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    <title>disarmed42's New Writeups</title>
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    <updated>2004-07-26T17:38:45Z</updated>
<entry><title>Kraven's Last Hunt (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/disarmed42/writeups/Kraven%2527s+Last+Hunt"/><id>http://everything2.com/user/disarmed42/writeups/Kraven%2527s+Last+Hunt</id><author><name>disarmed42</name><uri>http://everything2.com/user/disarmed42</uri></author><published>2004-07-26T17:38:45Z</published><updated>2004-07-26T17:38:45Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;i&gt;&lt;a href=&quot;/title/The+Tyger&quot;&gt;Spyder! Spyder!&lt;/a&gt; burning bright&lt;br&gt;In the forests of the night&lt;br&gt;What immortal hand or eye&lt;br&gt;Could frame thy fearful symmetry?&lt;/i&gt;&lt;br&gt;&lt;small&gt;&lt;a href=&quot;/title/William+Blake&quot;&gt;William Blake&lt;/a&gt;, by way of J.M. DeMatteis&lt;/small&gt;&lt;p&gt;
Kraven's Last Hunt is the name of a 6-part storyline that took place in the &lt;a href=&quot;/title/Spider-Man&quot;&gt;Spider-Man&lt;/a&gt; comics in late 1987.  J.M. DeMatteis wrote the story, while Mike Zeck and Bob McLeod provided the art.  Several major events occurred in Spider-Man's life around this time.  &lt;a href=&quot;/title/The+Foreigner&quot;&gt;The Foreigner&lt;/a&gt; killed &lt;a href=&quot;/title/Ned+Leeds&quot;&gt;Ned Leeds&lt;/a&gt;, one of &lt;a href=&quot;/title/Spider-Man%252C+that+is&quot;&gt;Peter Parker's&lt;/a&gt; co-workers, who at the time was thought to be the &lt;a href=&quot;/title/Hobgoblin&quot;&gt;Hobgoblin&lt;/a&gt;, one of Spider-Man's enemies.  Mary-Jane and Peter's wedding ceremony had taken place so recently that they hadn't even finished moving in together.  Spider-Man's life was undergoing huge changes.&lt;p&gt;But this story is not about Spider-Man.  This story is about Sergei Kravinoff, known to the world as &lt;a href=&quot;/title/Kraven+the+Hunter&quot;&gt;Kraven the Hunter&lt;/a&gt;.  His parents were Russian &lt;a href=&quot;/title/aristocrats&quot;&gt;aristocrats&lt;/a&gt; who fled &lt;a href=&quot;/title/Russia&quot;&gt;Russia&lt;/a&gt; when the&amp;hellip;</content>
</entry><entry><title>polyptych (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/disarmed42/writeups/polyptych"/><id>http://everything2.com/user/disarmed42/writeups/polyptych</id><author><name>disarmed42</name><uri>http://everything2.com/user/disarmed42</uri></author><published>2004-05-19T21:50:21Z</published><updated>2004-05-19T21:50:21Z</updated>
<content type="html">Polyptych is a general term for a multi-part composition.  You might be more familiar with the terms &lt;a href=&quot;/title/diptych&quot;&gt;diptych&lt;/a&gt; and &lt;a href=&quot;/title/triptych&quot;&gt;triptych&lt;/a&gt;, which denote two and three part works respectively.  &lt;i&gt;Polyptych&lt;/i&gt; is mostly used to refer to works with four or more parts because these more specific words exist.  Although I have heard the word triptych applied to musical compositions, most polyptychs are paintings consisting of several different panels that are connected together.  In fact, the word polyptych comes from the &lt;a href=&quot;/title/Greek&quot;&gt;Greek&lt;/a&gt; for &quot;many folds&quot;.  A quick &lt;a href=&quot;/title/Google&quot;&gt;Google&lt;/a&gt; search turns up a few polyptychs, all of which are religious paintings from the 15th or 16th century.  So it would seem that a polyptych is a &lt;a href=&quot;/title/The+lost+art+of+walking&quot;&gt;forgotten type of art&lt;/a&gt;.  Heck, not even &lt;a href=&quot;/title/Webster1913&quot;&gt;Webster1913&lt;/a&gt; seems to have heard of it.&lt;p&gt;
However, this modern age has brought us a new application for this word: &lt;a href=&quot;/title/comics&quot;&gt;comics&lt;/a&gt;.  &lt;a href=&quot;/title/Scott+McCloud&quot;&gt;Scott McCloud&lt;/a&gt; coined this use of the term in &lt;a href=&quot;/title/Understanding+Comics&quot;&gt;Understanding Comics&lt;/a&gt;.  In comics, a polyptych is where a continuous background is&amp;hellip;</content>
