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    <title>decoy hunches's New Writeups</title>
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    <updated>2013-04-01T20:38:21Z</updated>
<entry><title>The Conversationalist (event)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/decoy+hunches/writeups/The+Conversationalist"/><id>http://everything2.com/user/decoy+hunches/writeups/The+Conversationalist</id><author><name>decoy hunches</name><uri>http://everything2.com/user/decoy hunches</uri></author><published>2013-04-01T20:38:21Z</published><updated>2013-04-01T20:38:21Z</updated>
<content type="html">&lt;p&gt;&lt;em&gt;The Conversationalist&lt;/em&gt; is a drama which &lt;a href=&quot;/title/Hugo+Ball&quot;&gt;Hugo Ball&lt;/a&gt; wrote with &lt;a href=&quot;/title/Bertolt+Brecht&quot;&gt;Bertolt Brecht&lt;/a&gt; in &lt;a href=&quot;/title/1923&quot;&gt;1923&lt;/a&gt;.Â &lt;/p&gt;
&lt;p&gt;Ball originally intended the project for film but ended up &lt;a href=&quot;/title/staging&quot;&gt;staging&lt;/a&gt; it as a play. No theatre company was interested in hosting the production, so the only performance was done in the streets, &lt;a href=&quot;/title/simultaneism&quot;&gt;simultaneously&lt;/a&gt; in &lt;a href=&quot;/title/Berne&quot;&gt;Berne&lt;/a&gt; and &lt;a href=&quot;/title/Berlin&quot;&gt;Berlin&lt;/a&gt;. The exact size of the audience remains uncertain, although Ball did record that the general reception was &quot;mixed&quot; in his diaries.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The Conversationalist&lt;/em&gt; remains an important work as it was the first script to be written entirely for non-human actors, prefiguring cinematic achievements such as &lt;a href=&quot;/title/The+Adventures+of+Milo+and+Otis&quot;&gt;The Adventures of Milo and Otis&lt;/a&gt;. And, like Milo and Otis, the animals which Ball and Brecht employed ruffled some feathers. The original script called for a &lt;a href=&quot;/title/Mr.+Ed&quot;&gt;horse&lt;/a&gt; to be used, and later a &lt;a href=&quot;/title/Francis+the+Talking+Mule&quot;&gt;mule&lt;/a&gt;. But since the plot involved animals conversing with humans by means of the &lt;a href=&quot;/title/telegraph&quot;&gt;telegraph&lt;/a&gt;âtelegraph offices typically being&amp;hellip;</content>
</entry><entry><title>Michael Aurbach (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/decoy+hunches/writeups/Michael+Aurbach"/><id>http://everything2.com/user/decoy+hunches/writeups/Michael+Aurbach</id><author><name>decoy hunches</name><uri>http://everything2.com/user/decoy hunches</uri></author><published>2013-03-24T01:15:43Z</published><updated>2013-03-24T01:15:43Z</updated>
<content type="html">&lt;p&gt;Michael Aurbach is a contemporary sculptor and educator who explores &lt;a href=&quot;/title/death&quot;&gt;death&lt;/a&gt;, &lt;a href=&quot;/title/secrecy&quot;&gt;secrecy&lt;/a&gt;, and &lt;a href=&quot;/title/critical+theory&quot;&gt;critical theory&lt;/a&gt; using &lt;a href=&quot;/title/mixed+media&quot;&gt;mixed media&lt;/a&gt; such as &lt;a href=&quot;/title/plexiglass&quot;&gt;plexiglass&lt;/a&gt;, &lt;a href=&quot;/title/archeticural+design&quot;&gt;archeticural design&lt;/a&gt;, and &lt;a href=&quot;/title/Industrial+Technology+%2526amp%253B+Witchcraft&quot;&gt;industrial lab equipment&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;His work is at once playful yet &lt;a href=&quot;/title/always+already&quot;&gt;always already&lt;/a&gt;Â a very serious challenge to the audience (or spectator or viewer or patron or interpreters) to exercise their imagination for the purpose of