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    <updated>2001-08-22T14:39:22Z</updated>
<entry><title>The Full Monty (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/iain/writeups/The+Full+Monty"/><id>http://everything2.com:80/user/iain/writeups/The+Full+Monty</id><author><name>iain</name><uri>http://everything2.com:80/user/iain</uri></author><published>2001-08-22T14:39:22Z</published><updated>2001-08-22T14:39:22Z</updated>
<content type="html">Not just confined to &lt;a href=&quot;/title/stripping&quot;&gt;stripping&lt;/a&gt;, this is a &lt;a href=&quot;/title/British+English&quot;&gt;British English&lt;/a&gt; &lt;a href=&quot;/title/phrase&quot;&gt;phrase&lt;/a&gt; which generically means '&lt;a href=&quot;/title/everything&quot;&gt;everything&lt;/a&gt;', '&lt;a href=&quot;/title/the+whole+hog&quot;&gt;the whole hog&lt;/a&gt;', '&lt;a href=&quot;/title/the+works&quot;&gt;the works&lt;/a&gt;' etc.
&lt;p&gt;
To 'do the Full Monty' is to '&lt;a href=&quot;/title/go+all+the+way&quot;&gt;go all the way&lt;/a&gt;', whether you're &lt;a href=&quot;/title/removing+your+clothing&quot;&gt;removing your clothing&lt;/a&gt;, eating &lt;a href=&quot;/title/a+large+breakfast&quot;&gt;a large breakfast&lt;/a&gt; or any other act that can be performed to varying degrees of success. 
&lt;p&gt;</content>
</entry><entry><title>Johann Fichte (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/iain/writeups/Johann+Fichte"/><id>http://everything2.com:80/user/iain/writeups/Johann+Fichte</id><author><name>iain</name><uri>http://everything2.com:80/user/iain</uri></author><published>2001-08-22T14:24:14Z</published><updated>2001-08-22T14:24:14Z</updated>
<content type="html">Johann Gottlieb Fichte, the German &lt;a href=&quot;/title/philosopher&quot;&gt;philosopher&lt;/a&gt;, was born at Rammenau, &lt;a href=&quot;/title/Saxony&quot;&gt;Saxony&lt;/a&gt; in &lt;a href=&quot;/title/1762&quot;&gt;1762&lt;/a&gt;.  He studied theology and then philosophy at &lt;a href=&quot;/title/Jena&quot;&gt;Jena&lt;/a&gt; where he became an ardent disciple of &lt;a href=&quot;/title/Kant&quot;&gt;Kant&lt;/a&gt;.
&lt;p&gt;
On becoming &lt;a href=&quot;/title/professor+of+philosophy&quot;&gt;professor of philosophy&lt;/a&gt; at Jena in 1794 he modified the Kantian system by substituting for the &amp;quot;&lt;a href=&quot;/title/thing-in-itself&quot;&gt;thing-in-itself&lt;/a&gt;&amp;quot; as the &lt;a href=&quot;/title/absolute+reality&quot;&gt;absolute reality&lt;/a&gt;, the more subjective &lt;a href=&quot;/title/Ego&quot;&gt;Ego&lt;/a&gt;, the primitive act of consciousness.  In &lt;a href=&quot;/title/1805&quot;&gt;1805&lt;/a&gt; he became professor at &lt;a href=&quot;/title/Erlangen&quot;&gt;Erlangen&lt;/a&gt; where he published the more popular versions of his philosophy.  
&lt;p&gt;His historical importance is as the author of &lt;i&gt;Reden an die deutsche Nation&lt;/i&gt; (1807-8, &lt;a href=&quot;/title/Addreses+to+the+German+Nation&quot;&gt;Addreses to the German Nation&lt;/a&gt;), in which he invoked a metaphysical German &lt;a href=&quot;/title/nationalism&quot;&gt;nationalism&lt;/a&gt; to resistance against &lt;a href=&quot;/title/Napoleon&quot;&gt;Napoleon&lt;/a&gt;.  In 1810 the &lt;a href=&quot;/title/University+of+Berlin&quot;&gt;University of Berlin&lt;/a&gt; was opened and Fichte, who had drawn up its &lt;a href=&quot;/title/constitution&quot;&gt;constitution&lt;/a&gt;, became its first rector.  He died in Berlin in &lt;a href=&quot;/title/1814&quot;&gt;1814&lt;/a&gt;.
