &lt;a href=&quot;/title/My+Only+Friend&quot;&gt;incredibly poignant&lt;/a&gt;. Merritt places some of his &lt;a href=&quot;/title/narrator&quot;&gt;narrator&lt;/a&gt;s fairly bizarre settings -- a &lt;a href=&quot;/title/Scotsman&quot;&gt;Scotsman&lt;/a&gt; leaving for &lt;a href=&quot;/title/war&quot;&gt;war&lt;/a&gt; (&quot;&lt;a href=&quot;/title/Abigail%252C+Belle+of+Kilronan&quot;&gt;Abigail, Belle of Kilronan&lt;/a&gt;&quot;), an encounter with &lt;a href=&quot;/title/Ferdinand+de+Saussure&quot;&gt;Ferdinand de Saussure&lt;/a&gt; (&quot;&lt;a href=&quot;/title/The+Death+of+Ferdinand+de+Saussure&quot;&gt;The Death of Ferdinand de Saussure&lt;/a&gt;&quot;) -- and writes heartfelt songs of passion, confusion, and loss.&amp;hellip;</content>
</entry><entry><title>A Small Place (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/rocketfairy/writeups/A+Small+Place"/><id>http://everything2.com:80/user/rocketfairy/writeups/A+Small+Place</id><author><name>rocketfairy</name><uri>http://everything2.com:80/user/rocketfairy</uri></author><published>2004-01-31T18:54:44Z</published><updated>2004-01-31T18:54:44Z</updated>
<content type="html">&lt;p&gt;&lt;i&gt;A Small Place&lt;/i&gt; is &lt;a href=&quot;/title/Jamaica+Kincaid&quot;&gt;Jamaica Kincaid&lt;/a&gt;'s 1988 essay on the state of &lt;a href=&quot;/title/post-independence&quot;&gt;post-independence&lt;/a&gt; &lt;a href=&quot;/title/Antigua&quot;&gt;Antigua&lt;/a&gt;. The short, often bitter, essay is primarily concerned with the economic stagnation and governmental &lt;a href=&quot;/title/corruption&quot;&gt;corruption&lt;/a&gt; of the island in the 1980's: Kincaid, born in Antigua but currently residing in &lt;a href=&quot;/title/Vermont&quot;&gt;Vermont&lt;/a&gt;, looks for explainations for the &quot;&lt;a href=&quot;/title/underdevelopment&quot;&gt;underdevelopment&lt;/a&gt;&quot; of her nation. The text is an outburst of frustration, beautifully written but often ranting; part of its value lies in the fact that Kincaid often does not try to lay specific blame. I'll comment a bit on the overall significance of the book below, but suffice to say that it's a seminal text in &lt;a href=&quot;/title/Caribbean&quot;&gt;Caribbean&lt;/a&gt; post-colonial thought.&lt;/p&gt;

&lt;p&gt;&lt;small&gt;&lt;i&gt;Note: Forgive this node for its quote-heavy nature. It attempts to be as &lt;a href=&quot;/title/value-added&quot;&gt;value-added&lt;/a&gt; as possible, but I also want to show a bit of the beauty of Kincaid's writing.&lt;/i&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;blockquote&gt;&lt;i&gt;If you go to Antigua as a &lt;a href=&quot;/title/tourist&quot;&gt;tourist&lt;/a&gt;, this is what you will see. If you come by &lt;a href=&quot;/title/aeroplane&quot;&gt;aeroplane&lt;/a&gt;, you will land&lt;/i&gt;&lt;/blockquote&gt;&amp;hellip;</content>
</entry><entry><title>Country of My Skull (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/rocketfairy/writeups/Country+of+My+Skull"/><id>http://everything2.com:80/user/rocketfairy/writeups/Country+of+My+Skull</id><author><name>rocketfairy</name><uri>http://everything2.com:80/user/rocketfairy</uri></author><published>2004-01-27T06:07:43Z</published><updated>2004-01-27T06:07:43Z</updated>
