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    <title>r4c's New Writeups</title>
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    <updated>2001-01-17T18:30:17Z</updated>
<entry><title>mud flap (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/r4c/writeups/mud+flap"/><id>http://everything2.com:80/user/r4c/writeups/mud+flap</id><author><name>r4c</name><uri>http://everything2.com:80/user/r4c</uri></author><published>2001-01-17T18:30:17Z</published><updated>2001-01-17T18:30:17Z</updated>
<content type="html">&lt;p&gt;The &lt;a href=&quot;/title/rubber&quot;&gt;rubber&lt;/a&gt; &lt;a href=&quot;/title/flap&quot;&gt;flaps&lt;/a&gt; which hang behind the rear wheels of &lt;a href=&quot;/title/pickup+truck&quot;&gt;pickup trucks&lt;/a&gt; and &lt;a href=&quot;/title/semi&quot;&gt;semis&lt;/a&gt;, usually bearing witty catch phrases like &quot;Back Off&quot; accompanied by a picture of &lt;a href=&quot;/title/Yosemite+Sam&quot;&gt;Yosemite Sam&lt;/a&gt; or the simple yet understated elegance of a chrome &lt;a href=&quot;/title/naked+woman&quot;&gt;naked lady&lt;/a&gt; &lt;a href=&quot;/title/silhouette&quot;&gt;silhouette&lt;/a&gt;.  Aside from telling fellow drivers &quot;I have class&quot;, mud flaps are designed to keep &lt;a href=&quot;/title/mud&quot;&gt;mud&lt;/a&gt; and other road &lt;a href=&quot;/title/debris&quot;&gt;debris&lt;/a&gt; from &lt;a href=&quot;/title/soil&quot;&gt;soiling&lt;/a&gt; the owner's &lt;a href=&quot;/title/vehicle&quot;&gt;vehicle&lt;/a&gt;.&lt;/p&gt;</content>
</entry><entry><title>George Antheil (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/r4c/writeups/George+Antheil"/><id>http://everything2.com:80/user/r4c/writeups/George+Antheil</id><author><name>r4c</name><uri>http://everything2.com:80/user/r4c</uri></author><published>2001-01-13T07:20:58Z</published><updated>2001-01-13T07:20:58Z</updated>
<content type="html">George Antheil (born &lt;a href=&quot;/title/1900&quot;&gt;1900&lt;/a&gt;, died &lt;a href=&quot;/title/1959&quot;&gt;1959&lt;/a&gt;) was an American born composer from &lt;a href=&quot;/title/Trenton&quot;&gt;Trenton&lt;/a&gt;, &lt;a href=&quot;/title/NJ&quot;&gt;NJ&lt;/a&gt; but started his &lt;a href=&quot;/title/music&quot;&gt;music&lt;/a&gt; career in &lt;a href=&quot;/title/Paris&quot;&gt;Paris&lt;/a&gt; where he associated with numerous &lt;a href=&quot;/title/writer&quot;&gt;writers&lt;/a&gt;, &lt;a href=&quot;/title/artist&quot;&gt;artists&lt;/a&gt; and &lt;a href=&quot;/title/composer&quot;&gt;composers&lt;/a&gt; such as &lt;a href=&quot;/title/James+Joyce&quot;&gt;James Joyce&lt;/a&gt;, &lt;a href=&quot;/title/Ezra+Pound&quot;&gt;Ezra Pound&lt;/a&gt;, &lt;a href=&quot;/title/Pablo+Picasso&quot;&gt;Pablo Picasso&lt;/a&gt;, &lt;a href=&quot;/title/Salvador+Dali&quot;&gt;Salvador Dali&lt;/a&gt;, and &lt;a href=&quot;/title/Igor+Stravinsky&quot;&gt;Igor Stravinsky&lt;/a&gt;.
&lt;p&gt;
Antheil &lt;a href=&quot;/title/compose&quot;&gt;composed&lt;/a&gt; over 300 pieces in many &lt;a href=&quot;/title/genre&quot;&gt;genres&lt;/a&gt; including works for &lt;a href=&quot;/title/symphony&quot;&gt;symphony&lt;/a&gt;, &lt;a href=&quot;/title/chamber+ensemble&quot;&gt;chamber ensemble&lt;/a&gt;, &lt;a href=&quot;/title/film&quot;&gt;film&lt;/a&gt; and &lt;a href=&quot;/title/opera&quot;&gt;opera&lt;/a&gt;.