</content>
</entry><entry><title>City of London (place)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/iain/writeups/City+of+London"/><id>http://everything2.com:80/user/iain/writeups/City+of+London</id><author><name>iain</name><uri>http://everything2.com:80/user/iain</uri></author><published>2001-02-22T10:15:33Z</published><updated>2001-02-22T10:15:33Z</updated>
<content type="html">Most &lt;a href=&quot;/title/visitor&quot;&gt;visitor&lt;/a&gt;s -- and even some &lt;a href=&quot;/title/resident&quot;&gt;resident&lt;/a&gt;s -- are not aware that
modern &lt;a href=&quot;/title/London&quot;&gt;London&lt;/a&gt; is actually composed of two &lt;a href=&quot;/title/city&quot;&gt;cities&lt;/a&gt;, as well as
31 &lt;a href=&quot;/title/London+boroughs&quot;&gt;regional boroughs&lt;/a&gt;. The two cities are those of
&lt;a href=&quot;/title/City+of+Westminster&quot;&gt;Westminster&lt;/a&gt;, which contains many familiar
&lt;a href=&quot;/title/tourist&quot;&gt;tourist&lt;/a&gt; destinations such as the &lt;a href=&quot;/title/Houses+of+Parliament&quot;&gt;Houses of Parliament&lt;/a&gt;,
&lt;a href=&quot;/title/Buckingham+Palace&quot;&gt;Buckingham Palace&lt;/a&gt; and &lt;a href=&quot;/title/Trafalgar+Square&quot;&gt;Trafalgar Square&lt;/a&gt;, as well as &lt;a href=&quot;/title/consumer&quot;&gt;consumer&lt;/a&gt;
&lt;a href=&quot;/title/heaven&quot;&gt;heaven&lt;/a&gt;s such as &lt;a href=&quot;/title/Soho&quot;&gt;Soho&lt;/a&gt;, &lt;a href=&quot;/title/Oxford+Street&quot;&gt;Oxford Street&lt;/a&gt; and &lt;a href=&quot;/title/Covent+Garden&quot;&gt;Covent Garden&lt;/a&gt;.
&lt;p&gt;
The City of London -- more commonly referred to simply as &quot;&lt;a href=&quot;/title/the+City&quot;&gt;the City&lt;/a&gt;&quot; --
is a different &lt;a href=&quot;/title/beast&quot;&gt;beast&lt;/a&gt; altogether. This is the &lt;a href=&quot;/title/powerhouse&quot;&gt;powerhouse&lt;/a&gt; of the
British &lt;a href=&quot;/title/economy&quot;&gt;economy&lt;/a&gt; and the &lt;a href=&quot;/title/financial&quot;&gt;financial&lt;/a&gt; centre of &lt;a href=&quot;/title/Europe&quot;&gt;Europe&lt;/a&gt;: only
&lt;a href=&quot;/title/Wall+Street&quot;&gt;Wall Street&lt;/a&gt; is more important in world &lt;a href=&quot;/title/economic&quot;&gt;economic&lt;/a&gt; terms. The City
comprises pretty much the area that was once surrounded by the old
&lt;a href=&quot;/title/Roman&quot;&gt;Roman&lt;/a&gt; and &lt;a href=&quot;/title/Medieval&quot;&gt;Medieval&lt;/a&gt; &lt;a href=&quot;/title/city+walls&quot;&gt;city walls&lt;/a&gt; which is a comparatively small
&lt;a href=&quot;/title/geographic&quot;&gt;geographic&lt;/a&gt; area, a fact indicated by its other &lt;a href=&quot;/title/nickname&quot;&gt;nickname&lt;/a&gt;
&quot;The &lt;a href=&quot;/title/Square+Mile&quot;&gt;Square Mile&lt;/a&gt;&quot;.
