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    <updated>2002-05-24T16:57:47Z</updated>
<entry><title>Bill Barilko (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Prophet4/writeups/Bill+Barilko"/><id>http://everything2.com:80/user/Prophet4/writeups/Bill+Barilko</id><author><name>Prophet4</name><uri>http://everything2.com:80/user/Prophet4</uri></author><published>2002-05-24T16:57:47Z</published><updated>2002-05-24T16:57:47Z</updated>
<content type="html">&lt;i&gt;&lt;p align=&quot;center&quot;&gt;Although he was not noted for his &lt;a href=&quot;/title/offensive&quot;&gt;offensive&lt;/a&gt; skills, Bill Barilko scored one of the most celebrated goals in &lt;a href=&quot;/title/NHL&quot;&gt;NHL&lt;/a&gt; history during the &lt;a href=&quot;/title/1951&quot;&gt;1951&lt;/a&gt; &lt;a href=&quot;/title/Stanley+Cup&quot;&gt;Stanley Cup&lt;/a&gt; Finals between &lt;a href=&quot;/title/Toronto&quot;&gt;Toronto&lt;/a&gt; and &lt;a href=&quot;/title/Montreal&quot;&gt;Montreal&lt;/a&gt;. This series was the only &lt;a href=&quot;/title/championship&quot;&gt;championship&lt;/a&gt; final that required &lt;a href=&quot;/title/overtime&quot;&gt;overtime&lt;/a&gt; in every contest. In game five, the extra session was nearly three minutes old when Barilko spotted a loose &lt;a href=&quot;/title/puck&quot;&gt;puck&lt;/a&gt; near the Montreal &lt;a href=&quot;/title/crease&quot;&gt;crease&lt;/a&gt;, He dove from the &lt;a href=&quot;/title/blue+line&quot;&gt;blue line&lt;/a&gt; and fired a shot over Montreal &lt;a href=&quot;/title/Goaltender&quot;&gt;Goaltender&lt;/a&gt; Gerry McNeil's outstretched arm to give the &lt;a href=&quot;/title/Toronto+Maple+Leafs&quot;&gt;Leafs&lt;/a&gt; the Cup.&lt;br&gt;
Unfortunately, it was the last goal of Barilko's &lt;a href=&quot;/title/career&quot;&gt;career&lt;/a&gt;. He disappeared that summer on a fishing trip, and the &lt;a href=&quot;/title/Leafs&quot;&gt;Leafs&lt;/a&gt; didn't win another cup until &lt;a href=&quot;/title/1962&quot;&gt;1962&lt;/a&gt;, the year his body was found.&lt;/i&gt;
&lt;dd&gt;--&lt;a href=&quot;/title/Pro+Set+Hockey&quot;&gt;Pro Set Hockey&lt;/a&gt; 91/92 Series One &lt;a href=&quot;/title/Card&quot;&gt;Card&lt;/a&gt; #340
&lt;br&gt;&lt;br&gt;
Bill Barilko was born on &lt;a href=&quot;/title/March+25th%252C+1927&quot;&gt;March 25th, 1927&lt;/a&gt;, in &lt;a href=&quot;/title/Timmins&quot;&gt;Timmins&lt;/a&gt;, &lt;a href=&quot;/title/Ontario&quot;&gt;Ontario&lt;/a&gt;. His entire NHL career was spent with the &lt;a href=&quot;/title/Toronto+Maple+Leafs&quot;&gt;Toronto Maple Leafs&lt;/a&gt;, from his &lt;a href=&quot;/title/rookie&quot;&gt;rookie&lt;/a&gt; year in 1946, to his&lt;/dd&gt;&amp;hellip;</content>
