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    <updated>2003-04-26T05:21:47Z</updated>
<entry><title>Pickwick Papers (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/narzos/writeups/Pickwick+Papers"/><id>http://everything2.com:80/user/narzos/writeups/Pickwick+Papers</id><author><name>narzos</name><uri>http://everything2.com:80/user/narzos</uri></author><published>2003-04-26T05:21:47Z</published><updated>2003-04-26T05:21:47Z</updated>
<content type="html">&lt;p&gt;&lt;i&gt;The Posthumous Papers of the Pickwick Club&lt;/i&gt; (serialized 1836-1837, published as a book 1837) was &lt;a href=&quot;/title/Charles+Dickens&quot;&gt;Charles Dickens&lt;/a&gt;' first novel, originally published under his &lt;a href=&quot;/title/pseudonym&quot;&gt;pseudonym&lt;/a&gt; &lt;a href=&quot;/title/Boz&quot;&gt;Boz&lt;/a&gt;.  His publishers, &lt;a href=&quot;/title/Chapman+and+Hall&quot;&gt;Chapman and Hall&lt;/a&gt;, had originally proposed that he write the adventures of &quot;The &lt;a href=&quot;/title/Nimrod&quot;&gt;Nimrod&lt;/a&gt; Club&quot;, a group of inept would-be sportsmen who would wander the English countryside attempting, poorly, to engage in various pursuits of manly vigor, with &lt;a href=&quot;/title/hilarious+consequences&quot;&gt;hilarious consequences&lt;/a&gt;.  The main selling point was to be the comic illustrations of the popular artist &lt;a href=&quot;/title/Robert+Seymour&quot;&gt;Robert Seymour&lt;/a&gt;, with the 24-year old Dickens as a journeyman who would write his prose around Seymour's drawings.
&lt;p&gt;&lt;a href=&quot;/title/Charles+Dickens&quot;&gt;Dickens&lt;/a&gt; demurred, on the grounds, &quot;that the idea was not novel, and had already been much used; that it would be infinitely better for the plates to arise naturally out of the text; and that I would like to take my own way, with a freer range of English scenes and people, and was afraid I might ultimately do so in any case,&amp;hellip;</content>
</entry><entry><title>The Cold Vein (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/narzos/writeups/The+Cold+Vein"/><id>http://everything2.com:80/user/narzos/writeups/The+Cold+Vein</id><author><name>narzos</name><uri>http://everything2.com:80/user/narzos</uri></author><published>2003-03-19T00:04:23Z</published><updated>2003-03-19T00:04:23Z</updated>
<content type="html">&lt;blockquote&gt;The mind is its own place, and in itself
&lt;br&gt;Can make a Heaven of Hell, a Hell of Heaven.
&lt;br&gt; - &lt;a href=&quot;/title/John+Milton&quot;&gt;Milton&lt;/a&gt;, &lt;i&gt;&lt;a href=&quot;/title/Paradise+Lost&quot;&gt;Paradise Lost&lt;/a&gt;&lt;/i&gt;
&lt;br&gt;
&lt;br&gt;
Me and &amp;#91;Vordul&amp;#93;, we just some stupid ghetto kids. We collect comic books, we know some philosophy... We just enjoy lunch, you know what I mean? We're on some dumb shit like that.
&lt;br&gt; - &lt;a href=&quot;/title/Vast+Aire&quot;&gt;Vast Aire&lt;/a&gt;, in an interview with Gavin Mueller of Stylus magazine: &lt;u&gt;http://www.stylusmagazine.com/artistinterviews/vast_aire_pageone.html&lt;/u&gt;&lt;/blockquote&gt;
&lt;p&gt;The Cold Vein (&lt;a href=&quot;/title/Def+Jux&quot;&gt;Definitive Jux&lt;/a&gt;, May 2001) is &lt;a href=&quot;/title/Cannibal+Ox&quot;&gt;Cannibal Ox&lt;/a&gt;'s first and, so far, only album.  Its most remarkable characterisic is its sheer range; by turns, and sometimes simultaneously, it's precise and frenzied, despairing and redemptive, hard-bitten and vulnerable, claustrophobic and expansive, apocalyptic and everyday.  &lt;a href=&quot;/title/Def+Jux&quot;&gt;Def Jux&lt;/a&gt; head-honcho and former &lt;a href=&quot;/title/Company+Flow&quot;&gt;Company Flow&lt;/a&gt; mad scientist &lt;a href=&quot;/title/El-P&quot;&gt;El-P&lt;/a&gt; produces, and is in rare form, even for El-P.  While the beats can stand alone (and do, a&amp;hellip;</content>
</entry><entry><title>Because the city is falling down (place)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/narzos/writeups/Because+the+city+is+falling+down"/><id>http://everything2.com:80/user/narzos/writeups/Because+the+city+is+falling+down</id><author><name>narzos</name><uri>http://everything2.com:80/user/narzos</uri></author><published>2003-03-07T08:32:49Z</published><updated>2003-03-07T08:32:49Z</updated>
<content type="html">&lt;p&gt;It was a &lt;a href=&quot;/title/woad&quot;&gt;Wednesday&lt;/a&gt; when we went to war with &lt;a href=&quot;/title/These+people+from+the+other+village+smell+wrong%2521+Kill+them%2521&quot;&gt;the people in Stairwell C&lt;/a&gt;.  The snow was illuminated, transfixed, falling down past the mercury floodlights on the roof, which is how I know that the &lt;a href=&quot;/title/streetlights+go+out&quot;&gt;electricity was still on&lt;/a&gt; then, but that was certainly one of the last times it was.  I can also remember yelling, improvised &lt;a href=&quot;/title/Arms+and+the+Boy&quot;&gt;pole-arms&lt;/a&gt; made out of kitchenware; the blood being a brighter red than it is in the movies, though it &lt;a href=&quot;/title/blood+goober&quot;&gt;dried out&lt;/a&gt; pretty dark.