&lt;p&gt;
His most famous (or &lt;a href=&quot;/title/infamous&quot;&gt;infamous&lt;/a&gt;) contribution to &lt;a href=&quot;/title/20th+century&quot;&gt;20th century&lt;/a&gt; &lt;a href=&quot;/title/music&quot;&gt;music&lt;/a&gt; was his work &lt;a href=&quot;/title/Ballet+Mecanique&quot;&gt;Ballet Mecanique&lt;/a&gt;, which caused &lt;a href=&quot;/title/riots&quot;&gt;riots&lt;/a&gt; at it's debut.
&lt;p&gt;
&lt;a href=&quot;/title/Ballet+Mecanique&quot;&gt;Ballet Mecanique&lt;/a&gt; in its first incarnation was written in &lt;a href=&quot;/title/1924&quot;&gt;1924&lt;/a&gt; for 16 &lt;a href=&quot;/title/player+piano&quot;&gt;player pianos&lt;/a&gt; (&lt;a href=&quot;/title/pianola&quot;&gt;pianolas&lt;/a&gt;) playing four separate parts, four bass &lt;a href=&quot;/title/drum&quot;&gt;drums&lt;/a&gt;, three &lt;a href=&quot;/title/xylophone&quot;&gt;xylophones&lt;/a&gt;, a tam-tam, seven electric bells, a siren, and three different-sized airplane propellors, as well as two regular &lt;a href=&quot;/title/piano&quot;&gt;pianos&lt;/a&gt; played by human performers.  
&lt;p&gt;
This version of the piece had never&amp;hellip;</content>
</entry><entry><title>trautonium (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/r4c/writeups/trautonium"/><id>http://everything2.com:80/user/r4c/writeups/trautonium</id><author><name>r4c</name><uri>http://everything2.com:80/user/r4c</uri></author><published>2001-01-12T18:49:37Z</published><updated>2001-01-12T18:49:37Z</updated>
<content type="html">An early &lt;a href=&quot;/title/electronic+musical+instrument&quot;&gt;electronic musical instrument&lt;/a&gt; invented in &lt;a href=&quot;/title/1928&quot;&gt;1928&lt;/a&gt; by &lt;a href=&quot;/title/German&quot;&gt;German&lt;/a&gt; &lt;a href=&quot;/title/Acoustician&quot;&gt;Acoustician&lt;/a&gt; &lt;a href=&quot;/title/Friedrich+Trautwein&quot;&gt;Friedrich Trautwein&lt;/a&gt;.  The Trautonium is played by pressing a finger against a wire along its length (to control &lt;a href=&quot;/title/pitch&quot;&gt;pitch&lt;/a&gt;), putting the wire into contact with a metal bar, thus &lt;a href=&quot;/title/trigger&quot;&gt;triggering&lt;/a&gt; a &lt;a href=&quot;/title/note&quot;&gt;note&lt;/a&gt;.  Another bar was pressed to control &lt;a href=&quot;/title/note&quot;&gt;note&lt;/a&gt; &lt;a href=&quot;/title/articulation&quot;&gt;articulation&lt;/a&gt;.  &lt;a href=&quot;/title/timbre&quot;&gt;Timbres&lt;/a&gt; were chosen by using several switches.  

&lt;p&gt;
One of the only known extant pieces of &lt;a href=&quot;/title/music&quot;&gt;music&lt;/a&gt; ever written for the Trautonium is &lt;a href=&quot;/title/Concerto&quot;&gt;Concerto&lt;/a&gt; for Solo Trautonium and &lt;a href=&quot;/title/Orchestra&quot;&gt;Orchestra&lt;/a&gt; (written &lt;a href=&quot;/title/1930&quot;&gt;1930&lt;/a&gt; by &lt;a href=&quot;/title/Paul+Hindemith&quot;&gt;Paul Hindemith&lt;/a&gt;).
