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    <updated>2000-06-28T10:24:44Z</updated>
<entry><title>Ian Fleming (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/M/writeups/Ian+Fleming"/><id>http://everything2.com:80/user/M/writeups/Ian+Fleming</id><author><name>M</name><uri>http://everything2.com:80/user/M</uri></author><published>2000-06-28T10:24:44Z</published><updated>2000-06-28T10:24:44Z</updated>
<content type="html">&lt;p&gt;Ian Fleming was an &lt;a href=&quot;/title/English&quot;&gt;English&lt;/a&gt; writer, known mainly for his &lt;a href=&quot;/title/James+Bond&quot;&gt;James Bond&lt;/a&gt; novels. He was a friend of &lt;a href=&quot;/title/Noel+Coward&quot;&gt;Noel Coward&lt;/a&gt;, lived in &lt;a href=&quot;/title/Jamaica&quot;&gt;Jamaica&lt;/a&gt; in house called &lt;a href=&quot;/title/Goldeneye&quot;&gt;Goldeneye&lt;/a&gt; (inspiration for the 1995 Bond film title) and had been involved in &lt;a href=&quot;/title/British+Intelligence&quot;&gt;British Intelligence&lt;/a&gt; during the &lt;a href=&quot;/title/Second+World+War&quot;&gt;Second World War&lt;/a&gt; as an officer in the &lt;a href=&quot;/title/Royal+Naval+Reserve&quot;&gt;Royal Naval Reserve&lt;/a&gt;. While on detachment to &lt;a href=&quot;/title/America&quot;&gt;America&lt;/a&gt;, he co-wrote the charter of the &lt;a href=&quot;/title/OSS&quot;&gt;OSS&lt;/a&gt; (Office of Strategic Studies) which was the predecessor to the &lt;a href=&quot;/title/CIA&quot;&gt;CIA&lt;/a&gt;.&lt;/p&gt;</content>
</entry><entry><title>To an extent (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/M/writeups/To+an+extent"/><id>http://everything2.com:80/user/M/writeups/To+an+extent</id><author><name>M</name><uri>http://everything2.com:80/user/M</uri></author><published>2000-06-27T18:16:15Z</published><updated>2000-06-27T18:16:15Z</updated>
<content type="html">This phrase has multiple purposes: &lt;p&gt;&lt;p&gt; 1. Allows qualified agreement to a &lt;a href=&quot;/title/statement&quot;&gt;statement&lt;/a&gt; made by another person.&lt;p&gt;&lt;p&gt;2. Allows the speaker to pretend he or she is listening to a &lt;a href=&quot;/title/complex&quot;&gt;complex&lt;/a&gt; &lt;a href=&quot;/title/argument&quot;&gt;argument&lt;/a&gt; when it is too boring for them to fully understand.&lt;p&gt;&lt;p&gt;3. Allows the speaker to feign &lt;a href=&quot;/title/intelligence&quot;&gt;intelligence&lt;/a&gt; in a &lt;a href=&quot;/title/social&quot;&gt;social&lt;/a&gt; situation where &lt;a href=&quot;/title/stupidity&quot;&gt;stupidity&lt;/a&gt; would be a &lt;a href=&quot;/title/kiss+of+death&quot;&gt;kiss of death&lt;/a&gt;.&lt;p&gt;&lt;p&gt;4. Makes the speaker seem &lt;a href=&quot;/title/thoughtful&quot;&gt;thoughtful&lt;/a&gt;, if moderately &lt;a href=&quot;/title/indecisive&quot;&gt;indecisive&lt;/a&gt;.&lt;p&gt;&lt;p&gt;5. A useful phrase when &lt;b&gt;yeah&lt;/b&gt;, &lt;b&gt;nah&lt;/b&gt; and &lt;b&gt;uhhh&lt;/b&gt; are inappropriate.</content>
</entry><entry><title>Balsamic vinaigrette (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/M/writeups/Balsamic+vinaigrette"/><id>http://everything2.com:80/user/M/writeups/Balsamic+vinaigrette</id><author><name>M</name><uri>http://everything2.com:80/user/M</uri></author><published>2000-06-27T18:04:25Z</published><updated>2000-06-27T18:04:25Z</updated>
<content type="html">&lt;p&gt;Despite not being an accomplished &lt;a href=&quot;/title/cook&quot;&gt;cook&lt;/a&gt;, may I suggest that you add two small items to an otherwise superb &lt;a href=&quot;/title/recipe&quot;&gt;recipe&lt;/a&gt;? Firstly, a little &lt;a href=&quot;/title/lemon&quot;&gt;lemon&lt;/a&gt; juice (juice of quarter of a lemon). Secondly, specifying &lt;a href=&quot;/title/salt&quot;&gt;salt&lt;/a&gt; as &lt;a href=&quot;/title/sea+salt&quot;&gt;sea salt&lt;/a&gt; (not table salt).&lt;br&gt;I find that the lemon tends to pick the &lt;a href=&quot;/title/vinaigrette&quot;&gt;vinaigrette&lt;/a&gt; up a little and balances some of the &lt;a href=&quot;/title/mustard&quot;&gt;mustard&lt;/a&gt;. I suppose it's a matter of &lt;a href=&quot;/title/taste&quot;&gt;taste&lt;/a&gt;.&lt;/p&gt;</content>
