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    <title>MikeyK's New Writeups</title>
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    <updated>2003-07-12T00:21:45Z</updated>
<entry><title>Grant Green (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/MikeyK/writeups/Grant+Green"/><id>http://everything2.com/user/MikeyK/writeups/Grant+Green</id><author><name>MikeyK</name><uri>http://everything2.com/user/MikeyK</uri></author><published>2003-07-12T00:21:45Z</published><updated>2003-07-12T00:21:45Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;i&gt;There was never a dull minute when Grant was playing the guitar.&lt;/i&gt;&lt;br&gt; --&lt;a href=&quot;/title/George+Benson&quot;&gt;George Benson&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;/title/St.+Louis%252C+Missouri&quot;&gt;St. Louis, Missouri&lt;/a&gt;-born &lt;a href=&quot;/title/hard+bop&quot;&gt;hard bop&lt;/a&gt; &lt;a href=&quot;/title/Jazz&quot;&gt;Jazz&lt;/a&gt; &lt;a href=&quot;/title/guitarist&quot;&gt;guitarist&lt;/a&gt; noted for his impressive melodic ability and adaptations of popular songs jazz standards.&lt;/p&gt;

&lt;h3&gt;A brief &lt;a href=&quot;/title/biography&quot;&gt;bio&lt;/a&gt; + and a little bit of style&lt;/h3&gt;
&lt;p&gt;Grant Green was born on June 6th, 1935 (though the biography present on his original records state he was born in 1931) in &lt;a href=&quot;/title/St.+Louis%252C+Missouri&quot;&gt;St. Louis&lt;/a&gt; and began playing guitar professionally at the age of &lt;a href=&quot;/title/Thirteen&quot;&gt;13&lt;/a&gt;, influenced by &lt;a href=&quot;/title/Charlie+Parker&quot;&gt;Charlie Parker&lt;/a&gt; and &lt;a href=&quot;/title/Charlie+Christian&quot;&gt;Charlie Christian&lt;/a&gt; (Christian was often cited by &lt;a href=&quot;/title/Wes+Montgomery&quot;&gt;Wes Montgomery&lt;/a&gt; as his greatest influence) He played the local clubs and bars, recording a few songs in &lt;a href=&quot;/title/1959&quot;&gt;1959&lt;/a&gt; with friend &lt;a href=&quot;/title/Jimmy+Forrest&quot;&gt;Jimmy Forrest&lt;/a&gt;. In &lt;a href=&quot;/title/1961&quot;&gt;1961&lt;/a&gt;, however, &lt;a href=&quot;/title/Lou+Donaldson&quot;&gt;Lou Donaldson&lt;/a&gt; heard Green playing in &lt;a href=&quot;/title/East+St.+Louis&quot;&gt;East St. Louis&lt;/a&gt; and invited him to go to New York to meet with &lt;a href=&quot;/title/Alfred+Lion&quot;&gt;Alfred Lion&lt;/a&gt; of &lt;a href=&quot;/title/Blue+Note+Records&quot;&gt;Blue Note Records&lt;/a&gt;. Green signed on as recording artist and a long partnership began.&lt;/p&gt;&amp;hellip;</content>
</entry><entry><title>Augusto Boal (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/MikeyK/writeups/Augusto+Boal"/><id>http://everything2.com/user/MikeyK/writeups/Augusto+Boal</id><author><name>MikeyK</name><uri>http://everything2.com/user/MikeyK</uri></author><published>2003-07-10T07:39:14Z</published><updated>2003-07-10T07:39:14Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;i&gt;&quot;I believe that all the truly revolutionary theatrical
 groups should transfer to the people the means of production
 in the theater so that the people themselves may utilize
 them. The theater is a &lt;a href=&quot;/title/weapon&quot;&gt;weapon&lt;/a&gt;, and it is the people who
 should wield it.&quot;&lt;br&gt;&lt;/i&gt;
--Augusto Boal, The Theater of the Oppressed&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;/title/Brazil&quot;&gt;Brazil&lt;/a&gt;ian born &lt;a href=&quot;/title/theatre&quot;&gt;theatre&lt;/a&gt; practitioner (1931- ) who pioneered the concepts of &lt;a href=&quot;/title/Theatre+of+the+Oppressed&quot;&gt;Theatre of the Oppressed&lt;/a&gt;, &lt;a href=&quot;/title/Forum+Theatre&quot;&gt;Forum Theatre&lt;/a&gt;, &lt;a href=&quot;/title/Invisible+Theatre&quot;&gt;Invisible Theatre&lt;/a&gt;, and the &lt;a href=&quot;/title/Rainbow+of+Desire&quot;&gt;Rainbow of Desire&lt;/a&gt;. &lt;/p&gt;

