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    <title>Lectrice's New Writeups</title>
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    <updated>2003-10-26T14:40:52Z</updated>
<entry><title>FreeWire (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Lectrice/writeups/FreeWire"/><id>http://everything2.com/user/Lectrice/writeups/FreeWire</id><author><name>Lectrice</name><uri>http://everything2.com/user/Lectrice</uri></author><published>2003-10-26T14:40:52Z</published><updated>2003-10-26T14:40:52Z</updated>
<content type="html">&lt;p&gt;Yet another &lt;a href=&quot;/title/P2P+client&quot;&gt;P2P client&lt;/a&gt; that has learnt from those Greek warriors sneaking up on &lt;a href=&quot;/title/trojan+horse&quot;&gt;Troy&lt;/a&gt;.&lt;br&gt; 
&quot;NO nags, NO banner ads, NO links to online shopping in the program&quot;, is the advertisement for this seemingly &quot;lighter&quot; version of &lt;a href=&quot;/title/Limewire&quot;&gt;Limewire&lt;/a&gt;. I guess their statement is true, since all the annoyances I had when installing it, were clearly outside FreeWire itself. Software included in FreeWire will &lt;a href=&quot;/title/hijack&quot;&gt;hijack&lt;/a&gt; IE settings, fill up your desktop with shortcuts to gambling websites, mess with the &lt;a href=&quot;/title/registry&quot;&gt;registry&lt;/a&gt; and auto-run &lt;a href=&quot;/title/spyware&quot;&gt;spyware&lt;/a&gt; with mainly innocent-looking names, etcetera.&lt;/p&gt;

&lt;p&gt;Removing it all by yourself is no doubt possible, but a gruesome task. Running the newest versions of &lt;a href=&quot;/title/Spybot&quot;&gt;Spybot&lt;/a&gt; and &lt;a href=&quot;/title/Ad-aware&quot;&gt;Ad-aware&lt;/a&gt; after uninstalling FreeWire itself seems to get rid of all the spyware, although you might have to go over browser settings etc. manually.&lt;/p&gt;

&lt;p&gt;It appears there was not a spyware problem with the earliest versions of FreeWire, ie - if you have an early, spyware-free version, &lt;a href=&quot;/title/stick+to+it&quot;&gt;stick to it&lt;/a&gt;.&lt;/p&gt;</content>
</entry><entry><title>Questioning the author's digestion (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Lectrice/writeups/Questioning+the+author%2527s+digestion"/><id>http://everything2.com/user/Lectrice/writeups/Questioning+the+author%2527s+digestion</id><author><name>Lectrice</name><uri>http://everything2.com/user/Lectrice</uri></author><published>2003-07-22T14:34:32Z</published><updated>2003-07-22T14:34:32Z</updated>
<content type="html">&lt;small&gt;&lt;em&gt;Why do writers write? Because it isn't there.&lt;/em&gt;&lt;br&gt;
- &lt;a href=&quot;/title/Thomas+Berger&quot;&gt;Thomas Berger&lt;/a&gt;&lt;/small&gt;

&lt;p&gt;What does one make of the author's role if &lt;a href=&quot;/title/literature&quot;&gt;literature&lt;/a&gt; is little more than a half-digested version of what the author sees, reads, experiences and then &lt;a href=&quot;/title/burp&quot;&gt;burp&lt;/a&gt;s up?&lt;/p&gt;

&lt;p&gt;Every now and then, typically when the culture sections are low on &lt;a href=&quot;/title/juicier+stuff&quot;&gt;juicier stuff&lt;/a&gt;, a serious researcher or amateur enthusiast rears his (it's normally a he, for some reason) enthusiastic head in the newspapers to reveal more or less reliable &lt;a href=&quot;/title/tidbit&quot;&gt;tidbit&lt;/a&gt;s of information about a famous author. And every so often this information has to do with finding real-life models for the author's literary characters. Just today I read about a Norwegian researcher claiming that &lt;a href=&quot;/title/Henrik+Ibsen&quot;&gt;Henrik Ibsen&lt;/a&gt;'s &lt;a href=&quot;/title/Hedda+Gabler&quot;&gt;Hedda Gabler&lt;/a&gt; character is modelled on a Russian aristocrat. And the journalist actually asked him how he found out &lt;em&gt;who Hedda really was&lt;/em&gt;. I had to read that twice to make sure I got the question right.&lt;/p&gt;

