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    <title>Qeyser's New Writeups</title>
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    <updated>2002-09-10T21:00:27Z</updated>
<entry><title>The whole nine yards (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Qeyser/writeups/The+whole+nine+yards"/><id>http://everything2.com/user/Qeyser/writeups/The+whole+nine+yards</id><author><name>Qeyser</name><uri>http://everything2.com/user/Qeyser</uri></author><published>2002-09-10T21:00:27Z</published><updated>2002-09-10T21:00:27Z</updated>
<content type="html">To &lt;a href=&quot;/title/illuminate&quot;&gt;illuminate&lt;/a&gt; reason number &lt;a href=&quot;/title/3&quot;&gt;three&lt;/a&gt; above:
&lt;p&gt;
While no garment would &lt;em&gt;require&lt;/em&gt; nine yards of fabric, a &lt;a href=&quot;/title/seamstress&quot;&gt;seamstress&lt;/a&gt; friend  of mine tells me that in the &lt;a href=&quot;/title/glory+days&quot;&gt;glory days&lt;/a&gt; of tailoring it would sometimes be appropriate to use that much.  
&lt;p&gt;
To make a suit of the most &lt;a href=&quot;/title/exceptional&quot;&gt;exceptional&lt;/a&gt; quality, one would want precisely align the &lt;a href=&quot;/title/grain&quot;&gt;grain&lt;/a&gt; of the fabric of each small component of the suit (i.e. the sleeves, the collar, etc.)  This would require that vast amounts of fabric go &lt;a href=&quot;/title/waste&quot;&gt;waste&lt;/a&gt;d, so that in order to make a &lt;a href=&quot;/title/royal+flush&quot;&gt;complete suit&lt;/a&gt;, one would need a total of nine yards of fabric.
</content>
</entry><entry><title>How to remove the brain of a laboratory rat (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Qeyser/writeups/How+to+remove+the+brain+of+a+laboratory+rat"/><id>http://everything2.com/user/Qeyser/writeups/How+to+remove+the+brain+of+a+laboratory+rat</id><author><name>Qeyser</name><uri>http://everything2.com/user/Qeyser</uri></author><published>2002-08-07T13:58:58Z</published><updated>2002-08-07T13:58:58Z</updated>
<content type="html">&lt;a href=&quot;/title/I+do+this+on+a+weekly+basis&quot;&gt;I do this on a weekly basis&lt;/a&gt;, and this is how.
&lt;p&gt;
First, I'm assuming that you're doing this on &lt;a href=&quot;/title/live+nude+lesbians&quot;&gt;live, anesthetized, albino Sprague-Dawley rats&lt;/a&gt;.  (If you work with white-furred, red-eyed rats, then chances are you are working with albino Sprague's.)  Second, I'm assuming that you have the following &lt;a href=&quot;/title/tool&quot;&gt;tool&lt;/a&gt;s:
&lt;ul&gt;
&lt;li&gt; A rodent &lt;a href=&quot;/title/guillotine&quot;&gt;guillotine&lt;/a&gt; or large, sharp pair of shears
&lt;li&gt; A small, sharp (~7-8 inched total length) pair of &lt;a href=&quot;/title/shears&quot;&gt;shears&lt;/a&gt; 
&lt;li&gt; A pair of &lt;a href=&quot;/title/spring-loaded&quot;&gt;spring-loaded&lt;/a&gt; ronguers* of the same length
&lt;li&gt; A &lt;a href=&quot;/title/scalpel&quot;&gt;scalpel&lt;/a&gt; or &lt;a href=&quot;/title/razor+blade&quot;&gt;razor blade&lt;/a&gt;
&lt;li&gt; A very small, very sharp pair of &lt;a href=&quot;/title/scissors&quot;&gt;scissors&lt;/a&gt;
&lt;li&gt; A scooped &lt;a href=&quot;/title/spatula&quot;&gt;spatula&lt;/a&gt; no more than 1mm in width
&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;
Right then.  First, you should &lt;a href=&quot;/title/decapitate&quot;&gt;decapitate&lt;/a&gt; your animal.  Do it &lt;a href=&quot;/title/humane&quot;&gt;quickly and cleanly&lt;/a&gt;, and make sure to make the cut as close to the skull as possible.  You'll be left with a (dead) rat body and head.
&lt;p&gt;