&lt;p&gt;Death was something we were rediscovering in those days, and the suddenness, the &lt;a href=&quot;/title/Dead+people+are+not+sleeping.+They+are+dead.&quot;&gt;irreversibility&lt;/a&gt;, was something that I think had not sunk in yet.  The only person that had died before the war of the &lt;a href=&quot;/title/Down+to+the+Well&quot;&gt;stairwell&lt;/a&gt; was Mrs. Peterson from &lt;a href=&quot;/title/Mexican+radio+coming+in+through+the+walls&quot;&gt;107&lt;/a&gt;, who had cut herself up pretty bad on the pieces of a broken window after falling in the snow, and&amp;hellip;</content>
</entry><entry><title>Father Brown (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/narzos/writeups/Father+Brown"/><id>http://everything2.com:80/user/narzos/writeups/Father+Brown</id><author><name>narzos</name><uri>http://everything2.com:80/user/narzos</uri></author><published>2003-02-27T05:21:29Z</published><updated>2003-02-27T05:21:29Z</updated>
<content type="html">&lt;p&gt;&lt;a href=&quot;/title/G.+K.+Chesterton&quot;&gt;G. K. Chesterton&lt;/a&gt;'s most famous literary creation is probably Father Brown, the &lt;a href=&quot;/title/Roman+Catholic+Church&quot;&gt;Catholic&lt;/a&gt; &lt;a href=&quot;/title/priest&quot;&gt;priest&lt;/a&gt; and &lt;a href=&quot;/title/detective&quot;&gt;detective&lt;/a&gt;.  Father Brown appeared in a series of short stories &lt;a href=&quot;/title/G.+K.+Chesterton&quot;&gt;Chesterton&lt;/a&gt; wrote from 1910 to the mid '30s.  Father Brown is quite unassuming, with &quot;a face as round and dull as a &lt;a href=&quot;/title/Yorkshire+dumpling&quot;&gt;Yorkshire dumpling&lt;/a&gt;&quot; and gray eyes &quot;as empty as the &lt;a href=&quot;/title/North+Sea&quot;&gt;North Sea&lt;/a&gt;&quot;; he always carries a battered umbrella and has a habit of stopping conversations dead with quiet and seemingly trivial and utterly irrelevant observations.  This mild exterior, though, conceals a skilled deductive mind, a rare insight into human nature, and a deep and nuanced religious faith.
&lt;p&gt;Father Brown's trademark is that he solves his mysteries through knowledge of character and motive, rather than, for example, &lt;a href=&quot;/title/Sherlock+Holmes&quot;&gt;Holmes&lt;/a&gt; knowing the murderer was in the foreign service because he recognizes the ash of a Burmese brand of &lt;a href=&quot;/title/cheroot&quot;&gt;cheroot&lt;/a&gt;&lt;sup&gt;1&lt;/sup&gt;.  Occasionally, especially in the later stories, this can&amp;hellip;</content>
</entry><entry><title>The Book of the Long Sun (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/narzos/writeups/The+Book+of+the+Long+Sun"/><id>http://everything2.com:80/user/narzos/writeups/The+Book+of+the+Long+Sun</id><author><name>narzos</name><uri>http://everything2.com:80/user/narzos</uri></author><published>2003-02-17T22:33:41Z</published><updated>2003-02-17T22:33:41Z</updated>
<content type="html">&lt;p&gt;&lt;blockquote&gt;&quot; ... as ambitious as &lt;a href=&quot;/title/Thomas+Pynchon&quot;&gt;Pynchon&lt;/a&gt;'s &lt;i&gt;&lt;a href=&quot;/title/Gravity%2527s+Rainbow&quot;&gt;Gravity's Rainbow&lt;/a&gt;&lt;/i&gt;, as intricate and beautifully written as &lt;a href=&quot;/title/Vladimir+Nabokov&quot;&gt;Nabokov&lt;/a&gt;'s &lt;i&gt;&lt;a href=&quot;/title/Pale+Fire&quot;&gt;Pale Fire&lt;/a&gt;&lt;/i&gt;.&quot; - &lt;b&gt;&lt;a href=&quot;/title/The+Washington+Post&quot;&gt;The Washington Post&lt;/a&gt; Book World&lt;/b&gt;
&lt;p&gt;&quot;... insidiously beautiful - it releases delayed detonations of pleasure days after you've read it.
