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    <title>Madd Matt's New Writeups</title>
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    <updated>2001-08-15T21:59:30Z</updated>
<entry><title>signal (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Madd+Matt/writeups/signal"/><id>http://everything2.com/user/Madd+Matt/writeups/signal</id><author><name>Madd Matt</name><uri>http://everything2.com/user/Madd Matt</uri></author><published>2001-08-15T21:59:30Z</published><updated>2001-08-15T21:59:30Z</updated>
<content type="html">&lt;p&gt;
In the &lt;a href=&quot;/title/context&quot;&gt;context&lt;/a&gt; of the &lt;a href=&quot;/title/Unix&quot;&gt;Unix&lt;/a&gt; &lt;a href=&quot;/title/operating+system&quot;&gt;operating system&lt;/a&gt; &lt;a href=&quot;/title/family&quot;&gt;family&lt;/a&gt;, &quot;signal&quot; &lt;a href=&quot;/title/refer&quot;&gt;refers&lt;/a&gt; to a &lt;a href=&quot;/title/specific&quot;&gt;specific&lt;/a&gt; operating system &lt;a href=&quot;/title/construct&quot;&gt;construct&lt;/a&gt; by which a &lt;a href=&quot;/title/process&quot;&gt;process&lt;/a&gt; is &lt;a href=&quot;/title/inform&quot;&gt;informed&lt;/a&gt; of the &lt;a href=&quot;/title/occur&quot;&gt;occurance&lt;/a&gt; of some &lt;a href=&quot;/title/asynchronous&quot;&gt;asynchronous&lt;/a&gt; &lt;a href=&quot;/title/event&quot;&gt;event&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt;
If you &lt;a href=&quot;/title/want&quot;&gt;want&lt;/a&gt; to &lt;a href=&quot;/title/know&quot;&gt;know&lt;/a&gt; &lt;a href=&quot;/title/more&quot;&gt;more&lt;/a&gt;, then you will want to &lt;a href=&quot;/title/look&quot;&gt;look&lt;/a&gt; at &lt;a href=&quot;/title/unix+signals&quot;&gt;this node&lt;/a&gt;.
&lt;/p&gt;
</content>
</entry><entry><title>SIGSTOP (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Madd+Matt/writeups/SIGSTOP"/><id>http://everything2.com/user/Madd+Matt/writeups/SIGSTOP</id><author><name>Madd Matt</name><uri>http://everything2.com/user/Madd Matt</uri></author><published>2001-08-15T08:09:41Z</published><updated>2001-08-15T08:09:41Z</updated>
<content type="html">&lt;p&gt;
After a process receives a SIGSTOP it is typically described as &quot;&lt;a href=&quot;/title/suspended&quot;&gt;suspended&lt;/a&gt;&quot;, since the &lt;a href=&quot;/title/scheduler&quot;&gt;scheduler&lt;/a&gt; is no longer &lt;a href=&quot;/title/allocate&quot;&gt;allocating&lt;/a&gt; &lt;a href=&quot;/title/CPU+cycles&quot;&gt;CPU cycles&lt;/a&gt; to the process but otherwise it is &lt;a href=&quot;/title/business+as+usual&quot;&gt;business as usual&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt;
SIGSTOP holds a &lt;a href=&quot;/title/special&quot;&gt;special&lt;/a&gt; place in the &lt;a href=&quot;/title/Unix+signal&quot;&gt;Unix signal&lt;/a&gt; &lt;a href=&quot;/title/pantheon&quot;&gt;pantheon&lt;/a&gt;, as it is one of the only two signals that a process is NOT allowed to &lt;a href=&quot;/title/catch&quot;&gt;catch&lt;/a&gt;, &lt;a href=&quot;/title/block&quot;&gt;block&lt;/a&gt;, or &lt;a href=&quot;/title/ignore&quot;&gt;ignore&lt;/a&gt;. The only other signal that has this special status is &lt;a href=&quot;/title/SIGKILL&quot;&gt;SIGKILL&lt;/a&gt;.