</entry><entry><title>All Killer No Filler (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Prophet4/writeups/All+Killer+No+Filler"/><id>http://everything2.com:80/user/Prophet4/writeups/All+Killer+No+Filler</id><author><name>Prophet4</name><uri>http://everything2.com:80/user/Prophet4</uri></author><published>2002-04-05T13:09:31Z</published><updated>2002-04-05T13:09:31Z</updated>
<content type="html">&lt;a href=&quot;/title/All+Killer+No+Filler&quot;&gt;All Killer No Filler&lt;/a&gt; &lt;br&gt;
All &lt;a href=&quot;/title/Songs&quot;&gt;Songs&lt;/a&gt; &lt;a href=&quot;/title/written&quot;&gt;written&lt;/a&gt; and &lt;a href=&quot;/title/Performed&quot;&gt;Performed&lt;/a&gt; by &lt;a href=&quot;/title/Sum+41&quot;&gt;Sum 41&lt;/a&gt; &lt;br&gt;
&lt;a href=&quot;/title/Produced&quot;&gt;Produced&lt;/a&gt; by &lt;a href=&quot;/title/Jerry+Finn&quot;&gt;Jerry Finn&lt;/a&gt; &lt;br&gt;
&lt;a href=&quot;/title/Mixed&quot;&gt;Mixed&lt;/a&gt; by &lt;a href=&quot;/title/Tom+Lord-Alge&quot;&gt;Tom Lord-Alge&lt;/a&gt; &lt;br&gt;
&lt;a href=&quot;/title/Guest&quot;&gt;Guest&lt;/a&gt; &lt;a href=&quot;/title/Artist&quot;&gt;Artist&lt;/a&gt;: &lt;a href=&quot;/title/Greg+Noiri&quot;&gt;Greg Noiri&lt;/a&gt; of &lt;a href=&quot;/title/Treble+Charger&quot;&gt;Treble Charger&lt;/a&gt; &lt;br&gt;
 &lt;br&gt;
track list: &lt;br&gt;
1.  &lt;a href=&quot;/title/Introduction+to+Destruction&quot;&gt;Introduction to Destruction&lt;/a&gt; &lt;br&gt;
2.  &lt;a href=&quot;/title/Nothing+On+My+Back&quot;&gt;Nothing On My Back&lt;/a&gt; &lt;br&gt;
3.  &lt;a href=&quot;/title/Never+Wake+Up&quot;&gt;Never Wake Up&lt;/a&gt; &lt;br&gt;
4.  &lt;a href=&quot;/title/Fat+Lip&quot;&gt;Fat Lip&lt;/a&gt; &lt;br&gt;
5.  &lt;a href=&quot;/title/Rhythms&quot;&gt;Rhythms&lt;/a&gt; &lt;br&gt;
6.  &lt;a href=&quot;/title/Motivation&quot;&gt;Motivation&lt;/a&gt; &lt;br&gt;
7.  &lt;a href=&quot;/title/In+Too+Deep&quot;&gt;In Too Deep&lt;/a&gt; &lt;br&gt;
8.  &lt;a href=&quot;/title/Summer&quot;&gt;Summer&lt;/a&gt; &lt;br&gt;
9.  &lt;a href=&quot;/title/Handle+This&quot;&gt;Handle This&lt;/a&gt; &lt;br&gt;
10. &lt;a href=&quot;/title/Crazy+Amanda+Bunkface&quot;&gt;Crazy Amanda Bunkface&lt;/a&gt; &lt;br&gt;
11. &lt;a href=&quot;/title/All+She%2527s+Got&quot;&gt;All She's Got&lt;/a&gt; &lt;br&gt;
12. &lt;a href=&quot;/title/Heart+Attack&quot;&gt;Heart Attack&lt;/a&gt; &lt;br&gt;
13. &lt;a href=&quot;/title/Pain+For+Pleasure&quot;&gt;Pain For Pleasure&lt;/a&gt; &lt;br&gt;
 &lt;br&gt;
