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    <title>Rudra's New Writeups</title>
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    <updated>2005-01-27T21:23:22Z</updated>
<entry><title>The Third Estate (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rudra/writeups/The+Third+Estate"/><id>http://everything2.com/user/Rudra/writeups/The+Third+Estate</id><author><name>Rudra</name><uri>http://everything2.com/user/Rudra</uri></author><published>2005-01-27T21:23:22Z</published><updated>2005-01-27T21:23:22Z</updated>
<content type="html">&lt;p&gt;By 1789, many people in &lt;a href=&quot;/title/France&quot;&gt;France&lt;/a&gt; had come to view the Third Estate or the &lt;a href=&quot;/title/Tiers-Etat&quot;&gt;Tiers-Etat&lt;/a&gt; as including everyone who was not a clergyman or &lt;a href=&quot;/title/noble&quot;&gt;noble&lt;/a&gt;. In &lt;a href=&quot;/title/1789&quot;&gt;1789&lt;/a&gt;, the &lt;a href=&quot;/title/Estates-General&quot;&gt;Estates-General&lt;/a&gt; had not been called for &lt;a href=&quot;/title/1614&quot;&gt;175 years&lt;/a&gt;. The specifics of the Third Estate's compostion had been forgotten, and came to be viewed as &quot;everyone else.&quot;  But in statutes, the Third Estate actually only represented the &lt;a href=&quot;/title/bourgeois&quot;&gt;bourgeois&lt;/a&gt; of the &quot;seigneurial towns,&quot; that is, towns which had been chartered to be freed of the local &lt;a href=&quot;/title/lord&quot;&gt;lord&lt;/a&gt;. In the &lt;a href=&quot;/title/royal&quot;&gt;royal&lt;/a&gt; &lt;a href=&quot;/title/demesne&quot;&gt;demesne&lt;/a&gt;, the king held the lordship of such towns. In cities located in the domaines of great lords of the &lt;a href=&quot;/title/realm&quot;&gt;realm&lt;/a&gt;, the city itself became its own lord and was the direct &lt;a href=&quot;/title/vassal&quot;&gt;vassal&lt;/a&gt; of the &lt;a href=&quot;/title/king&quot;&gt;king&lt;/a&gt;, thus making it an independent island inside another lord's territory. The &lt;a href=&quot;/title/peasant&quot;&gt;peasantry&lt;/a&gt; (the vast majority of the population) were not intended to be represented at all.&lt;/p&gt;</content>
</entry><entry><title>Past Anterior (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rudra/writeups/Past+Anterior"/><id>http://everything2.com/user/Rudra/writeups/Past+Anterior</id><author><name>Rudra</name><uri>http://everything2.com/user/Rudra</uri></author><published>2005-01-19T18:40:16Z</published><updated>2005-01-19T18:40:16Z</updated>
<content type="html">&lt;p&gt;The past anterior or &lt;em&gt;passÃ© antÃ©rieur&lt;/em&gt; is a literary tense that is not much used in &lt;a href=&quot;/title/French&quot;&gt;French&lt;/a&gt; nowadays. The form of the past anterior is much like the passÃ© composÃ©, except that the auxiliary is in the &lt;a href=&quot;/title/pass%25C3%25A9+simple&quot;&gt;simple past&lt;/a&gt; rather than the present; i.e. &lt;strong&gt;j'eus parlÃ©&lt;/strong&gt; instead of &lt;strong&gt;j'ai parlÃ©&lt;/strong&gt;.&lt;/p&gt;&lt;p&gt;The use of the past anterior is very limited. It is not used in spoken French, and in written French it's generally restricted to &lt;a href=&quot;/title/subordinate+clause&quot;&gt;subordinate clauses&lt;/a&gt;, to express a action or state immediately preceding the main clause. Usually the &lt;a href=&quot;/title/pedantic&quot;&gt;pedantic&lt;/a&gt; and old-fashioned-sounding past anterior can be avoided by rewording the sentence. Some French speakers will replace it with a &lt;em&gt;&lt;a href=&quot;/title/pass%25C3%25A9+surcompos%25C3%25A9&quot;&gt;passÃ© surcomposÃ©&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Examples:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;A peine &lt;a href=&quot;/title/Louis+XIV&quot;&gt;Louis XIV&lt;/a&gt; &lt;strong&gt;fut&lt;/strong&gt;-il &lt;strong&gt;mort&lt;/strong&gt;, le Parlement annula son testament.&lt;/p&gt;&lt;p&gt;AussitÃ´t que le duc d'OrlÃ©ans &lt;strong&gt;eut prit&lt;/strong&gt; le pouvoir, il libÃ©ra des centaines de&amp;hellip;</content>