</entry><entry><title>City of Souls I (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/disarmed42/writeups/City+of+Souls+I"/><id>http://everything2.com/user/disarmed42/writeups/City+of+Souls+I</id><author><name>disarmed42</name><uri>http://everything2.com/user/disarmed42</uri></author><published>2004-02-23T05:12:27Z</published><updated>2004-02-23T05:12:27Z</updated>
<content type="html">&lt;b&gt;Zeitgeist&lt;/b&gt;&lt;p&gt;

The sun hadnât quite risen, but the morning commute had already begun.  The winter in this city didnât make it easy to find the motivation to go to work sometimes.  The snow continued to pile up, and traffic was beastly.&lt;p&gt;

	None of this affected the &lt;a href=&quot;/title/Zeitgeist&quot;&gt;Zeitgeist&lt;/a&gt; Building.  It overlooked &lt;a href=&quot;/title/downtown&quot;&gt;downtown&lt;/a&gt; from five miles south, in the old business district.  Rectangular red-brick warehouses and towering gray factories still dominated the neighborhood, but few contributed to commerce in any way nowadays.  Cozy restaurants and quaint specialty shops stood between the industrial clutter, and occupied the hard-to-capture âcheap but &lt;a href=&quot;/title/hip&quot;&gt;hip&lt;/a&gt;â niche.  The Zeitgeist Building presided over all of this, and it was the real reason people still cared about the area.&lt;p&gt;

&lt;hr&gt;&lt;p&gt;

	âI was thinking,â Aaron said, âthis place needs some &lt;a href=&quot;/title/generators&quot;&gt;generators&lt;/a&gt;.  Think what would have happened if the &lt;a href=&quot;/title/blackout&quot;&gt;blackout&lt;/a&gt; had gotten this far out.  The people in the apartments wouldâve been pissed cuz they&amp;hellip;</content>
</entry><entry><title>panel (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/disarmed42/writeups/panel"/><id>http://everything2.com/user/disarmed42/writeups/panel</id><author><name>disarmed42</name><uri>http://everything2.com/user/disarmed42</uri></author><published>2003-02-18T03:15:19Z</published><updated>2003-02-18T03:15:19Z</updated>
<content type="html">The panel, along with the &lt;a href=&quot;/title/gutter&quot;&gt;gutter&lt;/a&gt;, is the most basic element of a &lt;a href=&quot;/title/comics&quot;&gt;comic&lt;/a&gt;.  Youâre probably most familiar with the simple rectangular panels found in the daily comic strips, or maybe even the single, circular panel of the wretched &lt;a href=&quot;/title/The+Family+Circus&quot;&gt;The Family Circus&lt;/a&gt;&lt;sup&gt;*&lt;/sup&gt;.  But a panel cannot be strictly defined as a &lt;a href=&quot;/title/rectangle&quot;&gt;rectangle&lt;/a&gt; that contains a picture.  &lt;a href=&quot;/title/Scott+McCloud&quot;&gt;Scott McCloud&lt;/a&gt;, in &lt;a href=&quot;/title/Understanding+Comics&quot;&gt;Understanding Comics&lt;/a&gt;, defines a panel as, âa general indicator that &lt;a href=&quot;/title/time&quot;&gt;time&lt;/a&gt; or &lt;a href=&quot;/title/space&quot;&gt;space&lt;/a&gt; is being divided.â  Sounds kind of &lt;a href=&quot;/title/heady&quot;&gt;heady&lt;/a&gt; for comics, right?  But really, itâs the simplest definition that adequately describes what a panel does.&lt;p&gt;
You see, back when comic books entered the American cultural landscape, they were seen as either childrenâs fare or trashy &lt;a href=&quot;/title/pulp+fiction&quot;&gt;pulp fiction&lt;/a&gt;.  Comics were simple, and their artists and writers only thought about panels as frames for the action.  Enter &lt;a href=&quot;/title/Will+Eisner&quot;&gt;Will Eisner&lt;/a&gt;, who revolutionized comicsâ storytelling techniques with his comic &lt;a href=&quot;/title/The+Spirit&quot;&gt;The Spirit&lt;/a&gt; in the 1940âs.  He also wrote the first thorough&amp;hellip;</content>
</entry><entry><title>New York Times Co. v. Sullivan (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/disarmed42/writeups/New+York+Times+Co.+v.+Sullivan"/><id>http://everything2.com/user/disarmed42/writeups/New+York+Times+Co.+v.+Sullivan</id><author><name>disarmed42</name><uri>http://everything2.com/user/disarmed42</uri></author><published>2003-01-19T03:04:30Z</published><updated>2003-01-19T03:04:30Z</updated>
