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    <updated>2004-05-02T00:26:32Z</updated>
<entry><title>Cosmological argument (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/mpwa/writeups/Cosmological+argument"/><id>http://everything2.com/user/mpwa/writeups/Cosmological+argument</id><author><name>mpwa</name><uri>http://everything2.com/user/mpwa</uri></author><published>2004-05-02T00:26:32Z</published><updated>2004-05-02T00:26:32Z</updated>
<content type="html">For a start, it should be noted that the &lt;a href=&quot;/title/unmoved+mover&quot;&gt;unmoved mover&lt;/a&gt;, for which &lt;a href=&quot;/title/Aristotle&quot;&gt;Aristotle&lt;/a&gt; argues, is not a &lt;a href=&quot;/title/personal+God&quot;&gt;personal God&lt;/a&gt;, like that of &lt;a href=&quot;/title/Christianity&quot;&gt;Christianity&lt;/a&gt;, it has no religious significance, it is simply seen as the ultimate cause of the &lt;a href=&quot;/title/Cosmos&quot;&gt;Cosmos&lt;/a&gt;. The concept of a personal God, perhaps, only becomes apparent when &lt;a href=&quot;/title/Leibniz&quot;&gt;Leibniz&lt;/a&gt; takes the argument further with his â&lt;a href=&quot;/title/Principle+of+Sufficient+Reason&quot;&gt;Principle of Sufficient Reason&lt;/a&gt;â. This states that everything, including the universe itself must have a reason for its existence, and that this must mean that there is an ultimate, uncaused cause â God.&lt;br&gt;&lt;br&gt;
There is a compelling logic in both of these arguments. In fact, they serve to heighten the believerâs understanding of Godâs &lt;a href=&quot;/title/omnipotence&quot;&gt;omnipotence&lt;/a&gt; and &lt;a href=&quot;/title/transcendence&quot;&gt;transcendence&lt;/a&gt;. However, the &lt;a href=&quot;/title/unbeliever&quot;&gt;unbeliever&lt;/a&gt; may find them less convincing. &lt;a href=&quot;/title/David+Hume&quot;&gt;David Hume&lt;/a&gt; said that it was wrong to go from saying that all events in the universe have a cause to saying that the universe itself must have a cause, in the same way that it is wrong to say that every human being has a mother so&amp;hellip;</content>
</entry><entry><title>Intuitionism (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/mpwa/writeups/Intuitionism"/><id>http://everything2.com/user/mpwa/writeups/Intuitionism</id><author><name>mpwa</name><uri>http://everything2.com/user/mpwa</uri></author><published>2004-05-02T00:15:55Z</published><updated>2004-05-02T00:15:55Z</updated>
<content type="html">At first sighting, Intuitionism appears to offer a basis for &lt;a href=&quot;/title/ethics&quot;&gt;ethics&lt;/a&gt; immune to the criticisms of other &lt;a href=&quot;/title/ethical+theory&quot;&gt;ethical theories&lt;/a&gt;, such as &lt;a href=&quot;/title/Utilitarianism&quot;&gt;Utilitarianism&lt;/a&gt; and &lt;a href=&quot;/title/Natural+Law&quot;&gt;Natural Law&lt;/a&gt; â both of which are guilty of the &lt;a href=&quot;/title/naturalistic+fallacy&quot;&gt;naturalistic fallacy&lt;/a&gt;. However, upon closer inspection Intuitionism appears to abandon the ethical premises of the other theories and yet replace it with nothing. Alasdair MacIntyre said, âTwentieth century &lt;a href=&quot;/title/moral+philosophers&quot;&gt;moral philosophers&lt;/a&gt; have sometimes appealed to their and our intuitions, but one of the things that we ought to have learned from the history of &lt;a href=&quot;/title/moral+philosophy&quot;&gt;moral philosophy&lt;/a&gt; is that the introduction of the word â&lt;a href=&quot;/title/intuition&quot;&gt;intuition&lt;/a&gt;â by a moral philosopher is always a signal that something has gone wrong with an argument.â I will examine to what extent this is true.&lt;br&gt; &lt;br&gt;
	The main advantage of Intuitionism is that it is a simple philosophy â &lt;a href=&quot;/title/good&quot;&gt;good&lt;/a&gt; is &lt;a href=&quot;/title/indefinable&quot;&gt;indefinable&lt;/a&gt;. Moore said that âgoodâ was like âyellowâ, in that it cannot be broken down any further â âyellowâ canât be&amp;hellip;</content>
</entry><entry><title>April 7, 2004 (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/mpwa/writeups/April+7%252C+2004"/><id>http://everything2.com/user/mpwa/writeups/April+7%252C+2004</id><author><name>mpwa</name><uri>http://everything2.com/user/mpwa</uri></author><published>2004-04-07T11:12:55Z</published><updated>2004-04-07T11:12:55Z</updated>
<content type="html">I apologise at once for this rambling &lt;a href=&quot;/title/daylog&quot;&gt;daylog&lt;/a&gt;, full of disjointed &lt;a href=&quot;/title/anecdotes&quot;&gt;anecdotes&lt;/a&gt;. I'm writing because I've had one of those odd days in which &lt;a href=&quot;/title/I+want+to+cry&quot;&gt;I want to cry&lt;/a&gt;, but don't know why - like those barmy &lt;a href=&quot;/title/summer+days&quot;&gt;summer days&lt;/a&gt; or a truly jolly &lt;a href=&quot;/title/Christmas&quot;&gt;Christmas&lt;/a&gt;, and inspite of the mood all you want to do is sit down and weep. I feel a bit like that. &lt;br&gt;
&lt;br&gt;
I'm beginning to suspect that &lt;a href=&quot;/title/life&quot;&gt;life&lt;/a&gt; is not really &lt;a href=&quot;/title/poetic&quot;&gt;poetic&lt;/a&gt; after all, or at least not in the way I thought or hoped. The good are not always rewarded; the bad are not always punished; the reader does not always get the happy ending or even a &lt;a href=&quot;/title/resolution&quot;&gt;resolution&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
I always thought of my life as a &lt;a href=&quot;/title/narrative&quot;&gt;narrative&lt;/a&gt;, my narrative, which I bumbled through, but that ultimately I would reach the ending I thought I deserved. But I was wrong. Life is more than just my narrative, it's made up of billions of narratives - all competing against each other, no one of more value than another. One man's rejection is another's &lt;a href=&quot;/title/romantic&quot;&gt;romantic&lt;/a&gt; reunion. &lt;br&gt;
&lt;br&gt;
Life seems pointless, but I'm only&amp;hellip;</content>
</entry><entry><title>The Cement Garden (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/mpwa/writeups/The+Cement+Garden"/><id>http://everything2.com/user/mpwa/writeups/The+Cement+Garden</id><author><name>mpwa</name><uri>http://everything2.com/user/mpwa</uri></author><published>2004-03-09T18:32:16Z</published><updated>2004-03-09T18:32:16Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;b&gt;A &lt;a href=&quot;/title/Psychoanalysis&quot;&gt;Psychoanalytic&lt;/a&gt; Interpretation of &lt;a href=&quot;/title/Ian+McEwan&quot;&gt;Ian McEwan&lt;/a&gt;'s 'The Cement Garden'&lt;/b&gt;&lt;/p&gt;

