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    <title>kessenich's New Writeups</title>
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    <updated>2002-08-09T22:28:00Z</updated>
<entry><title>Dada (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/kessenich/writeups/Dada"/><id>http://everything2.com:80/user/kessenich/writeups/Dada</id><author><name>kessenich</name><uri>http://everything2.com:80/user/kessenich</uri></author><published>2002-08-09T22:28:00Z</published><updated>2002-08-09T22:28:00Z</updated>
<content type="html">The &lt;a href=&quot;/title/Dadaist&quot;&gt;Dadaist&lt;/a&gt;s and the &lt;a href=&quot;/title/Surrealist&quot;&gt;Surrealist&lt;/a&gt;s had opposing views on the degree of influence of the &lt;a href=&quot;/title/unconscious&quot;&gt;unconscious&lt;/a&gt; mind, by how much they recognized &quot;poetic interference&quot; from the conscious world. &lt;a href=&quot;/title/Hans+Arp&quot;&gt;Hans Arp&lt;/a&gt; &quot;clearly established the fact that conscious feedback played a major role in his creative credo&quot;&lt;sup&gt;1&lt;/sup&gt;. The &lt;a href=&quot;/title/Dadaist&quot;&gt;Dadaist&lt;/a&gt;s did recognize forethought in their works. Jacques Rivi&amp;egrave;re discerned behind &quot;Dada's provocative &lt;a href=&quot;/title/nonsense&quot;&gt;nonsense&lt;/a&gt; a serious intent to apprehend an absolute psychological &lt;a href=&quot;/title/reality&quot;&gt;reality&lt;/a&gt;...comprising not so much the mind's &lt;a href=&quot;/title/incoherence&quot;&gt;incoherence&lt;/a&gt; as a &lt;a href=&quot;/title/primordial&quot;&gt;primordial&lt;/a&gt; &lt;a href=&quot;/title/coherence&quot;&gt;coherence&lt;/a&gt; anterior to the development of the notion of contradiction&quot; &lt;sup&gt;2&lt;/sup&gt;. The Dadaists differed from the Surrealists by their acknowledgment of conscious thought and the Surrealist's partially-realized, &lt;a href=&quot;/title/Freud&quot;&gt;Freud&lt;/a&gt;ian-based position of a &lt;a href=&quot;/title/conscious&quot;&gt;conscious&lt;/a&gt;/&lt;a href=&quot;/title/unconscious&quot;&gt;unconscious&lt;/a&gt; melding in the mind/brain. &lt;p&gt;&lt;br&gt;

&lt;sup&gt;1&lt;/sup&gt; &lt;small&gt; Sellin, Eric. Reflections on the Aesthetics of Futurism, Dadaism, and Surrealism: a Prosody Beyond Words (p 84)&lt;small&gt;&lt;p&gt;
&lt;sup&gt;2&lt;/sup&gt;&lt;small&gt; Brown, Clifford. Andr&amp;eacute; Breton: Arbiter of Surrealism (p 52)&lt;/small&gt;
&lt;/small&gt;&lt;/small&gt;</content>
</entry><entry><title>Krispy Kreme (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/kessenich/writeups/Krispy+Kreme"/><id>http://everything2.com:80/user/kessenich/writeups/Krispy+Kreme</id><author><name>kessenich</name><uri>http://everything2.com:80/user/kessenich</uri></author><published>2002-04-20T21:26:00Z</published><updated>2002-04-20T21:26:00Z</updated>
<content type="html">Krispy-Kreme Doughnuts, Inc. was founded in &lt;a href=&quot;/title/Winston-Salem&quot;&gt;Winston-Salem&lt;/a&gt;, N.C., to be specific, and sells approximately five million &lt;a href=&quot;/title/doughnut&quot;&gt;doughnut&lt;/a&gt;s a day and more than two billion doughnuts each year. Its shares surged in the fourth quarter of &lt;a href=&quot;/title/2001&quot;&gt;2001&lt;/a&gt; to $8.3 million (14 cents per share) from $4.3 million and 8 cents per share. Total company &lt;a href=&quot;/title/revenue&quot;&gt;revenue&lt;/a&gt; also rose, $81.9 million to $117.1 million. The company expects growth of 57 percent in 2002 and 39 percent in 2003. Earnings rose 55% in Q1 of 2002, and they earned $8.9 million (15 cents a share) for the period ending 4 August, up from $5.9 million, or 10 cents/share the previous year. In Q2, their net rose 50% from strong sales as well as manufacturing and distribution revenue, which rose 41% to $35.1 million. The company expects to earn 16 cents/share in Q3, up from 11 cents the previous year and 18 cents/share in the fourth, up from $8.3 million or 14 cents/share.&lt;p&gt;