&lt;p&gt;
One means of &lt;a href=&quot;/title/send&quot;&gt;sending&lt;/a&gt; the SIGSTOP signal to a &lt;a href=&quot;/title/process&quot;&gt;process&lt;/a&gt; is through your &lt;a href=&quot;/title/shell&quot;&gt;shell&lt;/a&gt;. All commonly used Unix shells follow the &lt;a href=&quot;/title/convention&quot;&gt;convention&lt;/a&gt; of interpreting the &lt;i&gt;Control-Z&lt;/i&gt; (i.e. &lt;i&gt;^Z&lt;/i&gt;) key stroke as an &lt;a href=&quot;/title/instruction&quot;&gt;instruction&lt;/a&gt; to send SIGSTOP to the current &lt;a href=&quot;/title/foreground+process&quot;&gt;foreground process&lt;/a&gt;, causing it to &lt;a href=&quot;/title/suspend&quot;&gt;suspend&lt;/a&gt; and allow the shell to &lt;a href=&quot;/title/accept&quot;&gt;accept&lt;/a&gt; &lt;a href=&quot;/title/new&quot;&gt;new&lt;/a&gt; &lt;a href=&quot;/title/command&quot;&gt;commands&lt;/a&gt;. The process can then be &lt;a href=&quot;/title/reactivate&quot;&gt;reactivated&lt;/a&gt; (by sending a &lt;a href=&quot;/title/SIGCONT&quot;&gt;SIGCONT&lt;/a&gt;) using the &lt;a href=&quot;/title/shell+builtin&quot;&gt;shell builtin&lt;/a&gt; &lt;b&gt;fg&lt;/b&gt; (which &lt;a href=&quot;/title/return&quot;&gt;returns&lt;/a&gt; the process to the foreground) or &lt;b&gt;bg&lt;/b&gt; which causes the reactivated process to become a &lt;a href=&quot;/title/background+process&quot;&gt;background process&lt;/a&gt;.
&lt;/p&gt;
</content>
</entry><entry><title>John Brunner (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Madd+Matt/writeups/John+Brunner"/><id>http://everything2.com/user/Madd+Matt/writeups/John+Brunner</id><author><name>Madd Matt</name><uri>http://everything2.com/user/Madd Matt</uri></author><published>2001-08-15T01:52:13Z</published><updated>2001-08-15T01:52:13Z</updated>
<content type="html">&lt;p&gt;
John Killian Houston Brunner was born in &lt;a href=&quot;/title/Oxfordshire&quot;&gt;Oxfordshire&lt;/a&gt;, &lt;a href=&quot;/title/England&quot;&gt;England&lt;/a&gt; in 1934 and died in &lt;a href=&quot;/title/Glasgow&quot;&gt;Glasgow&lt;/a&gt;, &lt;a href=&quot;/title/Scotland&quot;&gt;Scotland&lt;/a&gt; in 1995.
