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    <title>Slidewell's New Writeups</title>
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    <updated>2005-09-02T18:33:07Z</updated>
<entry><title>Where Have All the Giant Radioactive Lizards Gone? (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Slidewell/writeups/Where+Have+All+the+Giant+Radioactive+Lizards+Gone%253F"/><id>http://everything2.com:80/user/Slidewell/writeups/Where+Have+All+the+Giant+Radioactive+Lizards+Gone%253F</id><author><name>Slidewell</name><uri>http://everything2.com:80/user/Slidewell</uri></author><published>2005-09-02T18:33:07Z</published><updated>2005-09-02T18:33:07Z</updated>
<content type="html">&lt;p align=&quot;center&quot;&gt;&lt;strong&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;&lt;big&gt;Power Surge&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;&lt;/strong&gt;
&lt;br&gt;&quot;the Scourge of Injustice&quot;&lt;br&gt;
&lt;br&gt;Secret Satellite #9&lt;br&gt;
&lt;br&gt;Stratosphere, Planet Earth&lt;br&gt;
&lt;br&gt;www.powersurge.com&lt;/p&gt;
&lt;br&gt;

&lt;p&gt;&lt;blockquote&gt;&lt;b&gt;EXPERIENCE: &lt;/b&gt;For over 25 years, have maintained a constant vigil to protect the good citizens of &lt;a href=&quot;/title/Colossal+City&quot;&gt;Colossal City&lt;/a&gt;, serving as &lt;a href=&quot;/title/guardian&quot;&gt;guardian&lt;/a&gt; and &lt;a href=&quot;/title/hero&quot;&gt;hero&lt;/a&gt;. Well-versed in creative deconstruction of city &lt;a href=&quot;/title/infrastructure&quot;&gt;infrastructure&lt;/a&gt; to foil &lt;a href=&quot;/title/wrongdoers&quot;&gt;wrongdoers&lt;/a&gt;.&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;&lt;blockquote&gt;&lt;b&gt;SPECIAL SKILLS: &lt;/b&gt;Possesses the &lt;a href=&quot;/title/strength+of+one+hundred+men&quot;&gt;strength of one hundred men&lt;/a&gt;, &lt;a href=&quot;/title/telescopic+vision&quot;&gt;telescopic vision&lt;/a&gt;, and limited powers of &lt;a href=&quot;/title/levitation&quot;&gt;levitation&lt;/a&gt;.&lt;/blockquote&gt;&lt;/p&gt;

&lt;p&gt;&lt;blockquote&gt;&lt;b&gt;HONORS: &lt;/b&gt;Received a &lt;a href=&quot;/title/bronze+plaque&quot;&gt;bronze plaque&lt;/a&gt; from the mayor of Colossal City for rescuing his wife four times: two separate occasions of extracting her from the clutches of one highly-deranged &lt;a href=&quot;/title/mad+scientist&quot;&gt;mad scientist&lt;/a&gt;, sweeping her away from one &lt;a href=&quot;/title/collapsing+dam&quot;&gt;collapsing dam&lt;/a&gt;, and absorbing the blows of an &lt;a href=&quot;/title/emotionally+distraught+admirer&quot;&gt;emotionally distraught admirer&lt;/a&gt; at a&lt;/blockquote&gt;&amp;hellip;</content>
</entry><entry><title>Latex. High heels. Knives. (idea)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Slidewell/writeups/Latex.+High+heels.+Knives."/><id>http://everything2.com:80/user/Slidewell/writeups/Latex.+High+heels.+Knives.</id><author><name>Slidewell</name><uri>http://everything2.com:80/user/Slidewell</uri></author><published>2005-08-05T21:59:33Z</published><updated>2005-08-05T21:59:33Z</updated>
<content type="html">&lt;p&gt;Shifting uncomfortably in his thin paper &lt;a href=&quot;/title/gown&quot;&gt;gown&lt;/a&gt;, he picks up the &lt;a href=&quot;/title/%253Cem%253EPeople%253C%252Fem%253E+magazine&quot;&gt;&lt;em&gt;People&lt;/em&gt; magazine&lt;/a&gt; and thumbs through it for the third time. The pages pass before his eyes, but nothing registers. His bare butt sticks to the paper as he slides off the table and goes over to the window. Through the blinds he can see the &lt;a href=&quot;/title/loading+dock&quot;&gt;loading dock&lt;/a&gt; of the &lt;a href=&quot;/title/medical+center&quot;&gt;medical center&lt;/a&gt;. Two men sit with their legs dangling from the dock, smoking. A woman in a dress the color of &lt;a href=&quot;/title/tomato+soup&quot;&gt;tomato soup&lt;/a&gt; passes by. Pressing his head against the window glass, he exhales through tightly pursed lips, emitting a flatulent sound. The window fogs from his breath. Turning from the window, his eyes fall on a box of examination gloves. &lt;a href=&quot;/title/Latex&quot;&gt;Latex&lt;/a&gt;. Touching the gloves leaves a fine powdery residue on his fingers, which he nervously wipes on his paper smock. He glances at his watch. Looking up, he catches his reflection in the &lt;a href=&quot;/title/mirror&quot;&gt;mirror&lt;/a&gt; on the back of the door. Standing before the mirror, he bends over, turns, and observes himself from between his legs. He peers around&amp;hellip;</content>
</entry><entry><title>Last Rays of the Old Dying Sun (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Slidewell/writeups/Last+Rays+of+the+Old+Dying+Sun"/><id>http://everything2.com:80/user/Slidewell/writeups/Last+Rays+of+the+Old+Dying+Sun</id><author><name>Slidewell</name><uri>http://everything2.com:80/user/Slidewell</uri></author><published>2005-07-18T03:42:36Z</published><updated>2005-07-18T03:42:36Z</updated>
<content type="html">&lt;p&gt;September 18th, 1970. American rock star &lt;a href=&quot;/title/Jimi+Hendrix&quot;&gt;Jimi Hendrix&lt;/a&gt; &lt;s&gt;was pronounced dead&lt;/s&gt; narrowly escaped death after overdosing on barbiturates. Rescue workers performed an emergency &lt;a href=&quot;/title/tracheotomy&quot;&gt;tracheotomy&lt;/a&gt; on Hendrix, successfully reviving him . . .&lt;/p&gt;