Krispy Kreme's first stores outside of &lt;a href=&quot;/title/North+America&quot;&gt;North America&lt;/a&gt; will be in &lt;a href=&quot;/title/Australia&quot;&gt;Australia&lt;/a&gt; and &lt;a href=&quot;/title/New+Zealand&quot;&gt;New Zealand&lt;/a&gt;, in a&amp;hellip;</content>
</entry><entry><title>Being an Agent is Their Difficult Job (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/kessenich/writeups/Being+an+Agent+is+Their+Difficult+Job"/><id>http://everything2.com:80/user/kessenich/writeups/Being+an+Agent+is+Their+Difficult+Job</id><author><name>kessenich</name><uri>http://everything2.com:80/user/kessenich</uri></author><published>2002-04-06T00:54:34Z</published><updated>2002-04-06T00:54:34Z</updated>
<content type="html">                                                                           &lt;h2&gt;&quot;Works Like a &lt;a href=&quot;/title/Barry+White&quot;&gt;Barry White&lt;/a&gt; Album,&quot; says Putin&lt;/h2&gt;
&lt;p&gt;
&lt;p&gt;
&lt;p&gt;

If you associate the words '&lt;a href=&quot;/title/tomfoolery&quot;&gt;tomfoolery&lt;/a&gt;' and '&lt;a href=&quot;/title/ballyhoo&quot;&gt;ballyhoo&lt;/a&gt;' with '&lt;a href=&quot;/title/Kremlin&quot;&gt;Kremlin&lt;/a&gt; &lt;a href=&quot;/title/banquet&quot;&gt;banquet&lt;/a&gt;,' you're not alone. But the year 2000 celebration in &lt;a href=&quot;/title/Moscow&quot;&gt;Moscow&lt;/a&gt; for the 80th anniversary of the &lt;a href=&quot;/title/Cheka&quot;&gt;Cheka&lt;/a&gt;, the &lt;a href=&quot;/title/Soviet+secret+police&quot;&gt;Soviet secret police&lt;/a&gt;, was &lt;a href=&quot;/title/poignant&quot;&gt;poignant&lt;/a&gt;ly &lt;a href=&quot;/title/nostalgic&quot;&gt;nostalgic&lt;/a&gt; in tone. &lt;a href=&quot;/title/Chekist+Day&quot;&gt;Chekist Day&lt;/a&gt; is observed annually to commemorate its founding by &lt;a href=&quot;/title/Felix+Dzerzhinsky&quot;&gt;Felix Dzerzhinsky&lt;/a&gt; on 20 Dec &lt;a href=&quot;/title/1917&quot;&gt;1917&lt;/a&gt;. &lt;p&gt;

The foreign intelligence agency &lt;a href=&quot;/title/SVR&quot;&gt;SVR&lt;/a&gt; released a 22-track &lt;a href=&quot;/title/compilation&quot;&gt;compilation&lt;/a&gt; CD of &lt;a href=&quot;/title/agent&quot;&gt;agent&lt;/a&gt;s' favorite songs about the &lt;a href=&quot;/title/cloak-and-dagger&quot;&gt;cloak-and-dagger&lt;/a&gt; profession. It was not released to the public, since few people (I imagine) would be eager to wax rhapsodic over &lt;a href=&quot;/title/Stalinist&quot;&gt;Stalinist&lt;/a&gt; &lt;a href=&quot;/title/police&quot;&gt;police&lt;/a&gt; oppression, and because, according to Foreign Intelligence Service &lt;a href=&quot;/title/spokesman&quot;&gt;spokesman&lt;/a&gt; &lt;a href=&quot;/title/Boris+Labusov&quot;&gt;Boris Labusov&lt;/a&gt;, the songs would be &quot;&lt;a href=&quot;/title/incomprehensible&quot;&gt;incomprehensible&lt;/a&gt;&quot; to those outside the field.  He also mentioned that the CDs &quot;went like &lt;a href=&quot;/title/hotcakes&quot;&gt;hotcakes&lt;/a&gt; at&amp;hellip;</content>
</entry><entry><title>That Touch of Mink (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/kessenich/writeups/That+Touch+of+Mink"/><id>http://everything2.com:80/user/kessenich/writeups/That+Touch+of+Mink</id><author><name>kessenich</name><uri>http://everything2.com:80/user/kessenich</uri></author><published>2002-03-09T00:41:25Z</published><updated>2002-03-09T00:41:25Z</updated>
<content type="html">&lt;h2&gt;That Touch of Mink&lt;/h2&gt;&lt;br&gt;
&lt;a href=&quot;/title/1962&quot;&gt;1962&lt;/a&gt;
&lt;br&gt;
&lt;small&gt;
Directed by &lt;a href=&quot;/title/Delbert+Mann&quot;&gt;Delbert Mann&lt;/a&gt;&lt;br&gt;
Written by &lt;a href=&quot;/title/Stanley+Shapiro&quot;&gt;Stanley Shapiro&lt;/a&gt; and &lt;a href=&quot;/title/Nate+Monaster&quot;&gt;Nate Monaster&lt;/a&gt;&lt;/small&gt;
&lt;p&gt;&lt;p&gt;
A &lt;a href=&quot;/title/romantic+comedy&quot;&gt;romantic comedy&lt;/a&gt; starring &lt;a href=&quot;/title/Cary+Grant&quot;&gt;Cary Grant&lt;/a&gt; and &lt;a href=&quot;/title/Doris+Day&quot;&gt;Doris Day&lt;/a&gt;, about a wealthy businessman's amusingly problematic involvement with a straight-forward country girl and her three &lt;a href=&quot;/title/I+will+REMOVE+your+%2522All+Your+Radical+Touching+Base+Are+Already+Occurred+to+The+Lesbian+Monkey+Puppy%2522+Philosophy+on+me+if+you+don%2527t+eat+my+soy+google+balls%252C+hatt-baby.+Real+or+Malarky%253F&quot;&gt;soy-eating lesbian monkeys&lt;/a&gt;. Okay, just the girl. The following is a strangely exhaustive run-through. &lt;p&gt;

