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    <title>Dimview's New Writeups</title>
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    <updated>2009-11-16T07:50:26Z</updated>
<entry><title>shikirisen (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Dimview/writeups/shikirisen"/><id>http://everything2.com:80/user/Dimview/writeups/shikirisen</id><author><name>Dimview</name><uri>http://everything2.com:80/user/Dimview</uri></author><published>2009-11-16T07:50:26Z</published><updated>2009-11-16T07:50:26Z</updated>
<content type="html">&lt;br&gt;
&lt;h1&gt;&amp;#x4ED5; &amp;#x5207; &amp;#x7DDA;&lt;/h1&gt;
&lt;p&gt;
&lt;br&gt;
The &lt;strong&gt;shikirisen&lt;/strong&gt; are two flat, enamelled pieces of wood or metal (I &lt;em&gt;think&lt;/em&gt; it must be wood, but I don't know this for sure) set in the clay of a &lt;a href=&quot;/title/sumo&quot;&gt;sumo&lt;/a&gt; &lt;a href=&quot;/title/shobudawara&quot;&gt;ring&lt;/a&gt;. Located in the middle of the fighting area, 70 cm apart, respectively east and west of the center they are, in fact, the &quot;starting lines&quot;. But that should be taken with a grain of the salt of inaccuracy: the &lt;a href=&quot;/title/sumotori&quot;&gt;wrestlers&lt;/a&gt; are supposed to line up behind their shikirisen, but there are no rules concerning how close to - or far from - them they have to be.&lt;/p&gt;
&lt;p&gt;
The lines are white, 6*90 cm, parallel, and level with the floor of the &lt;a href=&quot;/title/dohyo&quot;&gt;dohyo&lt;/a&gt;. They easily get covered by sand and dirt during a match, and are meticulously swept clean by the yobidashi between bouts.&lt;/p&gt;
&lt;p&gt;
During the &lt;a href=&quot;/title/yokozuna&quot;&gt;yokozuna&lt;/a&gt; &lt;a href=&quot;/title/dohyoiri&quot;&gt;dohyoiri&lt;/a&gt; (ring opening ceremony) the yokozuna will place their feet on the lines; not because they have to, but because the shikirisen nicely mark the center of the&amp;hellip;</content>
</entry><entry><title>shikiri (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Dimview/writeups/shikiri"/><id>http://everything2.com:80/user/Dimview/writeups/shikiri</id><author><name>Dimview</name><uri>http://everything2.com:80/user/Dimview</uri></author><published>2009-11-14T21:05:19Z</published><updated>2009-11-14T21:05:19Z</updated>
<content type="html">&lt;br&gt;
&lt;h1&gt;&amp;#x4ed5; &amp;#x5207;&lt;/h1&gt;
&lt;p&gt;
&lt;br&gt;
If you have the good fortune to attend a day of professional &lt;a href=&quot;/title/sumo&quot;&gt;sumo&lt;/a&gt; in &lt;a href=&quot;/title/Japan&quot;&gt;Japan&lt;/a&gt; you will be sure to notice the stomping and glaring that goes on on top of the &lt;a href=&quot;/title/dohyo&quot;&gt;dohyo&lt;/a&gt;, before the actual sumo begins.&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt;Shikiri&lt;/strong&gt; can mean something along the lines of &quot;drawing the line&quot; or &quot;toeing off the mark&quot;. And that is what the wrestlers, or &lt;a href=&quot;/title/sumotori&quot;&gt;sumotori&lt;/a&gt;, do: they crouch down and put their fists on the ground by the &lt;em&gt;&lt;a href=&quot;/title/shikirisen&quot;&gt;shikirisen&lt;/a&gt;&lt;/em&gt; (starting lines), get up and walk back to their corner, perform &lt;em&gt;kiyome-jiro&lt;/em&gt; - the throwing of the salt (originally to ward off evil spirits) - go back to crouch down again, and so on. They will lean very far forward, supporting their weight on their knuckles, making it look like they could do a handstand with no effort whatsoever. It can be a terrific display of strength, meant to help the wrestlers gain the mental upper hand and boost their spirit.&lt;/p&gt;
&lt;p&gt;
During the shikiri the &lt;a href=&quot;/title/gyoji&quot;&gt;gyoji&lt;/a&gt; (referee) will be standing&amp;hellip;</content>
</entry><entry><title>November 6, 2009 (personal)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Dimview/writeups/November+6%252C+2009"/><id>http://everything2.com:80/user/Dimview/writeups/November+6%252C+2009</id><author><name>Dimview</name><uri>http://everything2.com:80/user/Dimview</uri></author><published>2009-11-06T10:20:57Z</published><updated>2009-11-06T10:20:57Z</updated>
<content type="html">&lt;p&gt;
I'm entering week two of having &lt;a href=&quot;/title/iritis&quot;&gt;iritis&lt;/a&gt;. Feeling very sorry for myself. My left eye has stopped hurting now, but the right one is pretty painful and inflamed. I have to drip the right eye every &lt;a href=&quot;/title/every+hour+for+the+first+four+days&quot;&gt;two hours&lt;/a&gt; with one kind of eyedrops, and every four hours with something else, and then there's a gel that I have to put in at night. The left eye is only every four hours with one kind, and morning and night with the other, no gel.&lt;/p&gt;
&lt;p&gt;
Now, as the very organised and prepared person I am, I mislaid my glasses years ago, and never really got around to buying another pair - which means that I am &lt;a href=&quot;/title/myopic&quot;&gt;practically blind&lt;/a&gt; now that I'm not allowed to wear contacts.&lt;/p&gt;
&lt;p&gt;
My ophtal.. optom... eye-doctor sent me to have some blood tests taken, to find out why I all of a sudden am being attacked by this very annoying affliction. I'm suspecting &lt;a href=&quot;/title/menopause&quot;&gt;menopause&lt;/a&gt; (I mean, menopause can cause all kinds of oddities), but doc says that it's unlikely. Hrmph.&lt;/p&gt;