</entry><entry><title>Suede (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/M/writeups/Suede"/><id>http://everything2.com:80/user/M/writeups/Suede</id><author><name>M</name><uri>http://everything2.com:80/user/M</uri></author><published>2000-06-27T14:42:39Z</published><updated>2000-06-27T14:42:39Z</updated>
<content type="html">&lt;a href=&quot;/title/English&quot;&gt;English&lt;/a&gt; &lt;a href=&quot;/title/indie&quot;&gt;indie&lt;/a&gt; &lt;a href=&quot;/title/band&quot;&gt;band&lt;/a&gt;, which broke up in 2003, led by &lt;a href=&quot;/title/Brett+Anderson&quot;&gt;Brett Anderson&lt;/a&gt; on vocals, with &lt;a href=&quot;/title/Simon+Gilbert&quot;&gt;Simon Gilbert&lt;/a&gt; on drums and &lt;a href=&quot;/title/Mat+Osman&quot;&gt;Mat Osman&lt;/a&gt; on electric bass. The original line-up comprised these three and &lt;a href=&quot;/title/guitarist&quot;&gt;guitarist&lt;/a&gt; Bernard Butler. These four produced the albums &lt;a href=&quot;/title/Suede&quot;&gt;Suede&lt;/a&gt;, a raw. emotive LP dealing with the finer aspects of Englishness, failure and depression (which won them a &lt;a href=&quot;/title/Mercury&quot;&gt;Mercury&lt;/a&gt; Music Award) and the seminal &lt;a href=&quot;/title/Dog+Man+Star&quot;&gt;Dog Man Star&lt;/a&gt;, which ranks among the finest albums ever to come out of the UK. During the preparations to tour after the release of &lt;a href=&quot;/title/Dog+Man+Star&quot;&gt;Dog Man Star&lt;/a&gt;, Bernard Butler left the band, citing the usual &lt;a href=&quot;/title/excuse&quot;&gt;excuse&lt;/a&gt; of &quot;&lt;a href=&quot;/title/creative+differences&quot;&gt;creative differences&lt;/a&gt;&quot;. In order to complete the tour, Bernard was replaced by &lt;a href=&quot;/title/Richard+Oakes&quot;&gt;Richard Oakes&lt;/a&gt; on guitar. For example, the single &lt;a href=&quot;/title/New+Generation&quot;&gt;New Generation&lt;/a&gt; was one of the last 45s taken from &lt;a href=&quot;/title/Dog+Man+Star&quot;&gt;Dog Man Star&lt;/a&gt;, but the &lt;a href=&quot;/title/b-sides&quot;&gt;b-sides&lt;/a&gt; &lt;a href=&quot;/title/Together&quot;&gt;Together&lt;/a&gt; and &lt;a href=&quot;/title/Bentswood+Boys&quot;&gt;Bentswood Boys&lt;/a&gt; are co-written by Anderson and Oakes.&lt;p&gt;&lt;p&gt;After the tour was completed, the band took some time off, recruited a new member - &lt;a href=&quot;/title/Neil+Codling&quot;&gt;Neil Codling&lt;/a&gt; on keyboards -&amp;hellip;</content>
</entry><entry><title>Sean Connery (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/M/writeups/Sean+Connery"/><id>http://everything2.com:80/user/M/writeups/Sean+Connery</id><author><name>M</name><uri>http://everything2.com:80/user/M</uri></author><published>2000-06-27T13:59:36Z</published><updated>2000-06-27T13:59:36Z</updated>
<content type="html">Sean Connery, or Thomas Sean Connery to give him his full name, is one of the best-known actors to come out of &lt;a href=&quot;/title/Scotland&quot;&gt;Scotland&lt;/a&gt; (if not the only one). Generally acknowledged to be the best actor to portray &lt;a href=&quot;/title/Ian+Fleming&quot;&gt;Ian Fleming&lt;/a&gt;'s &lt;a href=&quot;/title/James+Bond&quot;&gt;James Bond&lt;/a&gt;, he was the one who kick-started Bondmania by appearing the first film &lt;a href=&quot;/title/Dr+No&quot;&gt;Dr No&lt;/a&gt;. He went on to make &lt;a href=&quot;/title/From+Russia+With+Love&quot;&gt;From Russia With Love&lt;/a&gt;, &lt;a href=&quot;/title/Goldfinger&quot;&gt;Goldfinger&lt;/a&gt;, &lt;a href=&quot;/title/Thunderball&quot;&gt;Thunderball&lt;/a&gt; and &lt;a href=&quot;/title/You+Only+Live+Twice&quot;&gt;You Only Live Twice&lt;/a&gt; before bowing out of the series. After &lt;a href=&quot;/title/George+Lazenby&quot;&gt;George Lazenby&lt;/a&gt; took over the role for one film, &lt;a href=&quot;/title/On+Her+Majesty%2527s+Secret+Service&quot;&gt;On Her Majesty's Secret Service&lt;/a&gt;, which was disastrous, Connery reprised the role for &lt;a href=&quot;/title/Diamonds+Are+Forever&quot;&gt;Diamonds Are Forever&lt;/a&gt;. He did, it has to be said, look a little too &lt;a href=&quot;/title/old&quot;&gt;old&lt;/a&gt; for the part, however. &lt;a href=&quot;/title/Roger+Moore&quot;&gt;Roger Moore&lt;/a&gt; took over the role and Connery moved on. 