He wrote a &lt;a href=&quot;/title/massive&quot;&gt;massive&lt;/a&gt; number of &lt;a href=&quot;/title/novel&quot;&gt;novels&lt;/a&gt; and &lt;a href=&quot;/title/short+story&quot;&gt;short stories&lt;/a&gt;, some of them &lt;a href=&quot;/title/publish&quot;&gt;published&lt;/a&gt; under the &lt;a href=&quot;/title/pen+name&quot;&gt;pen names&lt;/a&gt; &quot;K. H. Brunner&quot;, &quot;Gill Hunt&quot;, &quot;Keith Woodcott Brunner&quot;, &quot;Trevor Staines&quot;, and &quot;John Loxsmith&quot;. He held very &lt;a href=&quot;/title/strong&quot;&gt;strong&lt;/a&gt; &lt;a href=&quot;/title/view&quot;&gt;views&lt;/a&gt; on &lt;a href=&quot;/title/social&quot;&gt;social&lt;/a&gt; and &lt;a href=&quot;/title/political&quot;&gt;political&lt;/a&gt; &lt;a href=&quot;/title/system&quot;&gt;systems&lt;/a&gt; (&lt;a href=&quot;/title/consider&quot;&gt;considering&lt;/a&gt; all &lt;a href=&quot;/title/extant&quot;&gt;extant&lt;/a&gt; &lt;a href=&quot;/title/example&quot;&gt;examples&lt;/a&gt; in the &lt;a href=&quot;/title/modern&quot;&gt;modern&lt;/a&gt; &lt;a href=&quot;/title/world&quot;&gt;world&lt;/a&gt; &lt;a href=&quot;/title/flaw&quot;&gt;flawed&lt;/a&gt;), and these &lt;a href=&quot;/title/opinion&quot;&gt;opinions&lt;/a&gt; &lt;a href=&quot;/title/heavy&quot;&gt;heavily&lt;/a&gt; &lt;a href=&quot;/title/influence&quot;&gt;influence&lt;/a&gt; his &lt;a href=&quot;/title/writing&quot;&gt;writing&lt;/a&gt;. &lt;a href=&quot;/title/History&quot;&gt;History&lt;/a&gt; will probably &lt;a href=&quot;/title/remember&quot;&gt;remember&lt;/a&gt; him for having first &lt;a href=&quot;/title/coin&quot;&gt;coined&lt;/a&gt; the word &quot;worm&quot; to describe a type of &lt;a href=&quot;/title/computer+program&quot;&gt;computer program&lt;/a&gt; that spreads through a &lt;a href=&quot;/title/computer+network&quot;&gt;computer network&lt;/a&gt; and &lt;a href=&quot;/title/subvert&quot;&gt;subverts&lt;/a&gt; the &lt;a href=&quot;/title/resource&quot;&gt;resources&lt;/a&gt; of the network towards the &lt;a href=&quot;/title/goal&quot;&gt;goals&lt;/a&gt; of the &lt;a href=&quot;/title/programmer&quot;&gt;programmer&lt;/a&gt; (i.e. a &lt;a href=&quot;/title/computer+virus&quot;&gt;computer virus&lt;/a&gt;).
&lt;/p&gt;
&lt;p&gt;
Of his works that I have read, I would &lt;a href=&quot;/title/particular&quot;&gt;particularly&lt;/a&gt; &lt;a href=&quot;/title/recommend&quot;&gt;recommend&lt;/a&gt; &quot;The Sheep Look Up&quot;.&amp;hellip;</content>
</entry><entry><title>Amok (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Madd+Matt/writeups/Amok"/><id>http://everything2.com/user/Madd+Matt/writeups/Amok</id><author><name>Madd Matt</name><uri>http://everything2.com/user/Madd Matt</uri></author><published>2001-08-15T01:01:53Z</published><updated>2001-08-15T01:01:53Z</updated>
<content type="html">&lt;p&gt;
While &quot;amok&quot; is &lt;a href=&quot;/title/typical&quot;&gt;typically&lt;/a&gt; &lt;a href=&quot;/title/describe&quot;&gt;described&lt;/a&gt; as an &lt;a href=&quot;/title/Indonesia&quot;&gt;Indonesian&lt;/a&gt; word, it is actually a word of &lt;a href=&quot;/title/Malay&quot;&gt;Malay&lt;/a&gt; origin. The traditional Malay &lt;a href=&quot;/title/language&quot;&gt;language&lt;/a&gt; has been the &lt;a href=&quot;/title/dominant&quot;&gt;dominant&lt;/a&gt; &lt;a href=&quot;/title/lingua+franca&quot;&gt;lingua franca&lt;/a&gt; in the &lt;a href=&quot;/title/region&quot;&gt;region&lt;/a&gt; that these days &lt;a href=&quot;/title/contain&quot;&gt;contains&lt;/a&gt; the &lt;a href=&quot;/title/country&quot;&gt;countries&lt;/a&gt; of &lt;a href=&quot;/title/Indonesia&quot;&gt;Indonesia&lt;/a&gt;, &lt;a href=&quot;/title/Malaysia&quot;&gt;Malaysia&lt;/a&gt;, and &lt;a href=&quot;/title/Singapore&quot;&gt;Singapore&lt;/a&gt;. As a result the modern languages spoken in these countries (&lt;a href=&quot;/title/Bahasa+Indonesia&quot;&gt;Bahasa Indonesia&lt;/a&gt; and &lt;a href=&quot;/title/Bahasa+Malayu&quot;&gt;Bahasa Malayu&lt;/a&gt;) are heavily based on this old language. Thus the word &quot;amok&quot; is present in both of them.