&lt;a href=&quot;/title/Canadian+Content&quot;&gt;CanCon&lt;/a&gt;: Coming from a bunch of crazy &lt;a href=&quot;/title/Canadian&quot;&gt;Canadian&lt;/a&gt; kids, the album gets a MAL on the &lt;a href=&quot;/title/MAPL&quot;&gt;MAPL&lt;/a&gt; Canadian content scale. That is to say, the &lt;a href=&quot;/title/music&quot;&gt;music&lt;/a&gt; and &lt;a href=&quot;/title/lyrics&quot;&gt;lyrics&lt;/a&gt; were written and performed by Canadians. &lt;br&gt;
 &lt;br&gt;
Overall &lt;a href=&quot;/title/Impressions&quot;&gt;Impressions&lt;/a&gt;: &lt;br&gt;
	Less &lt;a href=&quot;/title/Pop&quot;&gt;Pop&lt;/a&gt; than &lt;a href=&quot;/title/Blink+182&quot;&gt;Blink 182&lt;/a&gt; and less &lt;a href=&quot;/title/Rock&quot;&gt;Rock&lt;/a&gt; than &lt;a href=&quot;/title/the+Offspring&quot;&gt;the Offspring&lt;/a&gt;, Sum 41's &lt;a href=&quot;/title/sound&quot;&gt;sound&lt;/a&gt; on All Killer No Filler is difficult for me to &lt;a href=&quot;/title/define&quot;&gt;define&lt;/a&gt; clearly. While there is a fair bit of &lt;a href=&quot;/title/Punk&quot;&gt;Punk&lt;/a&gt;&amp;hellip;</content>
</entry><entry><title>fantasy (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Prophet4/writeups/fantasy"/><id>http://everything2.com:80/user/Prophet4/writeups/fantasy</id><author><name>Prophet4</name><uri>http://everything2.com:80/user/Prophet4</uri></author><published>2002-01-08T13:03:12Z</published><updated>2002-01-08T13:03:12Z</updated>
<content type="html">&lt;p&gt;
What do the words &lt;a href=&quot;/title/Science+Fiction&quot;&gt;Science Fiction&lt;/a&gt; mean to you? Most people tend to think of &lt;a href=&quot;/title/high-technology&quot;&gt;high-technology&lt;/a&gt;, &lt;a href=&quot;/title/spaceships&quot;&gt;spaceships&lt;/a&gt;, the &lt;a href=&quot;/title/future&quot;&gt;future&lt;/a&gt;, &lt;a href=&quot;/title/aliens&quot;&gt;aliens&lt;/a&gt;, and &lt;a href=&quot;/title/bad+movies&quot;&gt;bad movies&lt;/a&gt;, or similar &lt;a href=&quot;/title/ideas&quot;&gt;ideas&lt;/a&gt;. What about &lt;a href=&quot;/title/Fantasy&quot;&gt;Fantasy&lt;/a&gt;? Oh, those are just stories about &lt;a href=&quot;/title/magic&quot;&gt;magic&lt;/a&gt;, &lt;a href=&quot;/title/dragons&quot;&gt;dragons&lt;/a&gt;, and &lt;a href=&quot;/title/elves&quot;&gt;elves&lt;/a&gt;. There aren't a whole lot of &lt;a href=&quot;/title/similarities&quot;&gt;similarities&lt;/a&gt; are there? Yet the two &lt;a href=&quot;/title/genres&quot;&gt;genres&lt;/a&gt; of &lt;a href=&quot;/title/fiction&quot;&gt;fiction&lt;/a&gt; are always lumped together in &lt;a href=&quot;/title/bookstores&quot;&gt;bookstores&lt;/a&gt; or &lt;a href=&quot;/title/libraries&quot;&gt;libraries&lt;/a&gt;, and many fans of one are also fans of the other. Clearly they must have &lt;a href=&quot;/title/something+in+common&quot;&gt;something in common&lt;/a&gt;.