Begin by exposing the &lt;a href=&quot;/title/skull&quot;&gt;skull&lt;/a&gt;.  Using your scalpel or razor, make a single cut along the length of the head, starting at a point&amp;hellip;</content>
</entry><entry><title>Boy/girl/other bands and why they're good for real musicians (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Qeyser/writeups/Boy%252Fgirl%252Fother+bands+and+why+they%2527re+good+for+real+musicians"/><id>http://everything2.com/user/Qeyser/writeups/Boy%252Fgirl%252Fother+bands+and+why+they%2527re+good+for+real+musicians</id><author><name>Qeyser</name><uri>http://everything2.com/user/Qeyser</uri></author><published>2002-08-06T21:58:44Z</published><updated>2002-08-06T21:58:44Z</updated>
<content type="html">&lt;em&gt;There was a writeup here before this one.  The node title says all you need to know about it.  The following is my response to it:&lt;/em&gt;
&lt;p&gt;
Record companies, like in any other major business, are first and foremost concerned about &lt;a href=&quot;/title/Bling-bling&quot;&gt;making money&lt;/a&gt;.  This is not to say that they care only about making money, or that they don't care about the kind of music they produce; however, &lt;a href=&quot;/title/some+of+your+friends+are+already+this+fucked&quot;&gt;music is expensive&lt;/a&gt;,* and in general record companies do what is necessary in order to stay &lt;a href=&quot;/title/afloat&quot;&gt;afloat&lt;/a&gt; -- and, typically, this means producing &lt;a href=&quot;/title/mediocre&quot;&gt;mediocre&lt;/a&gt; music that &lt;em&gt;will&lt;/em&gt; make money rather than new and interesting music that &lt;em&gt;might&lt;/em&gt;.
&lt;p&gt;
While some will argue that profits from a wildly sucessful band can offset the losses from another less successful act, a record company will not willingly sign a band that it knows will be unprofitable.  Furthermore, when a record company has the choice between signing a band that &lt;em&gt;may&lt;/em&gt; become the next &lt;a href=&quot;/title/Radiohead&quot;&gt;Radiohead&lt;/a&gt; and&amp;hellip;</content>
</entry><entry><title>Dancing Queen (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Qeyser/writeups/Dancing+Queen"/><id>http://everything2.com/user/Qeyser/writeups/Dancing+Queen</id><author><name>Qeyser</name><uri>http://everything2.com/user/Qeyser</uri></author><published>2002-06-06T19:51:40Z</published><updated>2002-06-06T19:51:40Z</updated>
<content type="html">&lt;em&gt;A cover of Dancing Queen?  I got 'cher cover . . . &lt;/em&gt;
&lt;p&gt;
This song is &lt;a href=&quot;/title/near+and+dear+to+my+heart&quot;&gt;near and dear to my heart&lt;/a&gt;, and so I've taken the time to come up with a pretty decent &lt;a href=&quot;/title/anyone+can+play+guitar&quot;&gt;solo acoustic&lt;/a&gt; version of this.  Here goes:
&lt;p&gt;
First of all, play this song in the key of &lt;a href=&quot;/title/C&quot;&gt;C&lt;/a&gt; using standard guitar tuning, as the chords used are mostly &lt;a href=&quot;/title/open+source&quot;&gt;open chords&lt;/a&gt; and are well balanced.  For the verse, we use the &lt;a href=&quot;/title/C&quot;&gt;C&lt;/a&gt;, &lt;a href=&quot;/title/F&quot;&gt;F&lt;/a&gt;, &lt;a href=&quot;/title/Am&quot;&gt;Am&lt;/a&gt;, &lt;a href=&quot;/title/Am7&quot;&gt;Am7&lt;/a&gt;, &lt;a href=&quot;/title/G&quot;&gt;G&lt;/a&gt; and &lt;a href=&quot;/title/Gsus4&quot;&gt;Gsus4&lt;/a&gt; chords.  For this entire song, I like to play the F as an &lt;a href=&quot;/title/Fmaj7&quot;&gt;Fmaj7&lt;/a&gt;, which not only makes it easier to transition between the C and F chords (and the F and &lt;a href=&quot;/title/Dm7&quot;&gt;Dm7&lt;/a&gt; chords later), but also gives the song a &lt;a href=&quot;/title/Marvin+Gaye&quot;&gt;darker, more mellow feel&lt;/a&gt;.*
&lt;p&gt;
&lt;pre&gt;