&lt;/p&gt;
&lt;p&gt;
&lt;a href=&quot;/title/Personally&quot;&gt;Personally&lt;/a&gt; I suspect that the word is so &lt;a href=&quot;/title/common&quot;&gt;commonly&lt;/a&gt; &lt;a href=&quot;/title/associate&quot;&gt;associated&lt;/a&gt; with Indonesia because in this country the dominant &lt;a href=&quot;/title/island&quot;&gt;island&lt;/a&gt; (&lt;a href=&quot;/title/political&quot;&gt;politically&lt;/a&gt; and &lt;a href=&quot;/title/economic&quot;&gt;economically&lt;/a&gt;) is &lt;a href=&quot;/title/Java&quot;&gt;Java&lt;/a&gt; (that's where the &lt;a href=&quot;/title/capital&quot;&gt;capital&lt;/a&gt; &lt;a href=&quot;/title/Jakarta&quot;&gt;Jakarta&lt;/a&gt; is). Java just happens to be the most &lt;a href=&quot;/title/dense&quot;&gt;densely&lt;/a&gt; &lt;a href=&quot;/title/populate&quot;&gt;populated&lt;/a&gt; island in the &lt;a href=&quot;/title/world&quot;&gt;world&lt;/a&gt;, so they have more then their &lt;a href=&quot;/title/fair+share&quot;&gt;fair share&lt;/a&gt; of people running amok there.
&lt;/p&gt;
</content>
</entry><entry><title>Music Has the Right to Children (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Madd+Matt/writeups/Music+Has+the+Right+to+Children"/><id>http://everything2.com/user/Madd+Matt/writeups/Music+Has+the+Right+to+Children</id><author><name>Madd Matt</name><uri>http://everything2.com/user/Madd Matt</uri></author><published>2001-08-14T23:56:34Z</published><updated>2001-08-14T23:56:34Z</updated>
<content type="html">&lt;p&gt;
This album is on my list of &quot;Greatest Albums Ever&quot;. When I think &quot;&lt;a href=&quot;/title/trip+hop&quot;&gt;trip hop&lt;/a&gt;&quot; I think this album, though I suspect many would question this judgement.
&lt;/p&gt;
&lt;p&gt;
It features excellent beats that ride the fine line between &lt;a href=&quot;/title/hip+hop&quot;&gt;hip hop&lt;/a&gt; and &lt;a href=&quot;/title/drum+n+bass&quot;&gt;drum n bass&lt;/a&gt;. These beats have that &lt;a href=&quot;/title/groovey&quot;&gt;groovey&lt;/a&gt; &lt;a href=&quot;/title/back+beat&quot;&gt;back beat&lt;/a&gt; &lt;a href=&quot;/title/syncopation&quot;&gt;syncopation&lt;/a&gt; that shouts &quot;old school funk&quot;. But also they &lt;a href=&quot;/title/ooze&quot;&gt;ooze&lt;/a&gt; an oomph and &lt;a href=&quot;/title/crunchy&quot;&gt;crunchiness&lt;/a&gt; that one usually finds in drum n bass and other forms of &lt;a href=&quot;/title/electronica&quot;&gt;electronica&lt;/a&gt;, yet they never descend to the &lt;a href=&quot;/title/crass&quot;&gt;crass&lt;/a&gt; &lt;a href=&quot;/title/phonic&quot;&gt;phonic&lt;/a&gt; &lt;a href=&quot;/title/abuse&quot;&gt;abuse&lt;/a&gt; and &lt;a href=&quot;/title/pointless&quot;&gt;pointlessly&lt;/a&gt; &lt;a href=&quot;/title/irritate&quot;&gt;irritating&lt;/a&gt; &lt;a href=&quot;/title/breakbeat&quot;&gt;breakbeating&lt;/a&gt; that drum n bass so often does.