decoding the array of signs and symbols which are the raw materials of Aurbach's &lt;a href=&quot;/title/oology&quot;&gt;oology&lt;/a&gt; of contemporary life (or &lt;a href=&quot;/title/stasis&quot;&gt;stasis&lt;/a&gt; or death or (non)existence or being). Many of his more recent pieces are highly intricate &lt;a href=&quot;/title/Rube+Goldberg+Machine&quot;&gt;Rube Goldberg machines&lt;/a&gt; with labels such as &lt;a href=&quot;/title/Essence+of+Derrida&quot;&gt;Essence of Derrida&lt;/a&gt; or &lt;a href=&quot;/title/Extract+of+Foucault&quot;&gt;Extract of Foucault&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;As an art student in Kansas during the late 1970s, he noticed that the language used to describe art creation seemed preoccupied with violence and death (&lt;em&gt;executing&lt;/em&gt; pieces of art, &lt;em&gt;shooting&lt;/em&gt; photographs, &lt;em&gt;hanging&lt;/em&gt;&amp;hellip;</content>
</entry><entry><title>INMEDIARES: a Quest in the middle of things (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/decoy+hunches/writeups/INMEDIARES%253A+a+Quest+in+the+middle+of+things"/><id>http://everything2.com/user/decoy+hunches/writeups/INMEDIARES%253A+a+Quest+in+the+middle+of+things</id><author><name>decoy hunches</name><uri>http://everything2.com/user/decoy hunches</uri></author><published>2013-03-07T15:08:02Z</published><updated>2013-03-07T15:08:02Z</updated>
<content type="html">&lt;p&gt;INMEDIARES, then this is the Quest for you!&lt;/p&gt;
&lt;p&gt;Acceptable Quest topics include but are by no means limited to: &lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;application (and explication) of the literary device of &lt;a href=&quot;/title/in+media+res&quot;&gt;in media res&lt;/a&gt; (as the term is known in the absence of &lt;a href=&quot;/title/scriptura+continua&quot;&gt;scriptura continua&lt;/a&gt;) in both traditional and &lt;a href=&quot;/title/cold+open&quot;&gt;film narrative&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;&lt;a href=&quot;/title/median&quot;&gt;median&lt;/a&gt;s: both as a concept in statistics and in &lt;a href=&quot;/title/urban+planning&quot;&gt;urban planning&lt;/a&gt;Â &lt;/li&gt;
&lt;li&gt;the &lt;a href=&quot;/title/Equator&quot;&gt;Equator&lt;/a&gt; and &lt;a href=&quot;/title/Prime+Meridian&quot;&gt;Prime Meridian&lt;/a&gt;&lt;/li&gt;
&lt;li&gt;facts, fiction and/or verse pertaining to &lt;a href=&quot;/title/midnight&quot;&gt;midnight&lt;/a&gt;, &lt;a href=&quot;/title/midday&quot;&gt;midday&lt;/a&gt;, &lt;a href=&quot;/title/middle+age&quot;&gt;middle age&lt;/a&gt;, &lt;a href=&quot;/title/middle+class&quot;&gt;middle class&lt;/a&gt;, &lt;a href=&quot;/title/middle+brow&quot;&gt;middle brow&lt;/a&gt;, &lt;a href=&quot;/title/middling&quot;&gt;middlings&lt;/a&gt;, &lt;a href=&quot;/title/mid-air&quot;&gt;mid-airs&lt;/a&gt;, &lt;a href=&quot;/title/mid-brains&quot;&gt;mid-brains&lt;/a&gt;, &lt;a href=&quot;/title/mid-engines&quot;&gt;mid-engines&lt;/a&gt;, &lt;a href=&quot;/title/Middle+C&quot;&gt;Middle C&lt;/a&gt;, &lt;a href=&quot;/title/Mid-Atlantic&quot;&gt;Mid-Atlantic&lt;/a&gt;, &lt;a href=&quot;/title/Middle+England&quot;&gt;Middle England&lt;/a&gt;, &lt;a href=&quot;/title/Middle+East&quot;&gt;Middle East&lt;/a&gt;, &lt;a href=&quot;/title/Middle+America&quot;&gt;Middle America&lt;/a&gt;, &lt;a href=&quot;/title/Middle+Earth&quot;&gt;Middle Earth&lt;/a&gt;, &lt;a href=&quot;/title/Mid+Glamorgan&quot;&gt;Mid Glamorgan&lt;/a&gt;, &lt;a href=&quot;/title/Middle+Europe&quot;&gt;Middle Europe&lt;/a&gt;, &lt;a href=&quot;/title/midlands&quot;&gt;midlands&lt;/a&gt;, &lt;a