&lt;/p&gt;&lt;p&gt;
Now, some of you are probably already taking &lt;a href=&quot;/title/exception&quot;&gt;exception&lt;/a&gt; to the (very rough) &lt;a href=&quot;/title/definitions&quot;&gt;definitions&lt;/a&gt; I gave above, which is precisely the point I'm getting to. The &lt;a href=&quot;/title/traditional&quot;&gt;traditional&lt;/a&gt;, accepted definitions of Science Fiction and Fantasy are &lt;a href=&quot;/title/flawed&quot;&gt;flawed&lt;/a&gt; in my opinion, in that they focus almost exclusively on the &lt;a href=&quot;/title/setting&quot;&gt;setting&lt;/a&gt; of the stories, and not the stories themselves. This is a mistake in my &lt;a href=&quot;/title/opinion&quot;&gt;opinion&lt;/a&gt;, as the setting, while important, is not more valuable than the story set in it, in that the setting can be changed,&amp;hellip;</content>
</entry><entry><title>Philotes (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Prophet4/writeups/Philotes"/><id>http://everything2.com:80/user/Prophet4/writeups/Philotes</id><author><name>Prophet4</name><uri>http://everything2.com:80/user/Prophet4</uri></author><published>2001-11-30T13:17:42Z</published><updated>2001-11-30T13:17:42Z</updated>
<content type="html">Philotes, &lt;a href=&quot;/title/Amicitia&quot;&gt;Amicitia&lt;/a&gt; to the &lt;a href=&quot;/title/Romans&quot;&gt;Romans&lt;/a&gt;, was the &lt;a href=&quot;/title/personification&quot;&gt;personification&lt;/a&gt; of &lt;a href=&quot;/title/affection&quot;&gt;affection&lt;/a&gt; and &lt;a href=&quot;/title/friendship&quot;&gt;friendship&lt;/a&gt;. According to &lt;a href=&quot;/title/Hesiod%2527s+Theogony&quot;&gt;Hesiod's Theogony&lt;/a&gt;, she is the unfathered &lt;a href=&quot;/title/daughter&quot;&gt;daughter&lt;/a&gt; of &lt;a href=&quot;/title/Nyx&quot;&gt;Nyx&lt;/a&gt;, goddess of the night, and &lt;a href=&quot;/title/sister&quot;&gt;sister&lt;/a&gt; to &lt;a href=&quot;/title/Cer&quot;&gt;Cer&lt;/a&gt;, &lt;a href=&quot;/title/Thanatos&quot;&gt;Thanatos&lt;/a&gt;, &lt;a href=&quot;/title/Hypnos&quot;&gt;Hypnos&lt;/a&gt;, &lt;a href=&quot;/title/Oneiros&quot;&gt;Oneiros&lt;/a&gt;, &lt;a href=&quot;/title/Moros&quot;&gt;Moros&lt;/a&gt;, &lt;a href=&quot;/title/Nemesis&quot;&gt;Nemesis&lt;/a&gt;, &lt;a href=&quot;/title/Oizys&quot;&gt;Oizys&lt;/a&gt;, &lt;a href=&quot;/title/Momus&quot;&gt;Momus&lt;/a&gt;, &lt;a href=&quot;/title/Geras&quot;&gt;Geras&lt;/a&gt;, &lt;a href=&quot;/title/Apate&quot;&gt;Apate&lt;/a&gt;, and &lt;a href=&quot;/title/Eris&quot;&gt;Eris&lt;/a&gt;, as well as the three &lt;a href=&quot;/title/Fates&quot;&gt;Fates&lt;/a&gt;: &lt;a href=&quot;/title/Clotho&quot;&gt;Clotho&lt;/a&gt;, &lt;a href=&quot;/title/Laechisis&quot;&gt;Laechisis&lt;/a&gt;, &lt;a href=&quot;/title/Atropos&quot;&gt;Atropos&lt;/a&gt;.&lt;br&gt;&lt;br&gt;

&quot;Loving Philotes&quot; -Theogony 224&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;a href=&quot;/title/The+Liturgy+of+Love&quot;&gt;The Liturgy of Love&lt;/a&gt;, by &lt;a href=&quot;/title/Epaphroditus&quot;&gt;Epaphroditus&lt;/a&gt; paints a different picture of Philotes' origins. Subtitled &quot;The Proclamation of &lt;a href=&quot;/title/The+Order+of+Philotes&quot;&gt;The Order of Philotes&lt;/a&gt;&quot; The Liturgia Philotetos described her as the daughter of &lt;a href=&quot;/title/Aphrodite&quot;&gt;Aphrodite&lt;/a&gt;. Unlike her mother, or her brother &lt;a href=&quot;/title/Eros&quot;&gt;Eros&lt;/a&gt;, Philotes is quite &lt;a href=&quot;/title/plain&quot;&gt;plain&lt;/a&gt; in &lt;a href=&quot;/title/appearance&quot;&gt;appearance&lt;/a&gt;. This is because she is not a goddess of passion or romantic love, but of affection.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Back to the &lt;a href=&quot;/title/Family+Tree+of+the+Gods+of+Greek+Mythology&quot;&gt;Family Tree of the Gods of Greek Mythology&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;/title/Greek+and+Roman+Mythology&quot;&gt;Greek and Roman Mythology&lt;/a&gt;</content>