&lt;h3&gt; A brief history &lt;/h3&gt;
&lt;p&gt;Boal was born in &lt;a href=&quot;/title/Rio+de+Janeiro&quot;&gt;Rio de Janeiro&lt;/a&gt; in 1931 and left to study &lt;a href=&quot;/title/chemical+engineering&quot;&gt;chemical engineering&lt;/a&gt; at &lt;a href=&quot;/title/Columbia+University&quot;&gt;Columbia University&lt;/a&gt; in the late 1940's. He graduated with a doctorate and returned to Brazil at the request of the &lt;a href=&quot;/title/Arena+Theatre&quot;&gt;Arena Theatre&lt;/a&gt; company in &lt;a href=&quot;/title/S%25C3%25A3o+Paulo&quot;&gt;SÃ£o Paulo&lt;/a&gt;. The 1950's were a time of change in theatre, with Beckett's &lt;a href=&quot;/title/Waiting+for+Godot&quot;&gt;Godot&lt;/a&gt;, among other plays, heralding a new, brutal form of &lt;a href=&quot;/title/existentialism&quot;&gt;existentialist&lt;/a&gt; theatre, and Boal's work proved to be no different.&amp;hellip;</content>
</entry><entry><title>The Unrest-Cure (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/MikeyK/writeups/The+Unrest-Cure"/><id>http://everything2.com/user/MikeyK/writeups/The+Unrest-Cure</id><author><name>MikeyK</name><uri>http://everything2.com/user/MikeyK</uri></author><published>2003-03-25T01:42:11Z</published><updated>2003-03-25T01:42:11Z</updated>
<content type="html">&lt;p&gt;&lt;b&gt;Background&lt;/b&gt;&lt;br&gt;
&lt;a href=&quot;/title/Published&quot;&gt;Published&lt;/a&gt; in &lt;a href=&quot;/title/1911&quot;&gt;1911&lt;/a&gt; as part of &lt;a href=&quot;/title/The+Chronicles+of+Clovis&quot;&gt;The Chronicles of Clovis&lt;/a&gt;, &lt;a href=&quot;/title/The+Unrest-Cure&quot;&gt;The Unrest-Cure&lt;/a&gt; is one of &lt;a href=&quot;/title/Hector+Hugh+Munro&quot;&gt;Hector Hugh Munro&lt;/a&gt;'s (aka &lt;a href=&quot;/title/Saki&quot;&gt;Saki&lt;/a&gt;) most often (though still not &lt;i&gt;that&lt;/i&gt; often) anthologized short stories. Commentary below, followed by full text (thank you &lt;a href=&quot;/title/Project+Gutenberg&quot;&gt;Project Gutenberg&lt;/a&gt;).&lt;/p&gt;
&lt;p align=&quot;center&quot;&gt;&lt;b&gt;Commentary&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;In &quot;The Unrest-Cure,&quot; there are elements that have often been satirized by other authors- &lt;a href=&quot;/title/religious+misunderstanding&quot;&gt;religious misunderstanding&lt;/a&gt; and subsequent &lt;a href=&quot;/title/persecution&quot;&gt;persecution&lt;/a&gt;, &lt;a href=&quot;/title/thought+i%2527d+just+drop+by&quot;&gt;inconvenient visits&lt;/a&gt; - but the presence of these is only part of the &lt;i&gt;&lt;a href=&quot;/title/form&quot;&gt;form&lt;/a&gt;&lt;/i&gt;. The &lt;i&gt;&lt;a href=&quot;/title/content&quot;&gt;content&lt;/a&gt; &lt;/i&gt;itself, the object of the satire, is the &lt;a href=&quot;/title/humdrum&quot;&gt;humdrum&lt;/a&gt; existence the Huddles lead and the fact that only a shakeup of monstrous proportions took them out of their rut. One of the clearest signs that the Huddles are living a preplanned life is the fact that the Huddle sister has &quot;&lt;a href=&quot;/title/headache+days&quot;&gt;headache days&lt;/a&gt;&quot;; the arrival of a strange Bishop forces her to rearrange her schedule: &quot;It was not her day for a&amp;hellip;</content>
</entry><entry><title>The Talking-Out of Tarrington (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/MikeyK/writeups/The+Talking-Out+of+Tarrington"/><id>http://everything2.com/user/MikeyK/writeups/The+Talking-Out+of+Tarrington</id><author><name>MikeyK</name><uri>http://everything2.com/user/MikeyK</uri></author><published>2003-03-17T23:31:59Z</published><updated>2003-03-17T23:31:59Z</updated>
<content type="html">&lt;p&gt;&quot;&lt;a href=&quot;/title/Heavens&quot;&gt;Heavens&lt;/a&gt;!&quot; exclaimed the aunt of Clovis, &quot;here's some one I know
bearing down on us.  &lt;a href=&quot;/title/You+don%2527t+have+to+remember+my+name&quot;&gt;I can't remember his name&lt;/a&gt;, but he lunched
with us once in Town.  &lt;a href=&quot;/title/Tarrington&quot;&gt;Tarrington&lt;/a&gt;--yes, that's it.  He's heard of
the picnic I'm giving for the &lt;a href=&quot;/title/Princess&quot;&gt;Princess&lt;/a&gt;, and he'll cling to me like
a &lt;a href=&quot;/title/lifebelt&quot;&gt;lifebelt&lt;/a&gt; till I give him an &lt;a href=&quot;/title/You+Are+Invited&quot;&gt;invitation&lt;/a&gt;; then he'll ask if he may
bring all his &lt;a href=&quot;/title/Party+of+Five&quot;&gt;wives and mothers and sisters&lt;/a&gt; with him.  That's the
worst of these small watering-places; one can't escape from
anybody.&quot;&lt;/p&gt;

