Near Matches
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June 10, 2007
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RoguePoet
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Sun Jun 10 2007 at 5:13:41
We all fall under the influence of
myth
s. I have too. I've wanted to be a
flaneur
because various literary works and films have sold me on the idea of walking through the streets and soaking in the sights of people chatting, laughing, skipping and hopping, arguing and yelling. A walk for me was to be a
panorama
of life. I was to soak in people's
laugh
s,
witticism
s, and casual remarks that use a turn of phrase that I've never heard before. Teenagers gossiping and switching between valley-girl slang, rough punk
swear
s, or the attitude-laden style of ebonics. These things are memorable impressions that are stored up in the back of your consciousness to be randomly replayed like forgotten
mp3
files that you only remember by accidentally clicking on them.
But it's not only that... people watching is not just about their
conversation
, but much more about their bodies... Everyone has their own way of
walking
. Some people have forward postures and an aggressive heavy step. Even their arms rotate as they walk, lending them an
athletic
profile. Others thread languidly, their arms dragging by their sides, their feet spread apart broadly. They are the ones that drag themselves like primitive
primate
s or children who have recently learned how to walk.
Posture
is not just pure mechanics; it's mood. That's why a mere
walk
through the
city
is about meeting people whether you shake their hand or not, whether there is single word exchanged or not. People reveal themselves simply by walking.
So, yes, I did enjoy urban walks and people watching to the extent that
suburb
s have left me dispirited. Streets deprived of
human presence
have suffocated me with the greyish-black
vapour
of melancholy... The exhaust coming from car fumes created some kind of a
fog
around my eyes that made things more blurry and unreal.. And yes the blur of a suburban walk makes itself felt in every thing. The repetition of the same suburban elements all over again makes them all seem like a mental
mirage
. You ask yourself if you are seeing double because the
house
s along a
car
-heavy
street
blend one into the other.
Its possible to walk along the same street for many miles and yet feel that you are still in the same place. There's another
lawn
with the sizzling spitting sound of
sprinkler
s. And there's that same white fence that blocks off the yard from the road and the same insistent barking from the dogs trapped behind it. Yes, I do know that white fence number three is not the same as the one that came before it just 10 minutes before. However, about a few minutes later, they all get muddled together and I won't even remember how many there were. The only other time the identity of objects is so unclear and uncertain is in recollection of dreams.
After taking many walks like that, I've realized that there was something wonderful about them. It's true that there was no joy to be derived from human contact... But there was the pleasure of entering a new sci-fi world that was exciting, though de-humanized..... The cars that I watched flow by raptured me by their speed... I myself was walking at 5 miles per hour while they roared past me at 60. And I somehow accelerated with them. My walking speed did not change but my
vision
became more acute, intense, and fast. My
sight
tracked the second-long voyage of a car from being right at my side to being just beyond the horizon of my vision. The
car
was there one second, it ran past each
tree
, each
house
, each
fence
in what felt like milliseconds, and then sped out of my sight. You see, as my eyes kept up with the
speed
of the cars, they jumped from each object in the field of my sight in the time period of
millisecond
s... My feet were walking slowly, but my eyes were flying along with the cars... These fast-travelling objects managed to suck me into the
vortex
of their incredibly fast
motion
.
Now, can a walk like that compete with the pleasure of people-watching? I am not quite sure if that is true. But it certainly has its own charms just like an
amusement park
ride. The isolating experience of walking not among humans but among
machine
s certainly gave me the feeling that I left the world of humans. This is a genuine illusion that you acquire during such a walk. If you are surrounded by fast-speeding cars for a half-an-hour or an hour, it begins to feel like you've been there forever. It's like a trance: I watch a car whir by, then another, and then yet another. The
house
s,
lawn
s, and
fence
s register in my eyes over and over again as the cars pass them by. All this for about an hour long. By the time I've left this high-traffic
stretch of road
, it feels like I've woken up from a deep
hypnosis
. Walks like these often end up in a downtown destination full of social places like
store
s and
cafe
s. Even humble parks are overrunning with people. There you glimpse the elderly reading
newspaper
s, teenagers playing
basketball
, and adults
jogging
or
biking
.
But by the time, I encounter all these people, their presence strikes me as odd. It takes a few minutes to get the whirring sounds of cars and their speedy trajectories past lawns and fences out of my head. The regular and predictable
rhythm
of
traffic
is like a song that repeats the same chords over and over again and manages to imprint them on your mind. The
song
puts you to sleep. Once it's done, what has been before feels like yesterday and what comes now feels like morning. A walk along urban routes needs its own
mythology
so that its beauty can be appreciated. I'll sum up its merits by saying that it lulls you into
somnolence
but in a way that's refreshing and invigorating. An experience like that is definitely a plus. Even
Windows
needs to be rebooted once in a while to recover from crashes, memory gaps and to update software configuration.
printable version
chaos
Tony Soprano
June 9, 2007
June 11, 2007
Flaneur
Patsy
drive-through country
tree
rhythm
Laurence Olivier
Liveforever
Dream Log: June 10, 2007
smog
suburban sprawl
Exhaust
pollution
suburb
city
street
Walking
Driving
Car
Traffic
motion
fence
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