&lt;p&gt;After his brush with death in &lt;a href=&quot;/title/London&quot;&gt;London&lt;/a&gt;, Hendrix eagerly returned to &lt;a href=&quot;/title/New+York&quot;&gt;New York&lt;/a&gt; in early October of 1970 to resume work on his highly anticipated fourth LP, &lt;i&gt;First Rays of the New Rising Sun&lt;/i&gt;. Still recovering from recent throat surgery, performed to correct damage from his life-saving emergency tracheotomy, Hendrix threw himself into completing the ambitious double LP collection. Despite his frustration with his own vocal performances, forced as he was to accept all the vocal takes as finished he had laid down prior to his London misadventure, he was determined to explore every musical idea his fertile mind produced, building up endless layers of guitar overdubs, each new pass inspiring new ideas to be revisited upon otherwise completed tracks.&lt;/p&gt;

&lt;p&gt;In&amp;hellip;</content>
</entry><entry><title>Bubbles and the Doctor Seize the Day (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Slidewell/writeups/Bubbles+and+the+Doctor+Seize+the+Day"/><id>http://everything2.com:80/user/Slidewell/writeups/Bubbles+and+the+Doctor+Seize+the+Day</id><author><name>Slidewell</name><uri>http://everything2.com:80/user/Slidewell</uri></author><published>2005-06-13T02:42:00Z</published><updated>2005-06-13T02:42:00Z</updated>
<content type="html">&lt;p&gt;&quot;Those &lt;a href=&quot;/title/birds&quot;&gt;birds&lt;/a&gt;. They sound like they're right in the house . . .&quot; Carole opens an eye. She's not in the house. She's on the &lt;a href=&quot;/title/patio&quot;&gt;patio&lt;/a&gt;, on the &lt;a href=&quot;/title/chaise+lounge&quot;&gt;chaise lounge&lt;/a&gt;. Cold pink dawn silhouettes the trees. She's got the wine stained tablecloth wrapped around her. &quot;God, I slept out here all night!&quot; She swings her feet around to the ground, upending an empty &lt;a href=&quot;/title/wine+bottle&quot;&gt;wine bottle&lt;/a&gt;, sending it clattering across the bricks. The blood rushes to her head and her temples throb. She feels clammy in the damp morning air. &quot;Oh, this is not good.&quot; Getting up slowly, she shuffles into the house. Making an effort to compose herself, she smoothes her hair and arches her back. &quot;All right, just a little &lt;a href=&quot;/title/hung+over&quot;&gt;hung over&lt;/a&gt;. Some &lt;a href=&quot;/title/aspirin&quot;&gt;aspirin&lt;/a&gt; and a shower'll do wonders.&quot;&lt;/p&gt;