Day is Cathy Timberlake, a sweet, um, Doris Day-type girl from &lt;a href=&quot;/title/Upper+Sandusky&quot;&gt;Upper Sandusky&lt;/a&gt;, daughter of a school&lt;a href=&quot;/title/teacher&quot;&gt;teacher&lt;/a&gt; and druggist. She works a &quot;computing machine,&quot; and you see in the movie that it's &lt;a href=&quot;/title/UNIVAC&quot;&gt;UNIVAC&lt;/a&gt;. It seems that she's a &lt;a href=&quot;/title/punch+card&quot;&gt;punch card&lt;/a&gt; operator, because she&amp;hellip;</content>
</entry><entry><title>Einhard (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/kessenich/writeups/Einhard"/><id>http://everything2.com:80/user/kessenich/writeups/Einhard</id><author><name>kessenich</name><uri>http://everything2.com:80/user/kessenich</uri></author><published>2002-03-03T02:49:21Z</published><updated>2002-03-03T02:49:21Z</updated>
<content type="html">&lt;b&gt;(ca. &lt;a href=&quot;/title/770&quot;&gt;770&lt;/a&gt;-&lt;a href=&quot;/title/840&quot;&gt;840&lt;/a&gt;)&lt;/b&gt; A &lt;a href=&quot;/title/Frank&quot;&gt;Frank&lt;/a&gt;, and the royal &lt;a href=&quot;/title/biographer&quot;&gt;biographer&lt;/a&gt; of &lt;a href=&quot;/title/Charlemagne&quot;&gt;Charlemagne&lt;/a&gt;. He was trained at the &lt;a href=&quot;/title/Fulda+abbey&quot;&gt;Fulda abbey&lt;/a&gt;, a great center of learning. His &lt;a href=&quot;/title/biography&quot;&gt;biography&lt;/a&gt; of Charlemagne was the most notable one of the ninth century.&lt;p&gt;&lt;p&gt;&lt;p&gt;

&lt;small&gt;short is better than non-existent.&lt;/small&gt;</content>
</entry><entry><title>Alcuin (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/kessenich/writeups/Alcuin"/><id>http://everything2.com:80/user/kessenich/writeups/Alcuin</id><author><name>kessenich</name><uri>http://everything2.com:80/user/kessenich</uri></author><published>2002-03-03T02:36:18Z</published><updated>2002-03-03T02:36:18Z</updated>
<content type="html">&lt;p&gt;Alcuin popularized a style, or form, of writing known as &lt;a href=&quot;/title/Carolingian+miniscule&quot;&gt;Carolingian miniscule&lt;/a&gt;, which was a significant improvement over the messy and rather indecipherable late &lt;a href=&quot;/title/Merovingian&quot;&gt;Merovingian&lt;/a&gt; scripts. After leaving Charlemagne's court, Alcuin founded a &lt;a href=&quot;/title/scriptorium&quot;&gt;scriptorium&lt;/a&gt; at the &lt;a href=&quot;/title/St.+Martin+monastery&quot;&gt;St. Martin monastery&lt;/a&gt; at &lt;a href=&quot;/title/Tours&quot;&gt;Tours&lt;/a&gt;, where he was &lt;a href=&quot;/title/abbot&quot;&gt;abbot&lt;/a&gt;. They meticulously edited &lt;a href=&quot;/title/Bible&quot;&gt;Bible&lt;/a&gt; texts and other &lt;a href=&quot;/title/liturgical&quot;&gt;liturgical&lt;/a&gt; works (however, the Carolingian miniscule was developed at a different &lt;a href=&quot;/title/abbey&quot;&gt;abbey&lt;/a&gt;).&lt;/p&gt;</content>
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