&lt;p&gt;
But what a square mile. The main &lt;a href=&quot;/title/street&quot;&gt;street&lt;/a&gt;s still&amp;hellip;</content>
</entry><entry><title>Paul Hardcastle (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/iain/writeups/Paul+Hardcastle"/><id>http://everything2.com:80/user/iain/writeups/Paul+Hardcastle</id><author><name>iain</name><uri>http://everything2.com:80/user/iain</uri></author><published>2001-02-20T09:26:23Z</published><updated>2001-02-20T09:26:23Z</updated>
<content type="html">Although he was worked in the &lt;a href=&quot;/title/music+business&quot;&gt;music business&lt;/a&gt; for 20 years, and hit the
&lt;a href=&quot;/title/number+1&quot;&gt;number 1&lt;/a&gt; spot in the charts in 13 different countries, Paul Hardcastle
is still generally &lt;a href=&quot;/title/unknown&quot;&gt;unknown&lt;/a&gt;. Born and brought up in East London, his
&lt;a href=&quot;/title/musical+career&quot;&gt;musical career&lt;/a&gt; started after he began playing around with a
&lt;a href=&quot;/title/synthesiser&quot;&gt;synthesiser&lt;/a&gt; back in &lt;a href=&quot;/title/1981&quot;&gt;1981&lt;/a&gt; -- the very early days of &lt;a href=&quot;/title/electronic+music&quot;&gt;electronic music&lt;/a&gt;.
&lt;p&gt;
Sticking to a &lt;a href=&quot;/title/soul&quot;&gt;soul&lt;/a&gt;ful style of music he put out a couple of &lt;a href=&quot;/title/record&quot;&gt;record&lt;/a&gt;s
which did moderately well but never &lt;a href=&quot;/title/set+the+world+alight&quot;&gt;set the world alight&lt;/a&gt;. Then in
&lt;a href=&quot;/title/1984&quot;&gt;1984&lt;/a&gt;, deciding to return to the electronic sounds he'd &lt;a href=&quot;/title/experiment&quot;&gt;experiment&lt;/a&gt;ed
with earlier, he formed his own &lt;a href=&quot;/title/record+label&quot;&gt;record label&lt;/a&gt; and produced &quot;&lt;a href=&quot;/title/Rainforest&quot;&gt;Rainforest&lt;/a&gt;&quot;,
a melodic, haunting track which was a &lt;a href=&quot;/title/massive&quot;&gt;massive&lt;/a&gt; &lt;a href=&quot;/title/club&quot;&gt;club&lt;/a&gt; success.
Not just a success in Britain and &lt;a href=&quot;/title/Europe&quot;&gt;Europe&lt;/a&gt;,
&quot;Rainforest&quot; became a massive hit in the &lt;a href=&quot;/title/USA&quot;&gt;USA&lt;/a&gt;, even knocking &lt;a href=&quot;/title/Madonna&quot;&gt;Madonna&lt;/a&gt;'s
&quot;&lt;a href=&quot;/title/Like+A+Virgin&quot;&gt;Like A Virgin&lt;/a&gt;&quot; from the number one position in the &lt;a href=&quot;/title/12%2522&quot;&gt;12&quot;&lt;/a&gt; charts.
Very much
&lt;a href=&quot;/title/ahead+of+its+time&quot;&gt;ahead of its time&lt;/a&gt;, Rainforest was pretty much what today would be
called a &lt;a href=&quot;/title/trance&quot;&gt;trance&lt;/a&gt; style of music:&amp;hellip;</content>
</entry><entry><title>Tomaso Albinoni (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/iain/writeups/Tomaso+Albinoni"/><id>http://everything2.com:80/user/iain/writeups/Tomaso+Albinoni</id><author><name>iain</name><uri>http://everything2.com:80/user/iain</uri></author><published>2001-02-18T21:30:13Z</published><updated>2001-02-18T21:30:13Z</updated>