&lt;p align=&quot;center&quot;&gt;&lt;blockquote&gt;âBy stressing the importance of infantile &lt;a href=&quot;/title/sexuality&quot;&gt;sexuality&lt;/a&gt; and Oedipal impulses, and thereby undermining the concept of the âpristine innocence of &lt;a href=&quot;/title/childhood+innocence&quot;&gt;childhood&lt;/a&gt;â, &lt;a href=&quot;/title/Freud&quot;&gt;Freud&lt;/a&gt; was to provide 20th century writers with new ways of depicting &lt;a href=&quot;/title/childhood&quot;&gt;childhood&lt;/a&gt; and &lt;a href=&quot;/title/adolescence&quot;&gt;adolescence&lt;/a&gt;. With the removal of Victorian taboos, the child/adolescent in &lt;a href=&quot;/title/fiction&quot;&gt;fiction&lt;/a&gt; becomes more complex and less lovable.â

&lt;b&gt;CHRISTOPHER WILLIAMS&lt;/b&gt;&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;Freudian &lt;a href=&quot;/title/psychoanalysis&quot;&gt;psychoanalysis&lt;/a&gt; appears to be endemic in the work of Ian McEwan, which regularly explores themes of &lt;a href=&quot;/title/trauma&quot;&gt;trauma&lt;/a&gt;, sexuality and &lt;a href=&quot;/title/sexual+abuse&quot;&gt;sexual abuse&lt;/a&gt;. His first collection of short stories, '&lt;a href=&quot;/title/First+Love%252C+Last+Rites&quot;&gt;First Love, Last Rites&lt;/a&gt;', is concerned with abuse and sexual deviance. For example, âHomemadeâ retrospectively recounts a teenage boyâs &lt;a href=&quot;/title/rite+of+passage&quot;&gt;rite of passage&lt;/a&gt;, his loss of &lt;a href=&quot;/title/virginity&quot;&gt;virginity&lt;/a&gt; &lt;a href=&quot;/title/incest&quot;&gt;incest&lt;/a&gt;uously with his ten year old sister,&amp;hellip;</content>
</entry><entry><title>Katherine Mansfield (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/mpwa/writeups/Katherine+Mansfield"/><id>http://everything2.com/user/mpwa/writeups/Katherine+Mansfield</id><author><name>mpwa</name><uri>http://everything2.com/user/mpwa</uri></author><published>2004-02-25T17:42:53Z</published><updated>2004-02-25T17:42:53Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;b&gt;KATHERINE MANSFIELD&lt;/b&gt; - &lt;a href=&quot;/title/pseudonym&quot;&gt;pseudonym&lt;/a&gt; for Kathleen Mansfield Beauchamp, 1888-1923&lt;/p&gt;