<content type="html">&lt;i&gt;New York Times Co. v. Sullivan&lt;/i&gt; was a case brought before the &lt;a href=&quot;/title/United+States+Supreme+Court&quot;&gt;United States Supreme Court&lt;/a&gt; in 1964.  It is the most important case related to &lt;a href=&quot;/title/libel&quot;&gt;libel&lt;/a&gt; law the Court has decided on.  This case outlined the &lt;a href=&quot;/title/criteria&quot;&gt;criteria&lt;/a&gt; for a media entity to be &lt;a href=&quot;/title/sue&quot;&gt;sued&lt;/a&gt; for libel by a public figure.  In other words, it deals with &lt;a href=&quot;/title/freedom+of+the+press&quot;&gt;freedom of the press&lt;/a&gt;, one of the &lt;a href=&quot;/title/civil+liberties&quot;&gt;civil liberties&lt;/a&gt; mentioned in the &lt;a href=&quot;/title/First+Amendment&quot;&gt;First Amendment&lt;/a&gt; of the United Statesâ &lt;a href=&quot;/title/Bill+of+Rights&quot;&gt;Bill of Rights&lt;/a&gt;.&lt;p&gt;
&lt;b&gt;The Case&lt;/b&gt;&lt;p&gt;
On March 29, 1960, a full-page advertisement appeared in the &lt;a href=&quot;/title/New+York+Times&quot;&gt;New York Times&lt;/a&gt; titled âHeed Their Rising Voicesâ.  The ad attempted to gain support for the &lt;a href=&quot;/title/civil+rights+movement&quot;&gt;civil rights movement&lt;/a&gt; in the South by recounting some of the struggles of those involved, and mentioned &lt;a href=&quot;/title/police+action&quot;&gt;police action&lt;/a&gt; taken in &lt;a href=&quot;/title/Montgomery%252C+Alabama&quot;&gt;Montgomery, Alabama&lt;/a&gt; against protesters.  The adâs writers were a little &lt;a href=&quot;/title/overzealous&quot;&gt;overzealous&lt;/a&gt; in their condemnations, however, and there were some incorrect statements in the adâs third and sixth paragraphs.  L.B. Sullivan was the elected &lt;a href=&quot;/title/chief+of+police&quot;&gt;chief of police&lt;/a&gt; in&amp;hellip;</content>
</entry><entry><title>Neal Smith National Wildlife Refuge (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/disarmed42/writeups/Neal+Smith+National+Wildlife+Refuge"/><id>http://everything2.com/user/disarmed42/writeups/Neal+Smith+National+Wildlife+Refuge</id><author><name>disarmed42</name><uri>http://everything2.com/user/disarmed42</uri></author><published>2003-01-03T05:06:15Z</published><updated>2003-01-03T05:06:15Z</updated>
<content type="html">The &lt;a href=&quot;/title/Neal+Smith&quot;&gt;Neal Smith&lt;/a&gt; National Wildlife Refuge is one of 520 &lt;a href=&quot;/title/National+Wildlife+Refuge&quot;&gt;National Wildlife Refuge&lt;/a&gt;s across America.  It is maintained by the &lt;a href=&quot;/title/U.S.+Fish+and+Wildlife+Service&quot;&gt;U.S. Fish and Wildlife Service&lt;/a&gt;.  It was founded to attempt to bring back the &lt;a href=&quot;/title/prairie&quot;&gt;prairie&lt;/a&gt; that used to dominate the landscape of the &lt;a href=&quot;/title/Great+Plains&quot;&gt;Great Plains&lt;/a&gt;.&lt;p&gt;
When Europeans first settled America, there were millions of &lt;a href=&quot;/title/acre&quot;&gt;acres&lt;/a&gt; of prairie in the &lt;a href=&quot;/title/Midwest&quot;&gt;Midwest&lt;/a&gt;.  The pioneers ignored the land, reasoning that soil that couldnât support trees would not be &lt;a href=&quot;/title/arable&quot;&gt;arable&lt;/a&gt;.  Unbeknownst to them, between the &lt;a href=&quot;/title/bison&quot;&gt;bison&lt;/a&gt; manure and the cycling of nutrients by prairie grasses, the soil was some of the richest in the world.  When settlers finally discovered this fact, the prairie became the &lt;a href=&quot;/title/breadbasket&quot;&gt;breadbasket&lt;/a&gt; of America.  Unfortunately, this meant that the prairie grasses and the wide variety of animals living in them became endangered.  In &lt;a href=&quot;/title/Iowa&quot;&gt;Iowa&lt;/a&gt;, where NSNWR is located, only &lt;em&gt;.1%&lt;/em&gt; of the original prairie still exists.&lt;p&gt;
The U.S. &lt;a href=&quot;/title/Congress&quot;&gt;Congress&lt;/a&gt; authorized the purchase of 8600 acres of land to establish the&amp;hellip;</content>
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