</entry><entry><title>Arrow (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Prophet4/writeups/Arrow"/><id>http://everything2.com:80/user/Prophet4/writeups/Arrow</id><author><name>Prophet4</name><uri>http://everything2.com:80/user/Prophet4</uri></author><published>2001-11-20T15:38:16Z</published><updated>2001-11-20T15:38:16Z</updated>
<content type="html">An arrow, in its simplest form, is a pointed stick fired from a &lt;a href=&quot;/title/bow&quot;&gt;bow&lt;/a&gt;. This is neither particularly &lt;a href=&quot;/title/accurate&quot;&gt;accurate&lt;/a&gt; or &lt;a href=&quot;/title/dangerous&quot;&gt;dangerous&lt;/a&gt;, so over the years, many improvements have been made to the basic design. For no particular reason other than because it makes sense to me, I will start at the back and work forward. &lt;br&gt;
 &lt;br&gt;
&lt;b&gt;&lt;u&gt;&lt;a href=&quot;/title/Notching&quot;&gt;Notching&lt;/a&gt;&lt;/u&gt;&lt;/b&gt; &lt;br&gt;
This is probably the first, and most important improvements in arrow design, and has stood the test of time. Little more than a &lt;a href=&quot;/title/groove&quot;&gt;groove&lt;/a&gt; on the &lt;a href=&quot;/title/but&quot;&gt;but&lt;/a&gt;t of the arrow, the &lt;a href=&quot;/title/notch&quot;&gt;notch&lt;/a&gt; serves to hold the arrow on the string. I imagine this was probably figured out fairly soon after the idea of the &lt;a href=&quot;/title/bow+and+arrow&quot;&gt;bow and arrow&lt;/a&gt;, as it is nearly impossible to fire an unnotched arrow. Notching on &lt;a href=&quot;/title/modern&quot;&gt;modern&lt;/a&gt; arrows differs little from notching on older arrows, except where materials &lt;a href=&quot;/title/technology&quot;&gt;technology&lt;/a&gt; has allowed the notches to be made better (more durable, smoother, etc) &lt;br&gt;
 &lt;br&gt;
&lt;b&gt;&lt;u&gt;&lt;a href=&quot;/title/Fletching&quot;&gt;Fletching&lt;/a&gt;&lt;/u&gt;&lt;/b&gt; &lt;br&gt;
Fletching is the term for the &lt;a href=&quot;/title/fins&quot;&gt;fins&lt;/a&gt; at the end of the arrow, meant to&amp;hellip;</content>
</entry><entry><title>Geras (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Prophet4/writeups/Geras"/><id>http://everything2.com:80/user/Prophet4/writeups/Geras</id><author><name>Prophet4</name><uri>http://everything2.com:80/user/Prophet4</uri></author><published>2001-09-27T16:04:26Z</published><updated>2001-09-27T16:04:26Z</updated>
<content type="html">Geras, called &lt;a href=&quot;/title/Senectus&quot;&gt;Senectus&lt;/a&gt; by the &lt;a href=&quot;/title/Romans&quot;&gt;Romans&lt;/a&gt;, is the son of &lt;a href=&quot;/title/Nyx&quot;&gt;Nyx&lt;/a&gt;, goddess of the &lt;a href=&quot;/title/night&quot;&gt;night&lt;/a&gt;, born with &lt;a href=&quot;/title/Apate&quot;&gt;Apate&lt;/a&gt; and &lt;a href=&quot;/title/Philotes&quot;&gt;Philotes&lt;/a&gt;. As the personification of &lt;a href=&quot;/title/old+age&quot;&gt;old age&lt;/a&gt;, Geras was always depicted as a shrivelled &lt;a href=&quot;/title/old+man&quot;&gt;old man&lt;/a&gt;.