<content type="html">&lt;p&gt;A &lt;a href=&quot;/title/Venice&quot;&gt;Venetian&lt;/a&gt; &lt;a href=&quot;/title/composer&quot;&gt;composer&lt;/a&gt;, born in &lt;a href=&quot;/title/1671&quot;&gt;1671&lt;/a&gt; and a contemporary and friend of &lt;a href=&quot;/title/Vivaldi&quot;&gt;Vivaldi&lt;/a&gt;. Highly &lt;a href=&quot;/title/prolific&quot;&gt;prolific&lt;/a&gt; in his time, Abinoni wrote nearly 50 &lt;a href=&quot;/title/opera&quot;&gt;opera&lt;/a&gt;s, most of which were performed during his lifetime, but his real &lt;a href=&quot;/title/ability&quot;&gt;ability&lt;/a&gt; lay in producing &lt;a href=&quot;/title/instrumental&quot;&gt;instrumental&lt;/a&gt; pieces. Much of his work is hardly ever &lt;a href=&quot;/title/perform&quot;&gt;perform&lt;/a&gt;ed or listened to today, but his &lt;a href=&quot;/title/concerto&quot;&gt;concerto&lt;/a&gt;s for &lt;a href=&quot;/title/oboe&quot;&gt;oboe&lt;/a&gt; are still very much listened to. Perhaps his most famous piece is his &lt;a href=&quot;/title/Adagio+in+G+Minor&quot;&gt;Adagio in G Minor&lt;/a&gt; which was almost completely &lt;a href=&quot;/title/lost&quot;&gt;lost&lt;/a&gt; until a small &lt;a href=&quot;/title/fragment&quot;&gt;fragment&lt;/a&gt; surfaced in the early &lt;a href=&quot;/title/20th+Century&quot;&gt;20th Century&lt;/a&gt;, from which the rest of the work was resurrected.&lt;/p&gt;</content>
</entry><entry><title>The Ragged Trousered Philanthropists (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/iain/writeups/The+Ragged+Trousered+Philanthropists"/><id>http://everything2.com:80/user/iain/writeups/The+Ragged+Trousered+Philanthropists</id><author><name>iain</name><uri>http://everything2.com:80/user/iain</uri></author><published>2001-02-09T21:43:43Z</published><updated>2001-02-09T21:43:43Z</updated>
<content type="html">The Ragged Trousered Philanthropists is the one &lt;a href=&quot;/title/book&quot;&gt;book&lt;/a&gt; written by
&lt;a href=&quot;/title/Robert+Tressell&quot;&gt;Robert Tressell&lt;/a&gt;. Part &lt;a href=&quot;/title/novel&quot;&gt;novel&lt;/a&gt;, part &lt;a href=&quot;/title/socialist&quot;&gt;socialist&lt;/a&gt; &lt;a href=&quot;/title/propaganda&quot;&gt;propaganda&lt;/a&gt; and part
&lt;a href=&quot;/title/biography&quot;&gt;biography&lt;/a&gt;, Tressell never lived to see the book published.
&lt;p&gt;
It tells the story of a group of &lt;a href=&quot;/title/builder&quot;&gt;builder&lt;/a&gt;s and &lt;a href=&quot;/title/labourer&quot;&gt;labourer&lt;/a&gt;s in Mugsborough, a
fictional town on the south coast of &lt;a href=&quot;/title/England&quot;&gt;England&lt;/a&gt; which was obviously a
thinly-disguised &lt;a href=&quot;/title/Hastings&quot;&gt;Hastings&lt;/a&gt;, where Tressell used to live. Tressell's 
&lt;a href=&quot;/title/manuscript&quot;&gt;manuscript&lt;/a&gt; of The RTP was completed in &lt;a href=&quot;/title/1910&quot;&gt;1910&lt;/a&gt; but the first edition didn't
appear until &lt;a href=&quot;/title/1914&quot;&gt;1914&lt;/a&gt;, nearly four years after the &lt;a href=&quot;/title/author&quot;&gt;author&lt;/a&gt;'s death. It started to
sell well but then the outbreak of &lt;a href=&quot;/title/World+War+I&quot;&gt;World War I&lt;/a&gt; put a quick halt to it.
&lt;p&gt;
After the war another &lt;a href=&quot;/title/edition&quot;&gt;edition&lt;/a&gt; was put out, at a much reduced price. The timing
was perfect: a wave of &lt;a href=&quot;/title/revolutionary&quot;&gt;revolutionary&lt;/a&gt; and &lt;a href=&quot;/title/left-wing&quot;&gt;left-wing&lt;/a&gt; ideas were sweeping
across &lt;a href=&quot;/title/Europe&quot;&gt;Europe&lt;/a&gt; as &lt;a href=&quot;/title/soldier&quot;&gt;soldier&lt;/a&gt;s returning to &lt;a href=&quot;/title/civilian+life&quot;&gt;civilian life&lt;/a&gt; started to wonder exactly
what and who they'd been fighting for.  Because it was written in an
easy-to-read style, in the &lt;a href=&quot;/title/language&quot;&gt;language&lt;/a&gt; of&amp;hellip;</content>
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