</entry><entry><title>Regency (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rudra/writeups/Regency"/><id>http://everything2.com/user/Rudra/writeups/Regency</id><author><name>Rudra</name><uri>http://everything2.com/user/Rudra</uri></author><published>2005-01-12T02:28:30Z</published><updated>2005-01-12T02:28:30Z</updated>
<content type="html">&lt;p&gt;The history of &lt;a href=&quot;/title/Ancien+R%25C3%25A9gime&quot;&gt;Ancien RÃ©gime&lt;/a&gt; &lt;a href=&quot;/title/France&quot;&gt;France&lt;/a&gt; has had many regencies, most notably the regencies of &lt;a href=&quot;/title/Anne+de+Beaujeu&quot;&gt;Anne de Beaujeu&lt;/a&gt; (1483-1491), &lt;a href=&quot;/title/Catherine+de+M%25C3%25A9dicis&quot;&gt;Catherine de MÃ©dicis&lt;/a&gt; (1560-1563), &lt;a href=&quot;/title/Marie+de+M%25C3%25A9dicis&quot;&gt;Marie de MÃ©dicis&lt;/a&gt; (1610-1617), and &lt;a href=&quot;/title/Anne+d%2527Autriche&quot;&gt;Anne d'Autriche&lt;/a&gt; (1643-1651), but when you say the &lt;em&gt;la RÃ©gence&lt;/em&gt;, it always means the period from 1715-1723 when France was ruled by Philippe II, duc d'OrlÃ©ans in the name of the child king Louis XV, his first cousin twice removed.&lt;/p&gt;
&lt;p&gt;Preceeding regencies almost always showed a female relative of the &lt;a href=&quot;/title/king&quot;&gt;king&lt;/a&gt;, usually his &lt;a href=&quot;/title/queen+mother&quot;&gt;mother&lt;/a&gt;, exercising his authority during his absence or minority. As substitute monarchs, they legally possessed all the authority of the king himself. Toward the end of &lt;a href=&quot;/title/Louis+XIV&quot;&gt;Louis XIV&lt;/a&gt;'s life, he and those around him realized that a Regency can create an unstable situation. There were particular concerns about the continuing status of the king's bastards, the duc du Maine and the comte de Toulouse, who had been given special &lt;a href=&quot;/title/precedence&quot;&gt;precedence&lt;/a&gt; and&amp;hellip;</content>
</entry><entry><title>Le Rouge et le Noir (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rudra/writeups/Le+Rouge+et+le+Noir"/><id>http://everything2.com/user/Rudra/writeups/Le+Rouge+et+le+Noir</id><author><name>Rudra</name><uri>http://everything2.com/user/Rudra</uri></author><published>2004-08-05T14:57:51Z</published><updated>2004-08-05T14:57:51Z</updated>
<content type="html">&lt;p&gt;&lt;strong&gt;Warning: spoilers!&lt;/strong&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;/title/Stendhal&quot;&gt;Stendhal's&lt;/a&gt; first success as a novelist, &lt;em&gt;Le Rouge et le Noir&lt;/em&gt; (1830) follows the social ascent and ultimate fall of peasant &lt;a href=&quot;/title/adventurer&quot;&gt;adventurer&lt;/a&gt; Julien Sorel. In this is follows the tradition of the &lt;a href=&quot;/title/roman+d%2527apprentissage&quot;&gt;roman d'apprentissage&lt;/a&gt;, well-established in the &lt;a href=&quot;/title/18th+century&quot;&gt;18th century&lt;/a&gt; by such works as &lt;em&gt;&lt;a href=&quot;/title/Les+Egarements+du+c%25C5%2593ur+et+de+l%2527esprit&quot;&gt;Les Egarements du cÅur et de l'esprit&lt;/a&gt;&lt;/em&gt;, and &lt;em&gt;&lt;a href=&quot;/title/Le+Paysan+parvenu&quot;&gt;Le Paysan parvenu&lt;/a&gt;&lt;/em&gt;. Unlike the authors of these earlier books, Stendhal makes the novel self-referencing; some of the characters seem to deliberately try to pattern their lives after novels they have read. (&lt;a href=&quot;/title/Flaubert&quot;&gt;Flaubert&lt;/a&gt; picks up this trend in &lt;em&gt;&lt;a href=&quot;/title/Madame+Bovary&quot;&gt;Madame Bovary&lt;/a&gt;&lt;/em&gt;.) Mathilde de la Mole, in particular, seems to think her destiny is to live out a &lt;a href=&quot;/title/Alexandre+Dumas&quot;&gt;Dumas&lt;/a&gt; adventure. Stendhal uses an outdated form with characters who are almost aware that they are living in a novel to portray and expose the outdated and self-conscious regime of his time: France under the Bourbon Restoration.&lt;/p&gt;&lt;p&gt;The novel opens&amp;hellip;</content>