&lt;br&gt;&lt;br&gt;
&quot;&lt;a href=&quot;/title/Malignant&quot;&gt;Malignant&lt;/a&gt; Geras&quot; -&lt;a href=&quot;/title/Theogony&quot;&gt;Theogony&lt;/a&gt; 225
&lt;br&gt;&lt;br&gt;
&quot;But when &lt;a href=&quot;/title/loathsome&quot;&gt;loathsome&lt;/a&gt; old age (Geras) pressed full upon him, and he could not move nor lift his limbs&quot; -&lt;a href=&quot;/title/Homeric+Hymn+V+To+Aphrodite&quot;&gt;Homeric Hymn V To Aphrodite&lt;/a&gt; 218
&lt;br&gt;&lt;br&gt;
&quot;Harsh old age (Geras) will soon enshroud you - &lt;a href=&quot;/title/ruthless&quot;&gt;ruthless&lt;/a&gt; age which stands someday at the side of every man, &lt;a href=&quot;/title/deadly&quot;&gt;deadly&lt;/a&gt;, &lt;a href=&quot;/title/wearying&quot;&gt;wearying&lt;/a&gt;, &lt;a href=&quot;/title/dreaded&quot;&gt;dreaded&lt;/a&gt; even by the gods&quot; -&lt;a href=&quot;/title/Homeric+Hymn+V+To+Aphrodite&quot;&gt;Homeric Hymn V To Aphrodite&lt;/a&gt; 243-245

&lt;br&gt;&lt;br&gt;
Geras' siblings are: &lt;a href=&quot;/title/Cer&quot;&gt;Cer&lt;/a&gt;, &lt;a href=&quot;/title/Thanatos&quot;&gt;Thanatos&lt;/a&gt;, &lt;a href=&quot;/title/Hypnos&quot;&gt;Hypnos&lt;/a&gt;, &lt;a href=&quot;/title/Oneiros&quot;&gt;Oneiros&lt;/a&gt;, &lt;a href=&quot;/title/Moros&quot;&gt;Moros&lt;/a&gt;, &lt;a href=&quot;/title/Nemesis&quot;&gt;Nemesis&lt;/a&gt;, &lt;a href=&quot;/title/Oizys&quot;&gt;Oizys&lt;/a&gt;, &lt;a href=&quot;/title/Momus&quot;&gt;Momus&lt;/a&gt;, &lt;a href=&quot;/title/Philotes&quot;&gt;Philotes&lt;/a&gt;, &lt;a href=&quot;/title/Apate&quot;&gt;Apate&lt;/a&gt;, &lt;a href=&quot;/title/Eris&quot;&gt;Eris&lt;/a&gt;, as well as the three &lt;a href=&quot;/title/Fates&quot;&gt;Fates&lt;/a&gt;: &lt;a href=&quot;/title/Clotho&quot;&gt;Clotho&lt;/a&gt;, &lt;a href=&quot;/title/Laechisis&quot;&gt;Laechisis&lt;/a&gt;, &lt;a href=&quot;/title/Atropos&quot;&gt;Atropos&lt;/a&gt;.&lt;br&gt;&lt;br&gt;

Back to the &lt;a href=&quot;/title/Family+Tree+of+the+Gods+of+Greek+Mythology&quot;&gt;Family Tree of the Gods of Greek Mythology&lt;/a&gt;&lt;br&gt;
&lt;a href=&quot;/title/Greek+and+Roman+Mythology&quot;&gt;Greek and Roman Mythology&lt;/a&gt;</content>
</entry></feed>