&lt;p&gt;If the viewpoint is that of literary&amp;hellip;</content>
</entry><entry><title>Antony Gormley (person)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Lectrice/writeups/Antony+Gormley"/><id>http://everything2.com/user/Lectrice/writeups/Antony+Gormley</id><author><name>Lectrice</name><uri>http://everything2.com/user/Lectrice</uri></author><published>2003-07-04T20:24:48Z</published><updated>2003-07-04T20:24:48Z</updated>
<content type="html">&lt;p&gt;&lt;small&gt;&lt;em&gt;The body is a language before language. When made still in sculpture it can be a witness to life and it can talk about this time now.&lt;/em&gt;&lt;br&gt;
Antony Gormley in an interview about his work &quot;&lt;a href=&quot;/title/Total+Strangers&quot;&gt;Total Strangers&lt;/a&gt;&quot;&lt;/small&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;/title/Sculptor&quot;&gt;Sculptor&lt;/a&gt; Antony Gormley was born in London in 1950. He read &lt;a href=&quot;/title/archaeology&quot;&gt;archaeology&lt;/a&gt;, &lt;a href=&quot;/title/anthropology&quot;&gt;anthropology&lt;/a&gt; and the history of art at &lt;a href=&quot;/title/Trinity+College&quot;&gt;Trinity College&lt;/a&gt;, &lt;a href=&quot;/title/Cambridge&quot;&gt;Cambridge&lt;/a&gt; between 1968 and 1971. After this, he travelled the Near and Middle East and studied &lt;a href=&quot;/title/Vipassana&quot;&gt;Vipassana&lt;/a&gt; meditation with a Burmese teacher in &lt;a href=&quot;/title/India&quot;&gt;India&lt;/a&gt;. This was when he decided to become a sculptor, and he went on to study &lt;a href=&quot;/title/sculpture&quot;&gt;sculpture&lt;/a&gt; at the Central School of Fine Art, transferring after only one year to &lt;a href=&quot;/title/Goldsmiths+College&quot;&gt;Goldsmiths College&lt;/a&gt; in London. He did a &lt;a href=&quot;/title/postgraduate&quot;&gt;postgraduate&lt;/a&gt; course in sculpture at the &lt;a href=&quot;/title/Slade+School+of+Fine+Art&quot;&gt;Slade School of Fine Art&lt;/a&gt;.&lt;/p&gt; 

&lt;p&gt;Most of Gormley's works have come to be based on various casts of his own body - in lead, fibreglass, iron or concrete. The &lt;a href=&quot;/title/Angel+of+the+North&quot;&gt;Angel of the North&lt;/a&gt; at &lt;a href=&quot;/title/Gateshead&quot;&gt;Gateshead&lt;/a&gt; (1995-98), which has a wing-span of 54 metres, is&amp;hellip;</content>
</entry><entry><title>Rana (place)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Lectrice/writeups/Rana"/><id>http://everything2.com/user/Lectrice/writeups/Rana</id><author><name>Lectrice</name><uri>http://everything2.com/user/Lectrice</uri></author><published>2003-07-04T19:36:05Z</published><updated>2003-07-04T19:36:05Z</updated>
<content type="html">&lt;p&gt;Municipality in the &lt;a href=&quot;/title/Norway&quot;&gt;Norwegian&lt;/a&gt; county of &lt;a href=&quot;/title/Nordland&quot;&gt;Nordland&lt;/a&gt;. Norway's 4th largest municipality (4463 km2). The &lt;a href=&quot;/title/Arctic+Circle&quot;&gt;Arctic Circle&lt;/a&gt; cuts through Rana about 80 kms north of the municipal center, &lt;a href=&quot;/title/Mo+i+Rana&quot;&gt;Mo i Rana&lt;/a&gt;. Population: Approx. 25 000.&lt;/p&gt;

&lt;p&gt;Although considered by many Norwegians (notably those living down south) to be &quot;way up north&quot;), Rana is actually 1500 kilometres from &lt;a href=&quot;/title/Kirkenes&quot;&gt;Kirkenes&lt;/a&gt;, the northernmost point of Norway, and 1430 kilometres from &lt;a href=&quot;/title/Lindesnes&quot;&gt;Lindesnes&lt;/a&gt;, which is the southernmost point.&lt;/p&gt;