&lt;p&gt;&quot;I'll fight a &lt;a href=&quot;/title/rearguard+action&quot;&gt;rearguard action&lt;/a&gt; for you if you like to do a bolt
now,&quot; volunteered Clovis; &quot;you've a clear &lt;a href=&quot;/title/ten+yards&quot;&gt;ten yards&lt;/a&gt; start if you
don't lose time.&quot;&lt;/p&gt;

&lt;p&gt;The aunt of Clovis responded gamely to the suggestion, and churned
away like a Nile steamer, with a long brown ripple of &lt;a href=&quot;/title/Pekingese+spaniel&quot;&gt;Pekingese
spaniel&lt;/a&gt; trailing in her wake.&lt;/p&gt;

&lt;p&gt;&quot;&lt;a href=&quot;/title/Do+I+know+you%253F&quot;&gt;Pretend you don't know him&lt;/a&gt;,&quot; was her parting advice, tinged with
the &lt;a href=&quot;/title/reckless+courage&quot;&gt;reckless courage&lt;/a&gt; of the non-comba&amp;hellip;</content>
</entry><entry><title>The Baron in the Trees (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/MikeyK/writeups/The+Baron+in+the+Trees"/><id>http://everything2.com/user/MikeyK/writeups/The+Baron+in+the+Trees</id><author><name>MikeyK</name><uri>http://everything2.com/user/MikeyK</uri></author><published>2003-03-16T05:53:49Z</published><updated>2003-03-16T05:53:49Z</updated>
<content type="html">&lt;i&gt;&lt;p align=&quot;center&quot;&gt;&quot;I'm never &lt;a href=&quot;/title/coming+down&quot;&gt;coming down&lt;/a&gt;&quot;, he said. And he kept his word.&lt;/p&gt;&lt;/i&gt;	