&lt;p&gt;
He was lured back to the Bond &lt;a href=&quot;/title/franchise&quot;&gt;franchise&lt;/a&gt; in 1983 with the production of &lt;a href=&quot;/title/Never+Say+Never+Again&quot;&gt;Never Say Never Again&lt;/a&gt;, a rival Bond film to the official release of that year &lt;a href=&quot;/title/Octopussy&quot;&gt;Octopussy&lt;/a&gt;. Connery has won an &lt;a href=&quot;/title/Oscar&quot;&gt;Oscar&lt;/a&gt; for his role as an &lt;a href=&quot;/title/Irish&quot;&gt;Irish&lt;/a&gt; &lt;a href=&quot;/title/flatfoot&quot;&gt;flatfoot&lt;/a&gt; in &lt;a href=&quot;/title/The+Untouchables&quot;&gt;The Untouchables&lt;/a&gt; and is renowned for his&amp;hellip;</content>
</entry><entry><title>English (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/M/writeups/English"/><id>http://everything2.com:80/user/M/writeups/English</id><author><name>M</name><uri>http://everything2.com:80/user/M</uri></author><published>2000-06-27T13:37:38Z</published><updated>2000-06-27T13:37:38Z</updated>
<content type="html">&lt;p&gt;Concept of &lt;a href=&quot;/title/identity&quot;&gt;identity&lt;/a&gt; peculiar to those from &lt;a href=&quot;/title/England&quot;&gt;England&lt;/a&gt;. We like to think that this means we are more &lt;a href=&quot;/title/intelligent&quot;&gt;intelligent&lt;/a&gt;, &lt;a href=&quot;/title/reserved&quot;&gt;reserved&lt;/a&gt; and &lt;a href=&quot;/title/cultured&quot;&gt;cultured&lt;/a&gt; than the rest of the &lt;a href=&quot;/title/world&quot;&gt;world&lt;/a&gt;. However, we probably come across as purely &lt;a href=&quot;/title/cold&quot;&gt;cold&lt;/a&gt; and &lt;a href=&quot;/title/arrogant&quot;&gt;arrogant&lt;/a&gt;. Americans generally &lt;a href=&quot;/title/stereotype&quot;&gt;stereotype&lt;/a&gt; us as butlers or as &quot;tally-ho, old bean&quot; &lt;a href=&quot;/title/types&quot;&gt;types&lt;/a&gt;. The French think we are utterly without &lt;a href=&quot;/title/civilisation&quot;&gt;civilisation&lt;/a&gt;, the Italians think we have no &lt;a href=&quot;/title/romance&quot;&gt;romance&lt;/a&gt; or &lt;a href=&quot;/title/passion&quot;&gt;passion&lt;/a&gt; in our lives, the Scots &lt;a href=&quot;/title/hate&quot;&gt;hate&lt;/a&gt; us and the Irish hate us even more. Despite such &lt;a href=&quot;/title/hostility&quot;&gt;hostility&lt;/a&gt;, we have had the luck to be born in a place teeming with &lt;a href=&quot;/title/history&quot;&gt;history&lt;/a&gt; and traditions of &lt;a href=&quot;/title/literature&quot;&gt;literature&lt;/a&gt;, &lt;a href=&quot;/title/art&quot;&gt;art&lt;/a&gt;, &lt;a href=&quot;/title/music&quot;&gt;music&lt;/a&gt; and &lt;a href=&quot;/title/creativity&quot;&gt;creativity&lt;/a&gt;. &lt;a href=&quot;/title/Liberal&quot;&gt;Liberal&lt;/a&gt; Englishmen and women attempt to forget about our &lt;a href=&quot;/title/oppression&quot;&gt;oppression&lt;/a&gt; during the days of the British Empire, whereas the more &lt;a href=&quot;/title/conservative&quot;&gt;conservative&lt;/a&gt; right-wingers look back on those days as when we had &lt;a href=&quot;/title/power&quot;&gt;power&lt;/a&gt; and therefore think it good. In short, Englishness is probably best summed up in one word: &lt;a href=&quot;/title/irony&quot;&gt;irony&lt;/a&gt;.&lt;/p&gt;</content>
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