C                  F
Friday night . . .


C                  Am Am7
Looking . . .

G                  Gsus4 G Gsus4
Where . . .

G                  Am G Am
You come . . .
&lt;/pre&gt;
&lt;p&gt;
&lt;p&gt;
The other verse is the same.  If you listen to the song, you'll note that the Am and Am7 are played&amp;hellip;</content>
</entry><entry><title>neuropsychopharmacology (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Qeyser/writeups/neuropsychopharmacology"/><id>http://everything2.com/user/Qeyser/writeups/neuropsychopharmacology</id><author><name>Qeyser</name><uri>http://everything2.com/user/Qeyser</uri></author><published>2002-04-15T02:07:50Z</published><updated>2002-04-15T02:07:50Z</updated>
<content type="html">Neuropsychopharmacology really isn't a well-defined and regimented method or direction of scientific study: anybody who does research in neuropsychopharmacology would probably identify themselves primarily as a &lt;a href=&quot;/title/neuroscientist&quot;&gt;neuroscientist&lt;/a&gt; or perhaps a &lt;a href=&quot;/title/psychiatry&quot;&gt;psychiatry&lt;/a&gt; researcher.  Furthermore, it is not simply the study of &lt;a href=&quot;/title/psychoactive&quot;&gt;psychoactive&lt;/a&gt; &lt;a href=&quot;/title/drugs&quot;&gt;drugs&lt;/a&gt; &lt;em&gt;per se&lt;/em&gt;, thought that aspect is a major focus; rather, the ultimate goal in studying neuropsychopharmacology is to understand the workings of the &lt;a href=&quot;/title/mind&quot;&gt;mind&lt;/a&gt; in terms of the &lt;a href=&quot;/title/neurotransmitter&quot;&gt;chemo-anatomy&lt;/a&gt; of the brain.
&lt;p&gt;
This may sound like a &lt;a href=&quot;/title/trivial&quot;&gt;trivial&lt;/a&gt; and &lt;a href=&quot;/title/obligatory&quot;&gt;obligatory&lt;/a&gt; thing to study (wouldn't you hope that your doctor to knows &lt;em&gt;exactly&lt;/em&gt; what your &lt;a href=&quot;/title/Prozac&quot;&gt;Prozac&lt;/a&gt; is doing to your brain?*), but it is technically and conceptually an extraordinary undertaking.  
It requires that the &lt;a href=&quot;/title/molecular+biology&quot;&gt;sub-cellular&lt;/a&gt;-level actions of a psychoactive drug (such as Prozac) or &lt;a href=&quot;/title/crack&quot;&gt;naturally occurring&lt;/a&gt; neurochemical substance (such as &lt;a href=&quot;/title/glutamate&quot;&gt;glutamate&lt;/a&gt; or &lt;a href=&quot;/title/dopamine&quot;&gt;dopamine&lt;/a&gt;)  be reconciled to&amp;hellip;</content>
</entry><entry><title>American Buffalo (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Qeyser/writeups/American+Buffalo"/><id>http://everything2.com/user/Qeyser/writeups/American+Buffalo</id><author><name>Qeyser</name><uri>http://everything2.com/user/Qeyser</uri></author><published>2002-04-10T18:22:40Z</published><updated>2002-04-10T18:22:40Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;
&lt;big&gt;
&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;strong&gt;&lt;em&gt;American Buffalo&lt;/em&gt;&lt;/strong&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;
&lt;p align=&quot;center&quot;&gt;
&lt;big&gt;&lt;big&gt;A DRAMA IN TWO ACTS&lt;/big&gt;&lt;/big&gt;
&lt;p align=&quot;center&quot;&gt;
&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;i&gt;&lt;b&gt;by David Mamet&lt;/b&gt;&lt;/i&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;

&lt;pre&gt;&lt;p align=&quot;center&quot;&gt;&lt;tt&gt;
&quot;Mine eyes have seen the glory of the coming of the Lord.
 He is peeling down the alley in a black and yellow Ford.&quot;
                                                 Folk Tune
&lt;/tt&gt;&lt;/p&gt;&lt;/pre&gt;

&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;p align=&quot;center&quot;&gt;
&lt;em&gt;this play is dedicated to&lt;/em&gt;
&lt;br&gt;
Mr. J. J. Johnston,
&lt;br&gt;
of Chicago, Illinois
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;blockquote&gt;&lt;blockquote&gt;&lt;blockquote&gt;&lt;blockquote&gt;&lt;blockquote&gt;
&lt;p align=&quot;center&quot;&gt;THE CAST
&lt;p align=&quot;left&quot;&gt;
AMERICAN BUFFALO, by David Mamet. Directed by Ulu
Grosbard; setting by Danto Laquasto; lighting by 
Jules Fisher; production stage manager, Herb Volger.  Presented&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;/big&gt;&amp;hellip;</content>
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