&lt;p&gt;&quot;The Baron in the Trees&quot; (original title: &quot;Il barone rampante&quot;) was written by &lt;a href=&quot;/title/Italo+Calvino&quot;&gt;Italo Calvino&lt;/a&gt; in &lt;a href=&quot;/title/1957&quot;&gt;1957&lt;/a&gt; and forms, alongside &lt;a href=&quot;/title/The+Cloven+Viscount&quot;&gt;The Cloven Viscount&lt;/a&gt; and &lt;a href=&quot;/title/The+Nonexistant+Knight&quot;&gt;The Nonexistant Knight&lt;/a&gt;, the &lt;a href=&quot;/title/Our+Ancestors&quot;&gt;Ancestors&lt;/a&gt; trilogy. Some consider it to be his best work; it is certainly among his most entertaining.&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Background&lt;/b&gt;&lt;/p&gt;

&lt;p&gt;Set in the &lt;a href=&quot;/title/18th+century&quot;&gt;18th century&lt;/a&gt;, the &lt;a href=&quot;/title/novel&quot;&gt;novel&lt;/a&gt; follows a style similar to the other two works in this trilogy: &lt;a href=&quot;/title/magical+realism&quot;&gt;magical realism&lt;/a&gt; with a splash of &lt;a href=&quot;/title/history&quot;&gt;historically-inspired&lt;/a&gt; elements. It differs from &lt;a href=&quot;/title/The+Cloven+Viscount&quot;&gt;The Cloven Viscount&lt;/a&gt;, however, in going past sketched-out settings and form-filling characters, but instead &lt;b&gt;&lt;/b&gt;having very carefully crafted 18th century &lt;a href=&quot;/title/period+pieces&quot;&gt;period pieces&lt;/a&gt; - Calvino states that this was the &quot;age of the &lt;a href=&quot;/title/eccentric&quot;&gt;eccentric&lt;/a&gt;s&quot; and his characters (both primary and secondary) are direct reflections of this time period. Here time and characters are inseperable - the former creates the&amp;hellip;</content>
</entry><entry><title>Alex Chilton (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/MikeyK/writeups/Alex+Chilton"/><id>http://everything2.com/user/MikeyK/writeups/Alex+Chilton</id><author><name>MikeyK</name><uri>http://everything2.com/user/MikeyK</uri></author><published>2003-03-08T03:55:47Z</published><updated>2003-03-08T03:55:47Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;i&gt;&quot;I've got a pretty nice thing going and I'm happy with the way that I get by, but I don't feel compelled to work to try and make millions you know. As long as it goes on this way, I like it. I feel lucky to be able to do the work I can at all.&quot;&lt;/i&gt;&lt;br&gt;
-- Alex Chilton, &quot;The Idler&quot; interview&lt;/p&gt;

&lt;p&gt;How many artists can claim to have sung a &lt;a href=&quot;/title/The+Letter&quot;&gt;chart-topping hit&lt;/a&gt; when they were 17, gone on to front one of the most revered (though unappreciated) &lt;a href=&quot;/title/Big+Star&quot;&gt;rock bands&lt;/a&gt;, produced an album for  a famous &lt;a href=&quot;/title/The+Cramps&quot;&gt;punk rock band&lt;/a&gt;, and continue to make solo records of consistent quality today? Not many, but Alex Chilton can certainly claim to have done all of these and more.&lt;/p&gt;

&lt;p align=&quot;center&quot;&gt;&lt;b&gt;1. &lt;a href=&quot;/title/The+Letter&quot;&gt;Give me a ticket for an airplane&lt;/a&gt;&lt;/b&gt;&lt;br&gt;
&lt;i&gt;Early work&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;Born in &lt;a href=&quot;/title/Memphis%252C+Tennessee&quot;&gt;Memphis, Tennessee&lt;/a&gt; on December 28, &lt;a href=&quot;/title/1950&quot;&gt;1950&lt;/a&gt;, Alex Chilton played in several bands while in high school - briefly playing with &lt;a href=&quot;/title/Bill+Cunningham&quot;&gt;Bill Cunningham&lt;/a&gt;, who he would work with later in&amp;hellip;</content>
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