&lt;blockquote&gt;ââ¦ What the writer does is not so much to solve the &lt;a href=&quot;/title/question&quot;&gt;question&lt;/a&gt; but to put the question. There must be the question put. That seems to be a very nice dividing line between the true and the false writer.â
Katherine Mansfield in a letter to Virginia Woolf, 1919
 &lt;/blockquote&gt;

Katherine Mansfield should be regarded as one of the founders of the &lt;a href=&quot;/title/modernism&quot;&gt;modernist&lt;/a&gt; movement. A contributor to many modernist publications, including her husbandâs, &lt;a href=&quot;/title/John+Middleton+Murry&quot;&gt;John Middleton Murry&lt;/a&gt;âs âRhythmâ, she and fellow writers were given impetus by movements such as &lt;a href=&quot;/title/fauvism&quot;&gt;fauvism&lt;/a&gt; and &lt;a href=&quot;/title/expressionism&quot;&gt;expressionism&lt;/a&gt;, inflections of &lt;a href=&quot;/title/post-impressionism&quot;&gt;post-impressionism&lt;/a&gt;, initiated by painters such as &lt;a href=&quot;/title/Gauguin&quot;&gt;Gauguin&lt;/a&gt; and developed by &lt;a href=&quot;/title/Matisse&quot;&gt;Matisse&lt;/a&gt;. Therefore, Mansfield was more concerned with expressing a &lt;a href=&quot;/title/mood&quot;&gt;mood&lt;/a&gt;, atmosphere or sentiment than with deep &lt;a href=&quot;/title/character+analysis&quot;&gt;character analysis&lt;/a&gt; or a detailed &lt;a href=&quot;/title/plot&quot;&gt;plot&lt;/a&gt;. However, to state that her&amp;hellip;</content>
</entry><entry><title>Wuthering Heights (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/mpwa/writeups/Wuthering+Heights"/><id>http://everything2.com/user/mpwa/writeups/Wuthering+Heights</id><author><name>mpwa</name><uri>http://everything2.com/user/mpwa</uri></author><published>2004-02-24T19:36:33Z</published><updated>2004-02-24T19:36:33Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;b&gt;âWUTHERING HEIGHTSâ â &lt;a href=&quot;/title/PROBLEMS+OF+POSSESSION&quot;&gt;PROBLEMS OF POSSESSION&lt;/a&gt;&lt;/b&gt;&lt;/p&gt;


&lt;blockquote&gt;&lt;i&gt;âTowering over the &lt;a href=&quot;/title/romantic+fiction&quot;&gt;romantic fiction&lt;/a&gt; of the mid-19th century are the &lt;a href=&quot;/title/Bront%25C3%25AB+sisters&quot;&gt;BrontÃ« sisters&lt;/a&gt;, in particular Emily and Charlotte, who with Wuthering Heights and &lt;a href=&quot;/title/Jane+Eyre&quot;&gt;Jane Eyre&lt;/a&gt; set a standard, the first for the novel of &lt;a href=&quot;/title/doomed+love&quot;&gt;doomed love&lt;/a&gt;, the second for the novel of the young womanâs climb to &lt;a href=&quot;/title/moral+independence&quot;&gt;moral independence&lt;/a&gt; and a &lt;a href=&quot;/title/passion&quot;&gt;passion&lt;/a&gt; underscored by &lt;a href=&quot;/title/equality&quot;&gt;equality&lt;/a&gt;.â&lt;/i&gt;
&lt;b&gt;&lt;a href=&quot;/title/Oxford+Companion+to+English+Literature&quot;&gt;Oxford Companion to English Literature&lt;/a&gt; &lt;/b&gt;&lt;/blockquote&gt;

	I find I have an irresolvable problem with âWuthering Heightsâ. The accepted view of the novel, like that stated above, is that it is revolves around the passionate relationship between the two main characters, Catherine Earnshaw and &lt;a href=&quot;/title/Heathcliff&quot;&gt;Heathcliff&lt;/a&gt;. Their &lt;a href=&quot;/title/love&quot;&gt;love&lt;/a&gt; for each other is meant to &lt;a href=&quot;/title/transcend&quot;&gt;transcend&lt;/a&gt; all barriers, be they &lt;a href=&quot;/title/physical&quot;&gt;physical&lt;/a&gt; or &lt;a href=&quot;/title/spiritual&quot;&gt;spiritual&lt;/a&gt;. But the nature of this love is destructive â it tears apart the fabric of the &lt;a href=&quot;/title/landscape&quot;&gt;landscape&lt;/a&gt; around it. Even Catherine&amp;hellip;</content>
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