&lt;p&gt;
I am writing&amp;hellip;</content>
</entry><entry><title>Deep in the Woods (thing)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Dimview/writeups/Deep+in+the+Woods"/><id>http://everything2.com:80/user/Dimview/writeups/Deep+in+the+Woods</id><author><name>Dimview</name><uri>http://everything2.com:80/user/Dimview</uri></author><published>2009-10-25T15:33:07Z</published><updated>2009-10-25T15:33:07Z</updated>
<content type="html">&lt;p&gt;
&lt;br&gt;
The other morning I woke up from a dream with an old Danish children's song churning in my head. In the dream I had been singing it for three children, while playing half a guitar (only the neck) with five strings (one of the E-strings were missing). But I guess that's not important from the point of this writeup.&lt;/p&gt;
&lt;p&gt;
&lt;br&gt;
&lt;strong&gt;Langt ud i skoven, or &lt;em&gt;Deep in the woods&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;
The song is old enough that I couldn't find an author or composer online. It's one of those songs that keeps getting longer and longer, as you add a line with every new verse, and kids seem to love that. It lets them learn the words as well as have a go at guessing the new line, which is, to some extent, logical enough once you get the gist of the story.&lt;/p&gt;
&lt;p&gt;
In the movie &quot;&lt;a href=&quot;/title/The+Wicker+Man&quot;&gt;The Wicker Man&lt;/a&gt;&quot; a song with words very close to these featured. That song was based on an old Irish drinking song called &quot;The Rattlin' Bog&quot;. &quot;The Rattlin' Bog&quot; itself is actually not very close to my Danish version, but&amp;hellip;</content>
</entry><entry><title>Chimera (review)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Dimview/writeups/Chimera"/><id>http://everything2.com:80/user/Dimview/writeups/Chimera</id><author><name>Dimview</name><uri>http://everything2.com:80/user/Dimview</uri></author><published>2009-10-17T16:51:09Z</published><updated>2009-10-17T16:51:09Z</updated>
<content type="html">&lt;br&gt;
Let me tell you a story about a story about a storyteller who's telling a story. A nested doll kind of story. Or perhaps a filigree of interlacing stories.
&lt;p&gt;
&lt;em&gt;&lt;strong&gt;Chimera&lt;/strong&gt;&lt;/em&gt; by &lt;a href=&quot;/title/John+Barth&quot;&gt;John Barth&lt;/a&gt; is a story about stories and story tellers. It is by no means an easy read, and definitely not a book you rush through with half of your mind somewhere else. It's a book that requires a bit of focus.&lt;/p&gt;
&lt;p&gt;
Like the mythical creature by the same name, that consisted of three different animals, &lt;em&gt;Chimera&lt;/em&gt; comprises three different stories: The Dunyazadiad, the Perseid, and the Bellerophoniad. The three stories retell, in their own special way, three classics, namely &lt;a href=&quot;/title/1001+Arabian+Nights&quot;&gt;1001 Arabian Nights&lt;/a&gt; (Dunyazade being the younger sister of &lt;a href=&quot;/title/Sheherezade&quot;&gt;Sheherezade&lt;/a&gt;), &lt;a href=&quot;/title/Perseus&quot;&gt;Perseus&lt;/a&gt;' story, and the tale of &lt;a href=&quot;/title/Bellerophon&quot;&gt;Bellerophon&lt;/a&gt;. But John Barth's way of &quot;retelling&quot; means that he gives us the story about the stories and their tellers.&lt;/p&gt;
&lt;p&gt;
Sometimes it can be hard to tell who's doing the talking: the narrative is so&amp;hellip;</content>
</entry><entry><title>Hundige (place)</title><link rel="alternate" type="text/html" href="http://everything2.com:80/user/Dimview/writeups/Hundige"/><id>http://everything2.com:80/user/Dimview/writeups/Hundige</id><author><name>Dimview</name><uri>http://everything2.com:80/user/Dimview</uri></author><published>2009-09-06T21:40:02Z</published><updated>2009-09-06T21:40:02Z</updated>
<content type="html">&lt;h4&gt;Once upon a time in &lt;a href=&quot;/title/Denmark&quot;&gt;Denmark&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;
Not a city, not a town - once, though, a village - &lt;strong&gt;Hundige&lt;/strong&gt;'s claim to fame is, today, a reputation for being a place of unrest and gang-related violence. It wasn't always like that, though; it used to be a nice spot in the countryside until it was swallowed up by the ever expanding Greater Copenhagen, and became a troubled suburb in &lt;em&gt;Greve &lt;a href=&quot;/title/municipality&quot;&gt;Kommune&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;
Located some 25 km to the south-west of &lt;a href=&quot;/title/Copenhagen&quot;&gt;Copenhagen&lt;/a&gt;, close to the coast with nice beaches and a marina, Hundige is still a nice place, as long as you stay away from &lt;em&gt;certain areas&lt;/em&gt; at &lt;em&gt;certain times of day&lt;/em&gt;. (And if you avoid looking like &lt;em&gt;this&lt;/em&gt;, and walking like &lt;em&gt;that&lt;/em&gt;, and yadda yadda...) I suppose what I am trying to say is that, bad reputation or no, Hundige is not much different from many other rapidly expanding, underfunded suburbs anywhere. But again: it wasn't always like that, and, old sentimentalist that I am, I miss the old Hundige&amp;hellip;</content>
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