&lt;br&gt;This is art of the highest order.  It has all the magic we expect from Wolfe: chilling beauty, dark intrigue, and huge invention, and much we do not expect: love, tenderness, and comedy.&quot; - &lt;b&gt;&lt;a href=&quot;/title/SF+Eye&quot;&gt;SF Eye&lt;/a&gt;&lt;/b&gt;
&lt;/blockquote&gt;

&lt;p&gt;&lt;i&gt;The Book of the Long Sun&lt;/i&gt; (1993-1996) is a massive, masterful four-volume novel by &lt;a href=&quot;/title/Gene+Wolfe&quot;&gt;Gene Wolfe&lt;/a&gt;. It is a sequel in a loose sense to his &lt;i&gt;&lt;a href=&quot;/title/The+Book+of+the+New+Sun&quot;&gt;The Book of the New Sun&lt;/a&gt;&lt;/i&gt; (1980-1982), and is followed, much more closely, both thematically and in setting, by &lt;i&gt;&lt;a href=&quot;/title/The+Book+of+the+Short+Sun&quot;&gt;The Book of the Short Sun&lt;/a&gt;&lt;/i&gt; (1999-2001).  It consists of &lt;i&gt;&lt;a href=&quot;/title/Nightside+the+Long+Sun&quot;&gt;Nightside the Long Sun&lt;/a&gt;&lt;/i&gt; (1993), &lt;i&gt;&lt;a href=&quot;/title/Lake+of+the+Long+Sun&quot;&gt;Lake of the Long Sun&lt;/a&gt;&lt;/i&gt; (1994), &lt;i&gt;&lt;a href=&quot;/title/Cald%2526eacute%253B+of+the+Long+Sun&quot;&gt;Cald&amp;eacute; of the Long Sun&lt;/a&gt;&lt;/i&gt; (1994) and &lt;i&gt;&lt;/i&gt;&amp;hellip;</content>
</entry><entry><title>Las Manitas Avenue Cafe (place)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/narzos/writeups/Las+Manitas+Avenue+Cafe"/><id>http://everything2.com:80/user/narzos/writeups/Las+Manitas+Avenue+Cafe</id><author><name>narzos</name><uri>http://everything2.com:80/user/narzos</uri></author><published>2002-05-09T06:19:59Z</published><updated>2002-05-09T06:19:59Z</updated>
<content type="html">&lt;p&gt;One of the most celebrated restaurants in &lt;a href=&quot;/title/Austin&quot;&gt;Austin&lt;/a&gt; is a little Mexican &lt;a href=&quot;/title/luncheonette&quot;&gt;luncheonette&lt;/a&gt; on Congress Avenue (between 2nd and 3rd), Las Manitas.  It would be an unassuming little place, the standard booths along one side, &lt;a href=&quot;/title/formica&quot;&gt;formica&lt;/a&gt; &lt;a href=&quot;/title/diner&quot;&gt;diner&lt;/a&gt; bar on the other, some tables in the middle, until you look over and notice that one entire wall is filled with framed articles about the place from national travel and food magazines, and that the place is almost always full to overflowing.
&lt;p&gt;The menu has maybe a dozen items, plus the daily specials, simple northern and interior &lt;a href=&quot;/title/Cookery+%253A+Recipes%252C+regional+%253A+Latin+America+%253A+Mexico&quot;&gt;Mexican&lt;/a&gt;.  The service is fast; it's unusual to wait more than five minutes for your food.  And the food is good.  Really, really good.  The particular crowd favorite are the &lt;a href=&quot;/title/frijoles&quot;&gt;frijoles&lt;/a&gt;, which are cooked with bacon, and are about as close to the platonic ideal of refried beans as I can imagine.
&lt;p&gt;True to the &lt;a href=&quot;/title/luncheonette&quot;&gt;luncheonette&lt;/a&gt; ideal, the place is only open for &lt;a href=&quot;/title/breakfast&quot;&gt;breakfast&lt;/a&gt; and &lt;a href=&quot;/title/lunch&quot;&gt;lunch&lt;/a&gt;; it closes&amp;hellip;</content>
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