</entry><entry><title>Auvergne (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rudra/writeups/Auvergne"/><id>http://everything2.com/user/Rudra/writeups/Auvergne</id><author><name>Rudra</name><uri>http://everything2.com/user/Rudra</uri></author><published>2004-07-23T00:45:41Z</published><updated>2004-07-23T00:45:41Z</updated>
<content type="html">&lt;p&gt;Under the &lt;em&gt;&lt;a href=&quot;/title/Ancien+R%25C3%25A9gime&quot;&gt;Ancien RÃ©gime&lt;/a&gt;&lt;/em&gt;, political and dynastic events divided the province into four separate fiefs.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;County of Auvergne:&lt;/strong&gt; It was established in 781 for Louis the Pious, son of Charlemagne, and king of Aquitaine. The breakup of the Carolingian empire made Auvergne a dependency of the counts of Poitiers, administered by viscounts who eventually asserted their independence and claimed the title of count. In 1536 &lt;a href=&quot;/title/Catherine+de+Medici&quot;&gt;Catherine de Medici&lt;/a&gt;, at that time &lt;a href=&quot;/title/Dauphine&quot;&gt;Dauphine&lt;/a&gt; of France, inherited the county from her mother's family, &lt;a href=&quot;/title/La+Tour+d%2527Auvergne&quot;&gt;La Tour d'Auvergne&lt;/a&gt;. In her will she left it to one of &lt;a href=&quot;/title/Charles+IX&quot;&gt;Charles IX&lt;/a&gt;'s bastards, but in 1608 it was given to her daughter, &lt;a href=&quot;/title/Queen+Margot&quot;&gt;Marguerite de France&lt;/a&gt;, who gave it to the current Dauphin, who became Louis XIII in 1610.  &lt;a href=&quot;/title/Louis+XIV&quot;&gt;Louis XIV&lt;/a&gt; gave it back to the house of La Tour d'Auvergne in 1651, who kept it until the &lt;a href=&quot;/title/French+Revolution&quot;&gt;Revolution&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&lt;a href=&quot;/title/Dauphin%25C3%25A9&quot;&gt;DauphinÃ©&lt;/a&gt;&lt;/em&gt; of Auvergne:&lt;/strong&gt; In 1167 Guillaume VII, count of Auvergne was deposed by&amp;hellip;</content>
</entry><entry><title>Faux-bourdon (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Rudra/writeups/Faux-bourdon"/><id>http://everything2.com/user/Rudra/writeups/Faux-bourdon</id><author><name>Rudra</name><uri>http://everything2.com/user/Rudra</uri></author><published>2004-07-22T19:40:49Z</published><updated>2004-07-22T19:40:49Z</updated>
<content type="html">&lt;p&gt;Also known as falso bordone, faux-bourdon is a style of vocal &lt;a href=&quot;/title/partwriting&quot;&gt;partwriting&lt;/a&gt; that was used in &lt;a href=&quot;/title/Mass&quot;&gt;liturgical&lt;/a&gt; and other religious music in the &lt;a href=&quot;/title/Renaissance&quot;&gt;Renaissance&lt;/a&gt;. Instead of providing &lt;a href=&quot;/title/counterpoint&quot;&gt;counterpoints&lt;/a&gt; to the &lt;a href=&quot;/title/cantus&quot;&gt;cantus&lt;/a&gt;, as was usually done in Renaissance vocal music, the other parts of faux-bourdon proceed in &lt;a href=&quot;/title/step&quot;&gt;step&lt;/a&gt;. The upper voice sings the cantus, the middle voice is a &lt;a href=&quot;/title/fourth&quot;&gt;fourth&lt;/a&gt; below, and the lower voice is a &lt;a href=&quot;/title/third&quot;&gt;third&lt;/a&gt; below the middle voice, or a &lt;a href=&quot;/title/sixth&quot;&gt;sixth&lt;/a&gt; below the upper voice. The qualities of these &lt;a href=&quot;/title/interval&quot;&gt;intervals&lt;/a&gt; may change as the parts move through whatever &lt;a href=&quot;/title/mode&quot;&gt;mode&lt;/a&gt; the piece is in. For example, in the &lt;a href=&quot;/title/dorian&quot;&gt;dorian&lt;/a&gt; mode, if the upper voice is singing a D, the middle voice is a perfect fourth below, and the lower voice a major sixth below. To our modern ears, this would sound like a d &lt;a href=&quot;/title/minor+triad&quot;&gt;minor triad&lt;/a&gt; in &lt;a href=&quot;/title/first+inversion&quot;&gt;first inversion&lt;/a&gt;, but Renaissance composers thought in terms of intervals, not triads.&lt;/p&gt;
&lt;p&gt;Composers didn't always stick to strict faux-bourdon structure throughout a given piece; for one thing,&amp;hellip;</content>
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