Additionally the tracks on this album feature &lt;a href=&quot;/title/increadible&quot;&gt;increadible&lt;/a&gt; &lt;a href=&quot;/title/harmonic&quot;&gt;harmonic&lt;/a&gt; depth that somehow seems to &lt;a href=&quot;/title/sway&quot;&gt;sway&lt;/a&gt; between &lt;a href=&quot;/title/stark&quot;&gt;stark&lt;/a&gt; &lt;a href=&quot;/title/ice&quot;&gt;ice&lt;/a&gt;-&lt;a href=&quot;/title/cold&quot;&gt;cold&lt;/a&gt; &lt;a href=&quot;/title/beauty&quot;&gt;beauty&lt;/a&gt; and &lt;a href=&quot;/title/warm&quot;&gt;warm&lt;/a&gt; &lt;a href=&quot;/title/smother&quot;&gt;smothering&lt;/a&gt; &lt;a href=&quot;/title/comeliness&quot;&gt;comeliness&lt;/a&gt;. &lt;a href=&quot;/title/Crusty&quot;&gt;Crusty&lt;/a&gt; &lt;a href=&quot;/title/synthesiser&quot;&gt;synthesiser&lt;/a&gt; noises, &lt;a href=&quot;/title/sample&quot;&gt;samples&lt;/a&gt; from &lt;a href=&quot;/title/film&quot;&gt;film&lt;/a&gt; &lt;a href=&quot;/title/soundtrack&quot;&gt;soundtracks&lt;/a&gt;, and more are &lt;a href=&quot;/title/blend&quot;&gt;blended&lt;/a&gt; with the &lt;a href=&quot;/title/care&quot;&gt;care&lt;/a&gt;, &lt;a href=&quot;/title/precision&quot;&gt;precision&lt;/a&gt;, and &lt;a href=&quot;/title/taste&quot;&gt;taste&lt;/a&gt; that one would &lt;a href=&quot;/title/expect&quot;&gt;expect&lt;/a&gt; from the&amp;hellip;</content>
</entry><entry><title>Gladiator (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Madd+Matt/writeups/Gladiator"/><id>http://everything2.com/user/Madd+Matt/writeups/Gladiator</id><author><name>Madd Matt</name><uri>http://everything2.com/user/Madd Matt</uri></author><published>2001-08-13T23:25:49Z</published><updated>2001-08-13T23:25:49Z</updated>
<content type="html">&lt;p&gt;
Gladiator is not just a &lt;a href=&quot;/title/type&quot;&gt;type&lt;/a&gt; of &lt;a href=&quot;/title/person&quot;&gt;person&lt;/a&gt; that &lt;a href=&quot;/title/fight&quot;&gt;fights&lt;/a&gt; for &lt;a href=&quot;/title/popular+entertainment&quot;&gt;mass entertainment&lt;/a&gt;, not just the name of a &lt;a href=&quot;/title/movie&quot;&gt;movie&lt;/a&gt; that won five &lt;a href=&quot;/title/award&quot;&gt;awards&lt;/a&gt; at the 2001 &lt;a href=&quot;/title/Oscars&quot;&gt;Oscars&lt;/a&gt;, but also the name of an &lt;a href=&quot;/title/arcade+game&quot;&gt;arcade game&lt;/a&gt; release by &lt;a href=&quot;/title/Taito&quot;&gt;Taito&lt;/a&gt; in 1986 in the &lt;a href=&quot;/title/US&quot;&gt;US&lt;/a&gt; and &lt;a href=&quot;/title/Europe&quot;&gt;Europe&lt;/a&gt;. It can also be found as a bootleg under the name &quot;&lt;a href=&quot;/title/Golden+Castle&quot;&gt;Golden Castle&lt;/a&gt;&quot;, and in &lt;a href=&quot;/title/Japan&quot;&gt;Japan&lt;/a&gt; under the name &quot;&lt;a href=&quot;/title/Ougon+No+Siro&quot;&gt;Ougon No Siro&lt;/a&gt;&quot;.