href=&quot;/title/Middle+School&quot;&gt;Middle School&lt;/a&gt;, &lt;a href=&quot;/title/middy&quot;&gt;middy&lt;/a&gt;, &lt;a href=&quot;/title/middle+finger&quot;&gt;middle finger&lt;/a&gt;, &lt;a href=&quot;/title/middle+ear&quot;&gt;middle ear&lt;/a&gt;, &lt;a href=&quot;/title/middle+man&quot;&gt;middle man&lt;/a&gt;, &lt;a href=&quot;/title/Middlemarch&quot;&gt;Middlemarch&lt;/a&gt;, &lt;a href=&quot;/title/midterm&quot;&gt;midterm&lt;/a&gt;, &lt;a href=&quot;/title/middle+name&quot;&gt;middle name&lt;/a&gt;â&lt;a href=&quot;/title/midpoints&quot;&gt;midpoints&lt;/a&gt; &amp;amp; &lt;a href=&quot;/title/midsections&quot;&gt;midsections&lt;/a&gt; of all kinds are encouraged! (but bid you please, no &lt;a href=&quot;/title/midden&quot;&gt;midden&lt;/a&gt;!)&lt;/li&gt;
&lt;li&gt;truncated retellings of&lt;/li&gt;&lt;/ul&gt;&amp;hellip;</content>
</entry><entry><title>Phoning It In (event)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/decoy+hunches/writeups/Phoning+It+In"/><id>http://everything2.com/user/decoy+hunches/writeups/Phoning+It+In</id><author><name>decoy hunches</name><uri>http://everything2.com/user/decoy hunches</uri></author><published>2013-03-02T13:51:02Z</published><updated>2013-03-02T13:51:02Z</updated>
<content type="html">&lt;p&gt;&quot;Phoning it in&quot; is an expression for a thing which is generally done &lt;a href=&quot;/title/half+assed&quot;&gt;half assed&lt;/a&gt;. &lt;/p&gt;
&lt;p&gt;The implication being that an individual &lt;a href=&quot;/title/busy+signal&quot;&gt;cannot be damn well bothered&lt;/a&gt; to make a personal appearance at a given function when a show of support (whether actual or merely representational) is requested or required. Instead of appearing in the flesh, one instead sends one's regrets by telephone as a sort of token gesture.Â &lt;/p&gt;
&lt;p&gt;While there are a few instances where phoning it in may be a legitimate or understandable course of action, the expression is generally considered to be &lt;a href=&quot;/title/pejorative&quot;&gt;pejorative&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;In the age of &lt;a href=&quot;/title/conference+call&quot;&gt;conference calls&lt;/a&gt; and &lt;a href=&quot;/title/call+center&quot;&gt;call centers&lt;/a&gt;, phoning it in may be used to simply refer to a person on the phone whose attention is somehow divided or compromised.Â &lt;/p&gt;
&lt;p&gt;The exact origins of this expression are unknown, but it is likely that it was coined by someone involved in the &lt;a href=&quot;/title/theater&quot;&gt;theater&lt;/a&gt; community. After the telephone became ubiquitous, the joke amongst stage&amp;hellip;</content>
</entry><entry><title>Spadework (review)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/decoy+hunches/writeups/Spadework"/><id>http://everything2.com/user/decoy+hunches/writeups/Spadework</id><author><name>decoy hunches</name><uri>http://everything2.com/user/decoy hunches</uri></author><published>2013-03-02T01:15:33Z</published><updated>2013-03-02T01:15:33Z</updated>
<content type="html">&lt;p&gt;&lt;em&gt;Spadework&lt;/em&gt; is a noun used figuratively to mean &quot;routine or difficult preparatory work&quot;. The original (and more obvious) meaning, of course, refers to &quot;&lt;a href=&quot;/title/work+function&quot;&gt;work done&lt;/a&gt; by &lt;a href=&quot;/title/digging&quot;&gt;digging&lt;/a&gt; with a &lt;a href=&quot;/title/Call+a+spade+a+spade&quot;&gt;spade&lt;/a&gt;&quot;.&lt;/p&gt;