<content type="html">&lt;p&gt;&lt;i&gt;Country of My Skull: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa&lt;/i&gt; is &lt;a href=&quot;/title/Antjie+Krog&quot;&gt;Antjie Krog&lt;/a&gt;'s amazingly powerful work reflecting on the &lt;a href=&quot;/title/Truth+and+Reconciliation+Commission&quot;&gt;Truth and Reconciliation Commission&lt;/a&gt;, which she covered as a radio &lt;a href=&quot;/title/journalist&quot;&gt;journalist&lt;/a&gt;. Interspersing personal narratives, poetry, and the testimony of victims and perpetrators, Krog lays out the agonizing complexities of &lt;a href=&quot;/title/amnesty&quot;&gt;amnesty&lt;/a&gt; and &lt;a href=&quot;/title/forgiveness&quot;&gt;forgiveness&lt;/a&gt;. Reading it, one feels literally torn between the &lt;a href=&quot;/title/ubuntu&quot;&gt;ubuntu&lt;/a&gt; of &lt;a href=&quot;/title/Archbishop+Desmond+Tutu&quot;&gt;Archbishop Desmond Tutu&lt;/a&gt; and the desire for &lt;a href=&quot;/title/revenge&quot;&gt;revenge&lt;/a&gt; or punitive &lt;a href=&quot;/title/justice&quot;&gt;justice&lt;/a&gt; voiced by so many spouses, parents, rape survivors, or everyday victims of &lt;a href=&quot;/title/apartheid&quot;&gt;apartheid&lt;/a&gt;. Krog's &lt;a href=&quot;/title/liberal&quot;&gt;liberal&lt;/a&gt; political commitments are obvious in the book, but she doesn't make it easy: her extended family stands in for &lt;a href=&quot;/title/Afrikaner&quot;&gt;Afrikaner&lt;/a&gt; alienation, and part of her clearly sympathizes with the more radical anti-apartheid currents.&lt;/p&gt;

&lt;p&gt;Probably the most gripping section of the book was the testimony of &lt;a href=&quot;/title/Dirk+Coetzee&quot;&gt;Dirk Coetzee&lt;/a&gt;, a former operative of the secretive &lt;a href=&quot;/title/Vlakplaas&quot;&gt;Vlakplaas&lt;/a&gt;, which carried&amp;hellip;</content>
</entry><entry><title>Antjie Krog (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/rocketfairy/writeups/Antjie+Krog"/><id>http://everything2.com:80/user/rocketfairy/writeups/Antjie+Krog</id><author><name>rocketfairy</name><uri>http://everything2.com:80/user/rocketfairy</uri></author><published>2004-01-27T05:40:41Z</published><updated>2004-01-27T05:40:41Z</updated>
<content type="html">&lt;p&gt;Antjie Krog is an &lt;a href=&quot;/title/Afrikaner&quot;&gt;Afrikaner&lt;/a&gt; radio &lt;a href=&quot;/title/journalist&quot;&gt;journalist&lt;/a&gt;, &lt;a href=&quot;/title/poet&quot;&gt;poet&lt;/a&gt;, and &lt;a href=&quot;/title/author&quot;&gt;author&lt;/a&gt;, most notably of &lt;i&gt;&lt;a href=&quot;/title/Country+of+My+Skull&quot;&gt;Country of My Skull&lt;/a&gt;: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa&lt;/i&gt;. She hails from &lt;a href=&quot;/title/Kroonstad&quot;&gt;Kroonstad&lt;/a&gt;, but currently resides in &lt;a href=&quot;/title/Cape+Town&quot;&gt;Cape Town&lt;/a&gt;, where she covers &lt;a href=&quot;/title/Parliament&quot;&gt;Parliament&lt;/a&gt; for the &lt;a href=&quot;/title/South+African+Broadcasting+Company&quot;&gt;South African Broadcasting Company&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;Krog writes primarily in &lt;a href=&quot;/title/Afrikaans&quot;&gt;Afrikaans&lt;/a&gt;, but some of her work has been translated:
&lt;ul&gt;&lt;li&gt;&lt;i&gt;&lt;a href=&quot;/title/Lady+Anne&quot;&gt;Lady Anne&lt;/a&gt;&lt;/i&gt; (1989, &lt;a href=&quot;/title/poetry&quot;&gt;poetry&lt;/a&gt;)&lt;/li&gt;
&lt;li&gt;&lt;i&gt;&lt;a href=&quot;/title/Account+of+a+Murder&quot;&gt;Account of a Murder&lt;/a&gt;&lt;/i&gt; (1995, &lt;a href=&quot;/title/prose&quot;&gt;prose&lt;/a&gt;)&lt;/li&gt;
&lt;li&gt;&lt;i&gt;&lt;a href=&quot;/title/Country+of+My+Skull&quot;&gt;Country of My Skull&lt;/a&gt;: Guilt, Sorrow, and the Limits of Forgiveness in the New South Africa&lt;/i&gt; (1998, ingenious prose about her coverage of the &lt;a href=&quot;/title/Truth+and+Reconciliation+Commission&quot;&gt;Truth and Reconciliation Commission&lt;/a&gt;)&lt;/li&gt;
&lt;li&gt;&lt;i&gt;Down to My Last Skin&lt;/i&gt; (2000, poetry)&lt;/li&gt;&lt;/ul&gt;&lt;/p&gt;</content>
</entry><entry><title>Wellbutrin (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/rocketfairy/writeups/Wellbutrin"/><id>http://everything2.com:80/user/rocketfairy/writeups/Wellbutrin</id><author><name>rocketfairy</name><uri>http://everything2.com:80/user/rocketfairy</uri></author><published>2004-01-09T03:55:22Z</published><updated>2004-01-09T03:55:22Z</updated>
<content type="html">&lt;p&gt;Wellbutrin is not, as some commonly think, an &lt;a href=&quot;/title/SSRI&quot;&gt;SSRI&lt;/a&gt; (Selective &lt;a href=&quot;/title/Serotonin&quot;&gt;Serotonin&lt;/a&gt; Reuptake Inhibitor, like &lt;a href=&quot;/title/Prozac&quot;&gt;Prozac&lt;/a&gt;), nor is it an &lt;a href=&quot;/title/MAOI&quot;&gt;MAOI&lt;/a&gt;. &lt;a href=&quot;/title/GlaxoSmithKline&quot;&gt;GlaxoSmithKline&lt;/a&gt;'s info on the drug(1) mentions that, while Wellbutrin does slightly affect serotonin reuptake, its effects probably derive from its effects on &lt;a href=&quot;/title/dopamine&quot;&gt;dopamine&lt;/a&gt; reuptake.&lt;/p&gt;

&lt;p&gt;An interesting note: Wellbutrin was briefly pulled from the market due to a study that indicated it may cause more seizures than SSRI's (on the order of 4 per 1000 patients, as opposed to 2). This result has been called into question, and in any case the seizures mostly occurred among patients who were already &lt;a href=&quot;/title/seizure&quot;&gt;seizure&lt;/a&gt;-prone. Still, the risk appears on the warning label.&lt;/p&gt;

&lt;p&gt;A word about interactions with psychotropic drugs: It's well-known that Wellbutrin doesn't always play well with other &lt;a href=&quot;/title/antidepressants&quot;&gt;antidepressants&lt;/a&gt;, and that it may reduce &lt;a href=&quot;/title/tolerance&quot;&gt;tolerance&lt;/a&gt; to &lt;a href=&quot;/title/alcohol&quot;&gt;alcohol&lt;/a&gt;, but risks with respect to other psychotropic drugs are not well documented. &lt;a href=&quot;/title/GlaxoSmithKline&quot;&gt;GlaxoSmithKline&lt;/a&gt;'s documentation, as well as&amp;hellip;</content>
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