&lt;p&gt;Enough geographical facts, already. (Mo i) Rana was first and foremost known in Norway for its humongous &lt;a href=&quot;/title/iron+works&quot;&gt;iron works&lt;/a&gt;, which was built after World War II and experienced a significant boom in the decades to come. In 1946, Rana had 9000 inhabitants, in 1976, there were 23 000 people living in Rana. This is why most of the homes and other buildings in the district date from this era. An architectural delight, Rana ain't, although the odd &lt;a href=&quot;/title/picturesque&quot;&gt;picturesque&lt;/a&gt; building can be found.&lt;/p&gt; 

&lt;p&gt;For a long time, it seemed a&amp;hellip;</content>
</entry><entry><title>M2 (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Lectrice/writeups/M2"/><id>http://everything2.com/user/Lectrice/writeups/M2</id><author><name>Lectrice</name><uri>http://everything2.com/user/Lectrice</uri></author><published>2003-07-02T09:55:50Z</published><updated>2003-07-02T09:55:50Z</updated>
<content type="html">M2 is, from version 7 and up, the built-in &lt;a href=&quot;/title/e-mail+client&quot;&gt;e-mail client&lt;/a&gt; of the &lt;a href=&quot;/title/Opera+browser&quot;&gt;Opera browser&lt;/a&gt;. 

&lt;p&gt;The approach of M2 is rather different from what most of us are used to. One of the major differences between M2 and most regular e-mail clients, is that it has no real folders, only various views and &lt;a href=&quot;/title/access+point&quot;&gt;access point&lt;/a&gt;s to all the messages. Messages can be accessed by&lt;br&gt; 
&lt;ul&gt;
&lt;li&gt; &lt;a href=&quot;/title/status&quot;&gt;status&lt;/a&gt; (unread, sent, drafts, trash, spam etc.)
&lt;li&gt; &lt;a href=&quot;/title/contact&quot;&gt;contact&lt;/a&gt; (clicking a name in the contacts list will show all messages received from and sent to that contact)&lt;li&gt; assigned labels (&quot;to do&quot;, &quot;important&quot;, &quot;mail back&quot;, &quot;valuable&quot;, etc.)
&lt;li&gt; type of &lt;a href=&quot;/title/attachment&quot;&gt;attachment&lt;/a&gt; (auto recognition)
&lt;li&gt; &lt;a href=&quot;/title/mailing+list&quot;&gt;mailing list&lt;/a&gt;s (ditto, if list headers are properly &lt;a href=&quot;/title/configured&quot;&gt;configured&lt;/a&gt;) 
&lt;li&gt; &lt;a href=&quot;/title/usenet+group&quot;&gt;usenet group&lt;/a&gt;s
&lt;li&gt; access points you make yourself by performing a search (all searched are automatically kept as access points, but you can of course choose to delete the ones you don't think you'll need again)
&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;M2 comes with a built-in &lt;a href=&quot;/title/spam+filter&quot;&gt;spam filter&lt;/a&gt; that can be&amp;hellip;</content>
</entry><entry><title>Wand (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com/user/Lectrice/writeups/Wand"/><id>http://everything2.com/user/Lectrice/writeups/Wand</id><author><name>Lectrice</name><uri>http://everything2.com/user/Lectrice</uri></author><published>2003-07-02T09:17:25Z</published><updated>2003-07-02T09:17:25Z</updated>
<content type="html">&lt;p&gt;In the &lt;a href=&quot;/title/Opera+browser&quot;&gt;Opera browser&lt;/a&gt; versions 7 and up, the wand is the &lt;a href=&quot;/title/password+manager&quot;&gt;password manager&lt;/a&gt;. One can choose whether the wand should save the password for a page or for a whole &lt;a href=&quot;/title/server&quot;&gt;server&lt;/a&gt;, and next time one enters the site, the &lt;a href=&quot;/title/username&quot;&gt;username&lt;/a&gt;/&lt;a href=&quot;/title/password&quot;&gt;password&lt;/a&gt; fields should already filled in. If they are not, or if it is a different page on the same site, clicking the wand symbol on the &lt;a href=&quot;/title/main+bar&quot;&gt;main bar&lt;/a&gt; should both fill in the fields &lt;em&gt;and&lt;/em&gt; submit the information. Passwords and usernames are scrambled before they are saved. The wand can of course itself be protected by &lt;a href=&quot;/title/password&quot;&gt;password&lt;/a&gt; or simply &lt;a href=&quot;/title/disabled&quot;&gt;disabled&lt;/a&gt; (under preferences &gt; &lt;a href=&quot;/title/security&quot;&gt;security&lt;/a&gt;), for example if the browser is regularly accessed by more than one user.&lt;/p&gt;</content>
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