&lt;p&gt;The trip up the stairs takes more out of her than she expects. Standing over the sink, she takes a few deep breaths. Glancing up in the mirror, she catches a revealing glimpse of herself. &quot;&lt;em&gt;Definitely&lt;/em&gt; not good.&quot; Opening the &lt;a href=&quot;/title/medicine+cabinet&quot;&gt;medicine cabinet&lt;/a&gt;, she fumbles for the&amp;hellip;</content>
</entry><entry><title>Modern Sounds In Country &amp; Western Music Vol 1 (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Slidewell/writeups/Modern+Sounds+In+Country+%2526+Western+Music+Vol+1"/><id>http://everything2.com:80/user/Slidewell/writeups/Modern+Sounds+In+Country+%2526+Western+Music+Vol+1</id><author><name>Slidewell</name><uri>http://everything2.com:80/user/Slidewell</uri></author><published>2005-06-06T03:44:05Z</published><updated>2005-06-06T03:44:05Z</updated>
<content type="html">&lt;p&gt;This album is, apart from its brilliant commercial marketing strategy, is nothing less than a &lt;a href=&quot;/title/travesty&quot;&gt;travesty&lt;/a&gt; in the remarkable career of &lt;a href=&quot;/title/Ray+Charles&quot;&gt;Ray Charles&lt;/a&gt;. I could go on and on praising his superb and deeply emotional vocal interpretations of &lt;a href=&quot;/title/country+and+western&quot;&gt;country and western&lt;/a&gt; material that, for the most part, I hold great affection. However, the musical arrangements and performances of the stiff and utterly &lt;a href=&quot;/title/soulless&quot;&gt;soulless&lt;/a&gt; background musicians and singers leave me drowning in my own tears. Any comparison of these renditions, compared to the classic earthy and vital material he recorded for &lt;a href=&quot;/title/Atlantic+Records&quot;&gt;Atlantic Records&lt;/a&gt; is laughable.&lt;/p&gt;

&lt;p&gt;This assessment has nothing to do with &lt;a href=&quot;/title/country+music&quot;&gt;country music&lt;/a&gt; per se. Good country session musicians have created a legacy of heartfelt emotion and deep soulfulness behind all the greats of country music. The band behind Ray on this, and the subsequent Vol. 2, are strictly &lt;a href=&quot;/title/HOLLYWOOD&quot;&gt;HOLLYWOOD&lt;/a&gt;. Professional, but without substance.&lt;/p&gt; 

&lt;p&gt;I in no way begrudge Ray's attempt at garnering a larger audience, which he&amp;hellip;</content>
</entry><entry><title>The Doctor and the Naked Glory (person)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Slidewell/writeups/The+Doctor+and+the+Naked+Glory"/><id>http://everything2.com:80/user/Slidewell/writeups/The+Doctor+and+the+Naked+Glory</id><author><name>Slidewell</name><uri>http://everything2.com:80/user/Slidewell</uri></author><published>2005-05-29T04:56:24Z</published><updated>2005-05-29T04:56:24Z</updated>
<content type="html">&lt;p&gt;&quot;Pour me another splash, will you, dear?&quot;&lt;/p&gt;

&lt;p&gt;Bubbles leans over and slowly fills her mother's glass. Looking up, she awaits a &quot;when&quot; signal, but her mother is looking away, her eyes unfocused, lost in thought. Filling the glass, Bubbles sets the &lt;a href=&quot;/title/bottle&quot;&gt;bottle&lt;/a&gt; down and leans back. Carole, blinking, returns from her reverie. Bringing the glass to her lips, she takes a measured sip. A serious look crosses her face. Straightening up, she smoothes the legs of her pressed &lt;a href=&quot;/title/jeans&quot;&gt;jeans&lt;/a&gt;, tugs at the sleeves of her &lt;a href=&quot;/title/blouse&quot;&gt;blouse&lt;/a&gt;, adjusts her &lt;a href=&quot;/title/pearls&quot;&gt;pearls&lt;/a&gt; and settles back. With a little sigh, she begins.&lt;/p&gt;

&lt;p&gt;&quot;So, how did I come to call you Agharta? No, it wasn't the silly subterranean city that inspired it. It was the music. He played it&amp;mdash;your father&amp;mdash;the night we . . . were together. I found it &lt;a href=&quot;/title/Miles+Davis%2527+Agharta&quot;&gt;mysterious, challenging, and uncompromising&lt;/a&gt;. I asked him,  'What is this music?' He picked up a pen and scratched &lt;a href=&quot;/title/%253Cem%253EAgharta%253C%252Fem%253E&quot;&gt;&lt;em&gt;Agharta&lt;/em&gt;&lt;/a&gt; on a scrap of paper. I woke in the morning, knowing that our moment&amp;hellip;</content>
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