&lt;/p&gt;

&lt;p&gt;
The game is an &lt;a href=&quot;/title/early&quot;&gt;early&lt;/a&gt; &lt;a href=&quot;/title/example&quot;&gt;example&lt;/a&gt; of the &lt;a href=&quot;/title/beat+em+up&quot;&gt;beat-em-up&lt;/a&gt; &lt;a href=&quot;/title/genre&quot;&gt;genre&lt;/a&gt;, in which you control the &lt;a href=&quot;/title/valiant&quot;&gt;valiant&lt;/a&gt; &lt;a href=&quot;/title/armor&quot;&gt;armoured&lt;/a&gt; &lt;a href=&quot;/title/warrior&quot;&gt;warrior&lt;/a&gt; &quot;Guaranos&quot;. You &lt;a href=&quot;/title/battle&quot;&gt;battle&lt;/a&gt; a &lt;a href=&quot;/title/series&quot;&gt;series&lt;/a&gt; of &lt;a href=&quot;/title/computer+controlled&quot;&gt;computer-controlled&lt;/a&gt; &lt;a href=&quot;/title/enemy&quot;&gt;enemies&lt;/a&gt; in &lt;a href=&quot;/title/one-on-one&quot;&gt;one-on-one&lt;/a&gt; &lt;a href=&quot;/title/contest&quot;&gt;contests&lt;/a&gt; &lt;a href=&quot;/title/interspersed&quot;&gt;interspersed&lt;/a&gt; with &lt;a href=&quot;/title/side-scrolling&quot;&gt;side-scrolling&lt;/a&gt; &quot;&lt;a href=&quot;/title/obstacle&quot;&gt;obstacle&lt;/a&gt; &lt;a href=&quot;/title/course&quot;&gt;course&lt;/a&gt;&quot; &lt;a href=&quot;/title/stage&quot;&gt;stages&lt;/a&gt; in which you &lt;a href=&quot;/title/dodge&quot;&gt;dodge&lt;/a&gt; &lt;a href=&quot;/title/flying&quot;&gt;flying&lt;/a&gt; &lt;a href=&quot;/title/knives&quot;&gt;knives&lt;/a&gt; and so forth. The &lt;a href=&quot;/title/controls&quot;&gt;controls&lt;/a&gt; use three &lt;a href=&quot;/title/button&quot;&gt;buttons&lt;/a&gt; to make &lt;a href=&quot;/title/high&quot;&gt;high&lt;/a&gt;, &lt;a href=&quot;/title/middle&quot;&gt;middle&lt;/a&gt;, and &lt;a href=&quot;/title/low&quot;&gt;low&lt;/a&gt; &lt;a href=&quot;/title/attack&quot;&gt;attacks&lt;/a&gt; with your &lt;a href=&quot;/title/sword&quot;&gt;sword&lt;/a&gt;, while the &lt;a href=&quot;/title/joystick&quot;&gt;joystick&lt;/a&gt; allows you to &lt;a href=&quot;/title/position&quot;&gt;position&lt;/a&gt; your &lt;a href=&quot;/title/shield&quot;&gt;shield&lt;/a&gt; at one of these three positions.
&amp;hellip;</content>
</entry></feed>
