'EVIDENCE' #5522212819
'LINGUISTIC' 'DESIGNATION': THE HIVE×BODY MACHŸNE
'AGE': 'CARBON DATED' »34 000 'YRS' ±X500 'YRS'
'ORIGIN': 'UNKNOWN'
'METHOD' OF 'ACTIVATION': 'UNKNOWN'
'ENERGY' 'SOURCE': 'UNKNOWN'
'DATE' OF 'DISCOVERY': 20 'JUNE' 2014
'LOCATION' OF 'DISCOVERY' 'SITE': 'DEAD SEA'

'EVIDENCE' #6629112158
'TYPE': 'LINGUISTIC'
'FORM': AN 'ELECTRONIC' 'MISSIVE' FROM A 'NATALIE M. WIDMEN' ['BODYSPACE'='NEGATIVE'] TO AN 'ANTHONY STAHLVEN' ['BODYSPACE'='NEGATIVE'] 'TIMESTAMPED' [»250816] ±X8 'DYS' ['INCOMPLETE']

[...] According to Sarah the separation of human beings is crucial to our sense of individual satisfaction and identity. Obviously, our sociobiological system of reward and punishment is founded on the neurological non-feasibility of the pleasure/pain biotransmission across individuals. Its basis is clearly exclusion: the exclusion of other human beings from our 'pleasurespace' and our exclusion from other people's 'painspace'. THE HIVE×BODY MACHŸNE seems to neutralise the separation and facilitate (enforce?) neurological redistribution. When pain is redistributed osmotically, the incentive to hurt other people quickly becomes counter-intuitive. It is also of note that the transmission bandwidth seems to span across the whole spectrum of emotional states: sadness, remorse, guilt, envy, shame... It is so subtle and refined. [...] I'm excited. Is it alive? Is it made of aluminum? Or is it gold? It's so beautiful. I think I'm in love. [...] Sarah's intimations of THE HIVE×BODY MACHŸNE's 'divine' origins are nothing short of preposterous. We are scientists, for God's sake! She also suggested it is not fully active yet. [...] Now, we have both seen our share of weird, but listen to this: the name of THE HIVE×BODY MACHŸNE cannot be put in inverted commas. If you don't believe me, try it for yourself. [...]

'EVIDENCE' #2272728211
'TYPE': 'LINGUISTIC'
'FORM': 'HEADLINES' 'CUT' FROM 'NEWSPAPERS' AND 'PLASTERED' TO A 'WALL' OF AN 'APARTMENT' OF AN 'EMMA LIGHTSTORM' ['BODYSPACE'='NEGATIVE'] 'RETRIEVED' FROM 'THE NEW YORK CITY' 'TIMESTAMPED' [»220916] ±X8.8 'DYS' ['INCOMPLETE']

LAUGHING HOMELESS FLOCK TO THE HAMPTONS, MUTILATE THEMSELVES. PANDEMONIUM. BIOSHOCKWAVE OF SUFFERING AFTER MASS SUICIDES. TOWARDS×EQUILIBRIUM? ALL EXECUTIONS POSTPONED INDEFINITELY. URBANITES REPORT ‘UNENDURABLE’ PAIN LEVELS. NEUROLOGICAL×SOCIALISM? NATIONWIDE EXODUS FROM METROPOLITAN AREAS. THEY×HOWL. WŸ ARE×ONE.

'EVIDENCE' #2272728286
'TYPE': 'LINGUISTIC'
'FORM': A 'PARTIALLY' 'PRESERVED' 'DIARY' 'ENTRY' BY A 'JENNIFER TRUMAN' ['BODYSPACE'='NEGATIVE'] 'RETRIEVED' FROM AN 'APARTMENT' OF AN 'ARNOLD G. WHITEHEAD' ['BODYSPACE'='NEGATIVE'] IN 'THE NEW YORK CITY' 'TIMESTAMPED' [»010916] ±X9.2 'DYS' ['INCOMPLETE']

This is the end, he said, and I shivered.
He laughed and sprinkled me with ['ILLEGIBLE'] stardust. It glittered.
The world ['ILLEGIBLE'] falling×apart, he said.
I can only sÿ concrete×cities painted with fear. Not a symbol.
He laughed again and winced. It hurt.
I'm so×sorry. We will have to die×together, he ['ILLEGIBLE'].
But at least I can fÿl you. Not a metaphor.
Wÿ will ['ILLEGIBLE'] together and be finally ['ILLEGIBLE'].
Before it was over, we both×scrÿmed. Unironically.

'EVIDENCE' #2290031300
'TYPE': 'LINGUISTIC'
'FORM': 'GRAFFITI' ON A 'WALL' OF A 'CONTAINMENT' 'FACILITY' #664 'LATER' 'KNOWN' AS THE×VÅØLT

WHOEVER AND WHATEVER YOU ARE, WŸ THANK×YOU.