&lt;p&gt;Sometimes the word is separated into &lt;a href=&quot;/title/spade&quot;&gt;two&lt;/a&gt; &lt;a href=&quot;/title/work&quot;&gt;words&lt;/a&gt; but the earliest recorded usage of the compound word is from 1778. It is, of course, entirely possible that an earlier usage remains buried.&lt;/p&gt;
&lt;p&gt;As a &lt;a href=&quot;/title/metonymy&quot;&gt;metonymy&lt;/a&gt; the word is a not part of common speech outside of politics, punditry, or academia. The term is still used in its original sense within &lt;a href=&quot;/title/How+Does+Your+Garden+Grow%253F&quot;&gt;gardening&lt;/a&gt; manuals.&lt;/p&gt;
&lt;p&gt;Since the mid-20th century or so, users of the word &lt;em&gt;spadework&lt;/em&gt;Â as a political term risk being perceived as a &lt;a href=&quot;/title/racist&quot;&gt;racist&lt;/a&gt;âmuch like those who use the word &lt;a href=&quot;/title/niggardly&quot;&gt;niggardly&lt;/a&gt;. During &lt;a href=&quot;/title/Barak+Obama&quot;&gt;Barak Obama&lt;/a&gt;'s 2008 campaign for US presidency, &lt;a href=&quot;/title/Hillary+Clinton&quot;&gt;Hillary Clinton&lt;/a&gt;, being his contender-at-the-time for the Democratic ticket,Â was roundly lambasted for a highly-pub&amp;hellip;</content>
</entry><entry><title>Neem (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/decoy+hunches/writeups/Neem"/><id>http://everything2.com/user/decoy+hunches/writeups/Neem</id><author><name>decoy hunches</name><uri>http://everything2.com/user/decoy hunches</uri></author><published>2013-02-28T23:58:36Z</published><updated>2013-02-28T23:58:36Z</updated>
<content type="html">&lt;p&gt;A fast growing tree native to &lt;a href=&quot;/title/Bangladesh&quot;&gt;Bangladesh&lt;/a&gt;, &lt;a href=&quot;/title/Pakistan&quot;&gt;Pakistan&lt;/a&gt;, and &lt;a href=&quot;/title/India&quot;&gt;India&lt;/a&gt;, Neem is a hardy, drought-resistant plant with many &lt;a href=&quot;/title/ethnobotany&quot;&gt;medicinal uses&lt;/a&gt;. the &lt;a href=&quot;/title/Neem+tree&quot;&gt;Neem tree&lt;/a&gt; grows well in sub-tropical areas. The scientific name for the plant isÂ &lt;em&gt;Azadirachta indica&lt;/em&gt;. In &lt;a href=&quot;/title/Iran&quot;&gt;Iran&lt;/a&gt; the name for this plant means &quot;&lt;a href=&quot;/title/Cherish&quot;&gt;Cherish&lt;/a&gt;&quot;.&lt;/p&gt;
&lt;p&gt;The leaves and flowers of Neem are edible. Sometimes they are prepared in a special way (either pickled or boiled with &lt;a href=&quot;/title/tamarind&quot;&gt;tamarind&lt;/a&gt; fruit) to reduce their distinctive bitter flavor. Consuming the young leaves is more common. Neem is a popular vegetable in &lt;a href=&quot;/title/Cambodia&quot;&gt;Cambodia&lt;/a&gt; and surrounding areas.&lt;/p&gt;
&lt;p&gt;Neem &lt;a href=&quot;/title/fruit+tree&quot;&gt;produces fruit&lt;/a&gt; which is used to extract an &lt;a href=&quot;/title/oil&quot;&gt;oil&lt;/a&gt;. The seeds are also used to produce this oil. This oil is considered something of a &lt;a href=&quot;/title/panacea&quot;&gt;panacea&lt;/a&gt; in the &lt;a href=&quot;/title/Ayurvedic&quot;&gt;Ayurvedic&lt;/a&gt; and &lt;a href=&quot;/title/Unani&quot;&gt;Unani&lt;/a&gt; medicinal traditions. Neem is &lt;a href=&quot;/title/anthelmintic&quot;&gt;anthelmintic&lt;/a&gt;, &lt;a href=&quot;/title/antifungal&quot;&gt;antifungal&lt;/a&gt;, &lt;a href=&quot;/title/antidiabetic&quot;&gt;antidiabetic&lt;/a&gt;, &lt;a href=&quot;/title/antibacterial&quot;&gt;antibacterial&lt;/a&gt;, &lt;a href=&quot;/title/antiviral&quot;&gt;antiviral&lt;/a&gt; and both a &lt;a href=&quot;/title/natural+birth+control&quot;&gt;contraceptive&lt;/a&gt; and &lt;a href=&quot;/title/sedative&quot;&gt;sedative&lt;/a&gt;. Neem consumption is considered to&amp;hellip;</content>
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