&lt;p&gt;
A student of Trautwein, &lt;a href=&quot;/title/Oskar+Sala&quot;&gt;Oskar Sala&lt;/a&gt; later went on to develop a similar instrument called the &lt;a href=&quot;/title/Mixturtrautonium&quot;&gt;Mixturtrautonium&lt;/a&gt;.  This was an improved version of the Trautonium that he used to compose music and sound effects for film.  It was also used on &lt;a href=&quot;/title/Alfred+Hitchcock&quot;&gt;Alfred Hitchcock&lt;/a&gt;'s &lt;a href=&quot;/title/The+Birds&quot;&gt;The Birds&lt;/a&gt;.</content>
</entry><entry><title>The Love God? (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/r4c/writeups/The+Love+God%253F"/><id>http://everything2.com:80/user/r4c/writeups/The+Love+God%253F</id><author><name>r4c</name><uri>http://everything2.com:80/user/r4c</uri></author><published>2001-01-12T00:51:48Z</published><updated>2001-01-12T00:51:48Z</updated>
<content type="html">&quot;&lt;a href=&quot;/title/Don+Knotts&quot;&gt;Don Knotts&lt;/a&gt; stars opposite &lt;a href=&quot;/title/Anne+Francis&quot;&gt;Anne Francis&lt;/a&gt; in a &lt;a href=&quot;/title/side-splittingly&quot;&gt;side-splittingly&lt;/a&gt; &lt;a href=&quot;/title/unconventional&quot;&gt;unconventional&lt;/a&gt; role as a small-time publication editor-turned &lt;a href=&quot;/title/playboy&quot;&gt;playboy&lt;/a&gt; in this &lt;a href=&quot;/title/daring&quot;&gt;daring&lt;/a&gt; and &lt;a href=&quot;/title/delightful&quot;&gt;delightful&lt;/a&gt; &lt;a href=&quot;/title/film&quot;&gt;film&lt;/a&gt;.&quot;
&lt;p&gt;
The jacket tends to understate.  The mere &lt;a href=&quot;/title/concept&quot;&gt;concept&lt;/a&gt; of &lt;a href=&quot;/title/Don+Knotts&quot;&gt;Don Knotts&lt;/a&gt; as a leopard print scarf wearing &lt;a href=&quot;/title/stud&quot;&gt;stud&lt;/a&gt; makes for some seriously &lt;a href=&quot;/title/funny+shit&quot;&gt;funny shit&lt;/a&gt;.
&lt;p&gt;
Written &amp; Directed by &lt;a href=&quot;/title/Nat+Hiken&quot;&gt;Nat Hiken&lt;/a&gt;&lt;br&gt;
Produced by &lt;a href=&quot;/title/Edward+J.+Montagne&quot;&gt;Edward J. Montagne&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;/title/1970&quot;&gt;1970&lt;/a&gt;, &lt;a href=&quot;/title/Universal+Pictures&quot;&gt;Universal Pictures&lt;/a&gt;&lt;br&gt;


</content>
</entry><entry><title>fuzz boxes (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/r4c/writeups/fuzz+boxes"/><id>http://everything2.com:80/user/r4c/writeups/fuzz+boxes</id><author><name>r4c</name><uri>http://everything2.com:80/user/r4c</uri></author><published>2001-01-11T18:28:06Z</published><updated>2001-01-11T18:28:06Z</updated>
<content type="html">The first &lt;a href=&quot;/title/commercial&quot;&gt;commercial&lt;/a&gt; &lt;a href=&quot;/title/fuzz+box&quot;&gt;fuzz box&lt;/a&gt; was designed by &lt;a href=&quot;/title/Glen+Snotty&quot;&gt;Glen Snotty&lt;/a&gt;, a Nashville studio engineer and later released by &lt;a href=&quot;/title/Gibson&quot;&gt;Gibson&lt;/a&gt; under the name &lt;a href=&quot;/title/Maestro&quot;&gt;Maestro&lt;/a&gt; &lt;a href=&quot;/title/Fuzz-Tone&quot;&gt;Fuzz-Tone&lt;/a&gt; around &lt;a href=&quot;/title/1965&quot;&gt;1965&lt;/a&gt;.  It was a &lt;a href=&quot;/title/brown&quot;&gt;brown&lt;/a&gt; wedge-shaped &lt;a href=&quot;/title/affair&quot;&gt;affair&lt;/a&gt; with a &lt;a href=&quot;/title/foot&quot;&gt;foot&lt;/a&gt; &lt;a href=&quot;/title/switch&quot;&gt;switch&lt;/a&gt; on the face, a &lt;a href=&quot;/title/jack&quot;&gt;jack&lt;/a&gt; and two &lt;a href=&quot;/title/knob&quot;&gt;knob&lt;/a&gt;s (&lt;a href=&quot;/title/volume&quot;&gt;volume&lt;/a&gt; and &lt;a href=&quot;/title/attack&quot;&gt;attack&lt;/a&gt;) on the back.

&lt;p&gt;&lt;a href=&quot;/title/Maestro&quot;&gt;Maestro&lt;/a&gt;'s &lt;a href=&quot;/title/fuzz+boxes&quot;&gt;fuzz box&lt;/a&gt; immediately &lt;a href=&quot;/title/spawn&quot;&gt;spawned&lt;/a&gt; an entire &lt;a href=&quot;/title/raft&quot;&gt;raft&lt;/a&gt; of &lt;a href=&quot;/title/stomp+box&quot;&gt;stompboxen&lt;/a&gt; seeking to &lt;a href=&quot;/title/cashed+in&quot;&gt;cash in&lt;/a&gt; on the whole &lt;a href=&quot;/title/fuzz+box&quot;&gt;fuzz box&lt;/a&gt; craze.  This in turn, &lt;a href=&quot;/title/spawn&quot;&gt;gave birth to&lt;/a&gt; the entire &lt;a href=&quot;/title/stomp+box&quot;&gt;stomp box&lt;/a&gt; industry, which is still quite large today.  
&lt;p&gt;
The &lt;a href=&quot;/title/Maestro&quot;&gt;Maestro&lt;/a&gt; &lt;a href=&quot;/title/Fuzz-Tone&quot;&gt;Fuzz-Tone&lt;/a&gt; has been featured on the &lt;a href=&quot;/title/Green+Acres&quot;&gt;Green Acres&lt;/a&gt; theme song as well as the &lt;a href=&quot;/title/Rolling+Stones&quot;&gt;Rolling Stones&lt;/a&gt;' &quot;&lt;a href=&quot;/title/Satisfaction&quot;&gt;Satisfaction&lt;/a&gt;&quot;.
&lt;p&gt;
Some of the more notable &lt;a href=&quot;/title/fuzz+boxes&quot;&gt;fuzz boxes&lt;/a&gt; of &lt;a href=&quot;/title/history&quot;&gt;history&lt;/a&gt; include the &lt;a href=&quot;/title/Dallas-Arbiter&quot;&gt;Dallas-Arbiter&lt;/a&gt; &lt;a href=&quot;/title/Fuzz+Face&quot;&gt;Fuzz Face&lt;/a&gt;, &lt;a href=&quot;/title/Roland&quot;&gt;Roland&lt;/a&gt; &lt;a href=&quot;/title/Bee+Baa&quot;&gt;Bee Baa&lt;/a&gt;, &lt;a href=&quot;/title/Fender&quot;&gt;Fender&lt;/a&gt; &lt;a href=&quot;/title/Blender&quot;&gt;Blender&lt;/a&gt;, &lt;a href=&quot;/title/Foxx&quot;&gt;Foxx&lt;/a&gt; &lt;a href=&quot;/title/Tone+Machine&quot;&gt;Tone Machine&lt;/a&gt;, and the &lt;a href=&quot;/title/Roger+Mayer&quot;&gt;Roger Mayer&lt;/a&gt; &lt;a href=&quot;/title/Octavia&quot;&gt;Octavia&lt;/a&gt; (originally designed for &lt;a href=&quot;/title/Jimi+Hendrix&quot;&gt;Jimi Hendrix&lt;/a&gt;).
&lt;p&gt;
The &lt;a href=&quot;/title/fuzz+box&quot;&gt;fuzz box&lt;/a&gt; is as inextricably linked to &lt;a href=&quot;/title/Rock+and+Roll&quot;&gt;rock 'n roll&lt;/a&gt; &lt;a href=&quot;/title/history&quot;&gt;history&lt;/a&gt; as the &lt;a href=&quot;/title/electric+guitar&quot;&gt;electric guitar&lt;/a&gt;.</content>
</entry><entry><title>Compression ratio (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/r4c/writeups/Compression+ratio"/><id>http://everything2.com:80/user/r4c/writeups/Compression+ratio</id><author><name>r4c</name><uri>http://everything2.com:80/user/r4c</uri></author><published>2001-01-11T17:52:11Z</published><updated>2001-01-11T17:52:11Z</updated>
<content type="html">&lt;p&gt;In professional audio terms, this generally deals with the amount an &lt;a href=&quot;/title/audio+compressor&quot;&gt;audio compressor&lt;/a&gt; reduces the audio &lt;a href=&quot;/title/dynamic+range&quot;&gt;dynamic range&lt;/a&gt; by, (expressed in &lt;a href=&quot;/title/dB&quot;&gt;dB&lt;/a&gt;).  For example, at a 2:1 compression ratio, the input would have to change by 2&lt;a href=&quot;/title/dB&quot;&gt;dB&lt;/a&gt; to create a change in the output of 1&lt;a href=&quot;/title/dB&quot;&gt;dB&lt;/a&gt;.&lt;/p&gt;</content>
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